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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Performance Time:
Non classifié
5 534
Piano & claviers
Piano seul
1 743
Piano, Voix
654
Piano Facile
484
Instruments en Do
269
Accompagnement Piano
182
Piano, Voix et Guitare
139
1 Piano, 4 mains
123
Orgue
66
Piano Trio: piano, violon, violoncelle
37
2 Pianos, 4 mains
18
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
7
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
2
1 Piano, 6 mains
2
Clavecin
1
2 Accordéons
1
Ensemble de Pianos
1
+ 16 instrumentations
Retracter
Guitares
Guitare
152
Guitare notes et tablatures
90
2 Guitares (duo)
35
Ligne De Mélodie, (Paroles) et Accords
28
Ukulele
28
Guitare (partie séparée)
10
Basse electrique
9
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
8
Mandoline
5
Ensemble de guitares
4
3 Guitares (trio)
3
Dulcimer
3
Banjo
2
Paroles et Accords
2
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
Guitare Pedal Steel
1
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
865
Chorale 3 parties
403
Chorale 2 parties
224
Chorale SSAA
161
Chorale TTBB
145
Chorale Unison
86
Voix duo, Piano
73
Voix Alto, Piano
55
Voix Soprano, Piano
52
Voix Tenor, Piano
51
Voix Baryton, Piano
31
Voix duo
19
Voix haute
9
Voix moyenne, Piano
5
Voix Tenor
5
Chorale
4
Chorale SSAATTBB
4
Voix seule
3
Voix Mezzo-Soprano, Piano
3
Male Voice
2
Chorale SAATB A Cappella
1
Voix Soprano
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
2 Saxophones (duo)
1 012
Quatuor de Saxophones: 4 saxophones
527
2 Flûtes traversières (duo)
475
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
473
2 Clarinettes (duo)
442
Saxophone, Clarinette (duo)
411
Quintette de Saxophone: 5 saxophones
404
Flûte, Hautbois, Clarinette, Basson
395
Flûte traversière et Piano
321
Clarinette, Violon (duo)
284
Clarinette et Piano
284
Hautbois, Piano (duo)
256
Saxophone Alto et Piano
244
Clarinette, Trompette (duo)
242
Ensemble de saxophones
240
Clarinette
234
2 Hautbois (duo)
225
Flûte, Clarinette (duo)
210
Hautbois, Clarinette (duo)
192
Flûte traversière
192
Quatuor de Clarinettes: 4 clarinettes
183
Hautbois, Basson (duo)
169
Ensemble de Clarinettes
161
Saxophone Alto
159
2 Flûte à bec (duo)
158
Saxophone Tenor et Piano
151
Flûte, Violon
148
Saxophone Soprano et Piano
146
Clarinette et Alto
145
Hautbois, Flûte
140
Flûte, Saxophone (duo)
140
Saxophone Tenor
136
3 Saxophones (trio)
134
Flûte, Alto (duo)
119
Flûte, Trompette (duo)
112
Hautbois
93
Saxophone Baryton, Piano
91
Saxophone (partie séparée)
87
3 Clarinettes (trio)
82
Quatuor de Flûtes : 4 flûtes
79
Hautbois (partie séparée)
77
Trio de Flûtes: 3 flûtes
63
Flûte, Clarinette et Basson
57
Flûte à bec Soprano
53
Saxophone Soprano
46
Cor anglais, Piano
44
Quintette de Flûte : 5 flûtes
42
Quintette de Clarinettes: 5 clarinettes
41
Hautbois, Clarinette, Basson (trio d'anches)
40
Saxophone Baryton
38
Flûte, Hautbois, Clarinette (trio)
34
Clarinette Basse, Piano
34
Flûte, Hautbois (duo)
31
Hautbois, Violoncelle
29
Clarinette, Basson (duo)
29
Ensemble de Flûtes
26
Cor Anglais
25
Flûte, Hautbois, Basson
23
Quatuor de Flûtes à bec
22
Flûte, Violoncelle
22
Clarinette, Violoncelle (duo)
22
Flûte à bec Alto
21
Flûte, Violon, Piano
21
Ensemble De Flûte à bec
19
Flûte à Bec
17
Flûte et Guitare
17
2 Clarinettes, Piano
16
Flûte, Hautbois, Piano (trio)
13
Hautbois, violon (duo)
13
Clarinette, Trombone (duo)
13
3 Flûtes à bec (trio)
11
Clarinette, Guitare (duo)
11
Clarinette (partie séparée)
9
Flute (partie séparée)
9
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Flûtes traversières, Piano
9
Hautbois et alto (duo)
7
5 Flûtes à bec
7
