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Pass Me Not
Non classifié
95
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139
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43
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31
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11
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5
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2
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1
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17
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9
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3
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48
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9
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4
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2
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1
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1
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11
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Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
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1
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1
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41
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12
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8
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7
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5
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3
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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Vous avez sélectionné:
Pass Me Not
Ensemble de cuivres
Partitions à imprimer
5 partitions trouvées
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PASS ME NOT (Horn Quartet #11)
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Ensemble de cuivres
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INTERMÉDIAIRE
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William H
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James K
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PASS ME NOT
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James K. Taylor
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.872450 Composed by William H. Doane. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.872450 Composed by William H. Doane. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 8 pages. James K. Taylor #1911375. Published by James K. Taylor (A0.872450). This is a public domain hymn named PASS ME NOT composed by Doane. I have arranged it for HORN QUARTET using the FINALE music software, and the audio is actually produced by the FINALE program. I am on a quest to arrange fifty old hymns as horn quartets. These quartets are also on YOUTUBE. Just do a youtube search for James K. Taylor. Please enjoy.
$20.00
Take Me Back To Dear Old Blighty - BRASS BAND Score and Parts PDF
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Ensemble de cuivres
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INTERMÉDIAIRE
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Arthur J
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Brendan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patr...
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Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patriotic,Traditional. Score and parts. 38 pages. BJE Music #4413147. Published by BJE Music (A0.750898). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much. The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Brass Band with optional Piano part (not on the score) and Vocal Lead Sheet.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins (2 Verses and two Choruses with repeat).
$20.00
Chained Wings
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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RLW Myers
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Chained Wings
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Richard Myers
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1031250 Composed by RLW Myers. Contemporary. Score and parts. 31 pages. Richard Myers #5191165. Published by Richard ...
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Brass Ensemble - Level 5 - SKU: A0.1031250 Composed by RLW Myers. Contemporary. Score and parts. 31 pages. Richard Myers #5191165. Published by Richard Myers (A0.1031250). Please notify me if you choose to perform this!I need to give a big thanks to Dr. Greg Danner and the Tennessee Tech Tuba Ensemble for the help and guidance they gave to me while working on this piece! Also thank you to anyone I tortured with the many edits and editions before this was finalized. This piece is inspired by the following stanza from Paradise Lost: Whence and what art thou, execrable shape, That dar'st, though grim and terrible, advance Thy miscreated front athwart my way To yonder gates? Through them I mean to pass, That be assured, without leave asked of thee. Retire; or taste thy folly, and learn by proof, Hell-born, not to contend with spirits of Heaven. Here we see Lucifer, even after he has fallen so far, his wings bound by adamantine chains, still view himself with pride for being filled with the light of Heaven. He challenges Death, thinking himself superior to the foul (and more powerful) being. This piece explores the arrogance and emotions that I associate with the work as a whole, but particularly in Lucifer’s ego. The MP3 given here is just the render off of staffpad. Enjoy! PS: Thanks to Charlie Hickerson for having me read Paradise Lost in my senior English class.
$15.00
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Urlicht from Mahler's 2nd Symphony in C minor for Flugel or Mezzo Sop solo
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Ensemble de cuivres
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Classique
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Gustav Mahler
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Phil Lawrence
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Urlicht from Mahler's 2nd Symp
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 p...
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Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 pages. Phillip Lawrence #4283561. Published by Phillip Lawrence (A0.883780). There’s no doubt that this is one of the saddest and yet beautiful works ever, The Urlicht from Mahler’s 2nd Symphony in C minor for alto voice and alternatively here for Flugel solo. I arranged this 14 years ago for a dear friend trumpeter of mine who passed before his time and a favourite of his.I discovered Mahler 2 at the age of 16 and like Kaplin, it has been a journey of understanding and study for me sifting through Mahler’s own handwritten score at times and through his letters at the time of composing which on and off was near 20 years! The recording you will here attached is by The Fairey Band (from my album with them It's Not Unusual worldofbrass) conducted by Frank Renton and sung by one of the most beautiful alto voices in this land, Margaret McDonald. I’ve no doubt in my mind this arrangement works 100% hence me including the recording itself. Alternatives within the score are Picc A tpt in lieu of Sop, the solo line flg instead of mezzo voice, vibraphone instead of harp.
$29.99
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Pass Me Not