Flûte, Violoncelle, Piano (trio)
5
Piccolo
5
Flûte, Basson et Piano
5
Hautbois, Guitare (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Clarinette, Piano (trio)
4
Clarinette Basse
4
Clarinette, Contrebasse (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, trombone (duo)
3
Flûte, Trombone (duo)
3
Saxophone et Orgue
3
Clarinette, Alto et Piano (trio)
3
Flûte, Violon et Violoncelle
3
Flûte à bec Tenor
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
2
Clarinette, Tuba
2
Clarinette, Basson, Piano (trio)
2
Ocarina
2
Ensemble de Hautbois
2
2 Saxophones, Piano
2
Flûte, Tuba (duo)
2
Harmonica
2
Flûte, Alto et Piano
2
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Basse continue
1
Hautbois, Trompette (duo)
1
Hautbois, Violoncelle et Piano
1
4 Hautbois
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Hautbois, Violon, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière, Orgue (duo)
1
Saxophone et Piano
1
+ 111 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
938
Trompette, Saxophone (duo)
290
Trompette, Piano
238
2 Trompettes (duo)
235
Trombone et Piano
232
Quatuor de Cuivres : 2 trompettes, trombone, tuba
228
2 Trombones (duo)
228
Trompette
220
Trompette, Trombone (duo)
200
Cor et Piano
189
Trombone
164
Tuba et Piano
151
Quatuor de Cuivres: 2 trompettes, Cor, trombone
137
Cor
126
Quatuor de Cuivres
110
Tuba
101
2 Cors (duo)
77
Ensemble de Trompettes
68
Ensemble de Trombones
49
Euphonium, Piano (duo)
46
Cor anglais, Piano
44
2 Tubas (duo)
38
Trompette (partie séparée)
26
Cor Anglais
25
Trombone (partie séparée)
23
Quatuor de cuivres: 4 trombones
23
Quatuor de cuivres: 4 cors
18
Trompette, Cor (duo)
17
3 Trombones (trio)
16
Quatuor de cuivres: 4 trompettes
15
Trio de Cuivres
11
2 Euphoniums (duo)
11
Ensemble de Cors
11
Trombone basse et Piano
10
Euphonium
10
Trombone basse
8
3 Trompettes (trio)
8
4 Tubas
8
Cor (partie séparée)
8
Trompette, Basson (duo)
6
3 Tubas (trio)
6
Trombone, Cor (duo)
6
Trompette, Violoncelle (duo)
6
Trompette, Tuba (duo)
6
Tuba (partie séparée)
5
Cor et Basson (duo)
5
Cor, Violoncelle (duo)
4
Tuba et Orgue
4
Trombone, Tuba (duo)
3
Trompette, violon (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Cors (trio)
2
Trompette, Violoncelle et Piano
1
Trompette et Guitare
1
Trombone, Violon (duo)
1
Trombone, Orgue
1
Trombone et orchestre
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Euphoniums et 2 Tubas
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
+ 56 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
922
Violon, Violoncelle (duo)
444
Violon et Piano
434
Violon
411
Alto, Piano
323
Violoncelle, Piano
316
2 Violons (duo)
277
2 Violoncelles (duo)
253
2 Altos (duo)
251
Quintette à cordes: 2 violons, alto, violoncelle, basse
238
Violon, Alto (duo)
237
Trio à Cordes: violon, alto, violoncelle
230
Violoncelle
201
Alto seul
164
Contre Basse
96
Contrebasse, Piano (duo)
95
Harpe
69
Trio à Cordes: 2 violons, violoncelle
54
Alto, Violoncelle (duo)
42
2 Harpes (duo)
40
2 Contrebasses (duo)
37
Trio à cordes: 3 violins
36
4 Violoncelles
27
Violon, Basson (duo)
26
Alto (partie séparée)
25
Trio à Cordes: 3 violoncelles
25
Ensemble de Violons
20
Ensemble d'Altos
18
Quatuor à cordes: 4 violons
18
Quatuor à cordes : 4 altos
17
Trio à Cordes: 2 violons, alto
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Harpe, Flûte (duo)
12
Violon, Guitare (duo)
12
Piano Trio: Violon, Alto, Piano
12
Trio à cordes: 3 altos
10
Alto et Basson
9
Violoncelle , Guitare (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Violon (partie séparée)
7
Contrebasse (partie séparée)
7
Violoncelle, Contrebasse (duo)
5
Flûte, Contrebasse (duo)
3
Ensemble de Violoncelles
3
Violoncelle, Orchestre
3
Violon, Clarinette, Piano (trio)
3
Alto, Orgue
2
Violon, Orgue
2
Violoncelle, Orgue
2
Violoncelle (partie séparée)
2
Violon, Violoncelle, Clarinette
2
2 Violons, Piano
2
2 Violoncelles, Piano
2
4 Harpes
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes
1
Violon, Tuba (duo)
1
Harpe, Voix
1
4 Contrebasses
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
787
Orchestre à Cordes
304
Ensemble de cuivres
187
Orchestre
173
Cloches
93
Ensemble Jazz
79
Orchestre de chambre
67
Fanfare
43
Jazz combo
41
Ensemble de Percussions
35
Marimba
13
Xylophone, Piano
13
Batterie
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Xylophone
6
Vibraphone
5
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Orchestre, Violon
2
Piano et Orchestre
2
Ensemble d'École
2
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Vibraphone et Marimba
1
Percussion
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Ensemble de cuivres
Partitions à imprimer
187 partitions trouvées
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176
Alexander’s Ragtime Band
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Irving Berlin
#
F
#
contact him at lessmith@ufl
#
Alexander’s Ragtime Band
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
ALEXANDER'S RAGTIME BAND for LOW BRASS QUARTET (unaccompanied)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Irving Berlin
#
Glen Poehlmann
#
Performance Time 5:00.
#
ALEXANDER'S RAGTIME BAND for L
#
arrangements by GPoehlmann
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.806818 Composed by Irving Berlin. Arranged by Glen Poehlmann. 20th Century. Score and parts. 10 pages. Arrangements b...
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Brass Ensemble - Level 4 - SKU: A0.806818 Composed by Irving Berlin. Arranged by Glen Poehlmann. 20th Century. Score and parts. 10 pages. Arrangements by GPoehlmann #5952765. Published by arrangements by GPoehlmann (A0.806818). ALEXANDER'S RATIME BAND for LOW BRASS QUARTET (unaccompanied)Euphonium/Baritone TC 1, Euphonium/Baritone TC 2, Tuba 1, Tuba 258 measures. Performance Time 5:00. Medium in Difficulty (Grade 3+).Key: C - F. Meter: 4/4. Instrument Ranges (C4=middle C):Euphonium 1 C3 - F4. Baritone TC 1 D4 - G5 (written)Euphonium 2 B2 - D4. Baritone TC 2 C#4 - E5 (written)Tuba 1 F2 - F3. Tuba 2 B1 - F3.
$5.00
Sentimental Journey
#
Ensemble de cuivres
#
Ben Homer, Bud Green, and Les
#
L
#
Sentimental Journey
#
LCH Music
#
SheetMusicPlus
Brass Ensemble - SKU: A0.1099444 Composed by Ben Homer, Bud Green, and Les Brown. Arranged by L.C. Harnsberger. 20th Century,Jazz,Standards,Wedding. Sco...
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Brass Ensemble - SKU: A0.1099444 Composed by Ben Homer, Bud Green, and Les Brown. Arranged by L.C. Harnsberger. 20th Century,Jazz,Standards,Wedding. Score and parts. 14 pages. LCH Music #703336. Published by LCH Music (A0.1099444). The music to the timeless hit song Sentimental Journey was written by Les Brown and Ben Homer, and the lyrics were written by Bud green. The song was first published in 1944, and soon become a hit for Doris Day in 1945. The song has been a hit for countless other recording artists including Ella Fitzgerald, Booker T. & the M.G.’s, Ringo Starr, George Clinton and Parliament-Funkadelic, and Bob Dylan. After an introduction, this arrangement preserves the tranquil mood of the song, and provides interesting parts for every player, and tasty harmonies throughout. The song builds and comes to a rousing finish, making it fun to play and to hear. This arrangement is perfect to perform at weddings, funerals, concerts, and recitals.
$16.99
Alexander's Ragtime Band
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Irving Berlin
#
Tim Curd
#
Alexander's Ragtime Band
#
Tim Curd
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.716880 Composed by Irving Berlin. Arranged by Tim Curd. Contemporary. Score and parts. 9 pages. Tim Curd #4786889. Pu...
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Brass Ensemble - Level 3 - SKU: A0.716880 Composed by Irving Berlin. Arranged by Tim Curd. Contemporary. Score and parts. 9 pages. Tim Curd #4786889. Published by Tim Curd (A0.716880). Alexander's Ragtime Band by Irving Berlin.Trio for Trumpet, Horn and TromboneA classic ragtime tune from 1911. This Jazzy number will be suitable for intermediate players A great item for a concert of a performance with an upbeat feel.Score and parts includedPart 1 Trumpet / Cornet in BbPart 2 Horn in F Part 2 Horn in EbPart 3 Trombone / Euphonium in CPart 3 Trombone / Euphonium in Bb.
$12.99
Give Me That Old-Time Religion– Clarinet, Brass Ensemble, Drum, and Organ
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Ensemble de cuivres
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FACILE
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Gospel Spirituel
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Jazz
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Christina Harmon
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Christina Harmon
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Give Me That Old-Time Religion
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Christina Harmon
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.1126717 By Christina Harmon. By Jubilee Songs (1873). Arranged by Christina Harmon. Spiritual. Score and parts. 18 pa...
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Brass Ensemble - Level 2 - SKU: A0.1126717 By Christina Harmon. By Jubilee Songs (1873). Arranged by Christina Harmon. Spiritual. Score and parts. 18 pages. Christina Harmon #727365. Published by Christina Harmon (A0.1126717). Scored for Clarinet in Bb, two Trumpets in Bb, two Trombones, Tuba, Drum, and Organ Performance approx. 1 3/4 minutes. Intermediate.
$8.00
Old Time Religion
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Ensemble de cuivres
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INTERMÉDIAIRE
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Gospel Spirituel
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Traditional Spiritual
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Steve Massia
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Old Time Religion
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Stephen Massia
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.905042 Composed by Traditional Spiritual. Arranged by Steve Massia. Concert,Jazz,Sacred,Spiritual. Score and parts. 3...
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Brass Ensemble - Level 3 - SKU: A0.905042 Composed by Traditional Spiritual. Arranged by Steve Massia. Concert,Jazz,Sacred,Spiritual. Score and parts. 33 pages. Stephen Massia #3460793. Published by Stephen Massia (A0.905042). This brass quintet arrangement of the traditional spiritual (Give Me That) Old Time Religion has traditional jazz and big band style elements and includes an optional drum set part. This 3.5-minute duration piece is suitable for concert or church service performances. It is an intermediate level piece for high school to professional level brass quintets.
$14.00
Christmas Time Is Here
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Vince Guaraldi
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DB Williams
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Christmas Time Is Here
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DB Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.880510 Composed by Vince Guaraldi. Arranged by DB Williams. Jazz. Score and parts. 11 pages. DB Music #5038239. Publi...
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Brass Ensemble - Level 3 - SKU: A0.880510 Composed by Vince Guaraldi. Arranged by DB Williams. Jazz. Score and parts. 11 pages. DB Music #5038239. Published by DB Music (A0.880510). A fun, easy to perform Christmas blast from the past for brass sextet.
$14.99
No Time To Die by Billie Eilish (from the JAMES BOND film NO TIME TO DIE) - brass ensemble / 10-piece brass
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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Austin Ralphson
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No Time To Die by Billie Eilis
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SheetMusicPlus
By Billie Eilish. Arranged by Austin Ralphson. Score, Set of Parts. 28 pages. Published by Austin Ralphson...
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By Billie Eilish. Arranged by Austin Ralphson. Score, Set of Parts. 28 pages. Published by Austin Ralphson
The theme song from the 2020 James Bond film 'No Time To Die' by Billie Eilish, arranged carefully for the ensemble so that all parts are fun to play and it is highly effective in performance.
Also search for my other James Bond songs 'Skyfall' and 'Live and Let Die'.
$16.99
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Kingdom Coming (The Year of Jubilo)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
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Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
LAST ROSE OF SUMMER - BRASS TRIO (unaccompanied)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Celtique/Irlandais
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Traditional Irish Melody
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Gln Poehlmann
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LAST ROSE OF SUMMER - BRASS TR
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arrangements by GPoehlmann
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.807203 Composed by Traditional Irish Melody. Arranged by Gln Poehlmann. Holiday,World. Score and parts. 5 pages. Arra...
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Brass Ensemble - Level 3 - SKU: A0.807203 Composed by Traditional Irish Melody. Arranged by Gln Poehlmann. Holiday,World. Score and parts. 5 pages. Arrangements by GPoehlmann #6565333. Published by arrangements by GPoehlmann (A0.807203). LAST ROSE OF SUMMER - BRASS TRIO (unaccompanied)Poignant and sentimental, this arrangement opens slowly and freely, Each instrument has a solo to be presented with great freedom. The Trio then plays together but each instrument takes a turn leading.33 measures. Performance Time approx 3:00. Medium in Difficulty (Grade 3) Key: Eb. Meter 3/4. Instrument Ranges (C4=middle C):Trumpet in BbE4 - F5 (written). Horn in F D4 - Eb5 (written). Trombone Bb2 - Eb4.
$5.00
The Chicken Dance
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Ensemble de cuivres
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Contemporain
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Terry Rendall and Werner Thoma
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Joe Martellaro
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The Chicken Dance
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Joe Martellaro
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SheetMusicPlus
Brass Ensemble - SKU: A0.793650 Composed by Terry Rendall and Werner Thomas. Arranged by Joe Martellaro. Contemporary. Score and parts. 9 pages. Joe Mar...
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Brass Ensemble - SKU: A0.793650 Composed by Terry Rendall and Werner Thomas. Arranged by Joe Martellaro. Contemporary. Score and parts. 9 pages. Joe Martellaro #4278467. Published by Joe Martellaro (A0.793650). The arrangement is in concert Bb and includes score and parts. Trumpet range is to G5. The performance time is up to the group; dependent on the amount of times the repeat is taken. The initial tempo is quarter note = 100. The tempo can be increased from measure 7 to the end of measure 38; increasing the tempo each time before playing the Coda at the end of measure 21.When this is performed at summer concerts, many people do the chicken dance. Gradually playing the tune faster and faster makes this fun for the dancers and a crowd pleaser.
$15.00
There’ll Be Some Changes Made
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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W
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F
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There’ll Be Some Changes
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
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Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Checkers Rag
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Ensemble de cuivres
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INTERMÉDIAIRE
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Ragtime
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Harry J
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Bill Wilson
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Checkers Rag
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.775313 Composed by Harry J. Lincoln. Arranged by Bill Wilson. Ragtime. Score and parts. 24 pages. Alexander Wilson #6...
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Brass Ensemble - Level 3 - SKU: A0.775313 Composed by Harry J. Lincoln. Arranged by Bill Wilson. Ragtime. Score and parts. 24 pages. Alexander Wilson #6549793. Published by Alexander Wilson (A0.775313). Checkers Rag, by Harry J. Lincoln, is a cheerful, moderate-paced rag. Lead responsibilities are shared between the top four lines. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba, and optional drum set). Performance time is approximately 3:18. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Hello! Ma Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 2...
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Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Nessun Dorma
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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The Usaf Band
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Craig Garner
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Nessun Dorma
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.740278 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Score a...
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Brass Ensemble - Level 3 - SKU: A0.740278 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Score and parts. 22 pages. Dorm 40 Music #4413145. Published by Dorm 40 Music (A0.740278). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece well beyond the world of opera with his many recordings and live performances. Nessun dorma became his signature aria. Nessun dorma also appeared on the best selling classical album of all time, The Three Tenors in Concert. However, our favorite version will always be the soul-infused rendition by Aretha Franklin during the 1998 Grammy Awards, in which she sang in place of Luciano Pavarotti when he was unable to perform due to throat problems. This arrangement for brass quintet, organ, timpani/suspended cymbal, includes a full score, organ, percussion and brass parts (trumpet parts are provided for both B-flat and C; percussion part is designed for one player). Perfect for any concert and it makes a great encore, as well! And, if you want to add voices, we’ve got you covered. Dorm 40 Music has also published a version for mixed choir (SATB), brass quintet, organ and percussion. And, it is available for sale on Sheet Music Plus. Performance time, 2:45. Published by Dorm 40 Music, www.dorm40music.com.
$20.00
Dance of the Tumblers (Dance of the Clowns)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
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Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Ensemble de cuivres
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INTERMÉDIAIRE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
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Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
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