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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ring with Less
Non classifié
3 098
Piano & claviers
Piano Facile
933
Piano, Voix
765
Piano seul
610
Piano, Voix et Guitare
429
Instruments en Do
375
Piano Trio: piano, violon, violoncelle
119
Accompagnement Piano
82
Orgue
49
1 Piano, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
4
Piano (partie séparée)
3
Orgue, Trompette (duo)
3
Accordéon
2
Orgue, Piano (duo)
1
Accordéon, Voix
1
Clavecin
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
130
Guitare
105
Basse electrique
22
Ukulele
21
2 Guitares (duo)
14
Ligne De Mélodie, (Paroles) et Accords
8
Mandoline
7
Guitare (partie séparée)
6
Banjo
5
4 Guitares (Quatuor)
4
Dulcimer
2
2 Ukuleles
2
Ensemble de guitares
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Guitare Pedal Steel
1
Mandoline, Guitare (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
416
Chorale 3 parties
125
Chorale 2 parties
85
Chorale Unison
82
Chorale TTBB
65
Chorale SSAA
38
Voix Tenor, Piano
29
Voix Alto, Piano
28
Voix Soprano, Piano
25
Voix Baryton, Piano
17
Voix duo, Piano
15
Voix duo
13
Voix haute
6
Voix seule
2
Voix moyenne, Piano
2
Chorale SSATTB
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Pack Instrumental pour Chorale
1
Chorale SSATB
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
287
Quatuor de Saxophones: 4 saxophones
282
Flûte, Hautbois, Clarinette, Basson
269
2 Saxophones (duo)
269
Hautbois, Piano (duo)
250
Quintette de Saxophone: 5 saxophones
247
Clarinette et Piano
237
Clarinette
225
Flûte traversière et Piano
220
Saxophone Alto et Piano
206
Flûte traversière
202
2 Flûtes traversières (duo)
184
Saxophone Alto
151
Saxophone Tenor et Piano
147
Saxophone Tenor
130
Hautbois
116
2 Clarinettes (duo)
108
Saxophone Soprano et Piano
108
Saxophone Baryton, Piano
98
Saxophone (partie séparée)
89
2 Flûte à bec (duo)
86
2 Hautbois (duo)
84
3 Saxophones (trio)
84
Hautbois (partie séparée)
77
Saxophone Soprano
60
Saxophone Baryton
58
Flûte, Clarinette (duo)
51
Hautbois, Clarinette (duo)
50
Quatuor de Flûtes : 4 flûtes
47
Quatuor de Clarinettes: 4 clarinettes
46
Hautbois, Basson (duo)
44
3 Clarinettes (trio)
37
Flûte à bec Soprano
35
Flûte, Clarinette et Basson
35
Clarinette, Basson (duo)
33
Quintette de Clarinettes: 5 clarinettes
33
Flûte, Hautbois (duo)
25
Hautbois, Violoncelle
24
Clarinette, Violoncelle (duo)
23
Flûte, Violoncelle
23
Flûte à bec Alto
21
Flûte, Hautbois, Basson
21
Ensemble de Clarinettes
21
Cor Anglais
20
Quintette de Flûte : 5 flûtes
19
Clarinette, Violon (duo)
18
Flûte à Bec
18
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Hautbois, Piano (trio)
16
Cor anglais, Piano
14
Flûte, Violon
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Trio de Flûtes: 3 flûtes
14
Quatuor de Flûtes à bec
13
Ensemble de saxophones
13
Flûte, Clarinette, Cor, Basson (Quartet)
12
Clarinette et Alto
12
Flûte, Alto (duo)
12
Hautbois et alto (duo)
10
Hautbois, violon (duo)
10
Flûte à bec Tenor
8
2 Saxophones, Piano
7
Flute (partie séparée)
7
Ensemble de Flûtes
7
Flûte, Violon, Piano
7
Hautbois, Flûte
7
Clarinette Basse, Piano
7
Clarinette (partie séparée)
6
Clarinette, Basson, Piano (trio)
6
Flûte à bec Alto, Piano
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette Basse
5
Hautbois, Clarinette et Piano (Trio)
5
Flûte, Alto et Piano
4
Flûte, Clarinette, Piano (trio)
4
Clarinette, Contrebasse (duo)
4
Clarinette, Tuba
4
Hautbois, trombone (duo)
4
Flûte, Trompette (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Trombone (duo)
4
Clarinette, Trombone (duo)
4
Flûte, Basson et Piano
4
Clarinette, Trompette (duo)
3
Flûte irlandaise
3
Clarinette, Alto et Piano (trio)
3
3 Flûtes à bec (trio)
3
Saxophone, Clarinette (duo)
3
Hautbois, Violoncelle et Piano
3
2 Flûtes traversières, Piano
3
Hautbois, Basson et Piano
3
Flûte, Tuba (duo)
3
Ocarina
3
Clarinette, Violoncelle, Piano (trio)
3
Ensemble De Flûte à bec
2
2 Clarinettes, Piano
2
Harmonica
2
5 Flûtes à bec
2
Saxophone et Guitare
2
2 Hautbois, Piano
2
Hautbois, Trompette (duo)
2
Cornemuse
1
4 Hautbois
1
Flûte, Saxophone (duo)
1
Clarinette, Guitare (duo)
1
Flûte et Trio à cordes
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Flûte traversière, Orgue (duo)
1
Cor anglais et Harpe (duo)
1
+ 105 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Trompette, Piano
255
Cor et Piano
223
Trompette
223
Trombone et Piano
213
Tuba et Piano
170
Trombone
169
Cor
164
Tuba
149
Quatuor de Cuivres: 2 trompettes, Cor, trombone
109
Quatuor de Cuivres
103
2 Trompettes (duo)
92
2 Trombones (duo)
82
2 Cors (duo)
80
Quatuor de Cuivres : 2 trompettes, trombone, tuba
73
Trompette, Trombone (duo)
40
2 Tubas (duo)
38
Trompette (partie séparée)
24
Trombone (partie séparée)
22
Cor Anglais
20
Trompette, Cor (duo)
19
Euphonium, Piano (duo)
17
Cor anglais, Piano
14
Cor, Violoncelle (duo)
14
Trompette, Violoncelle (duo)
11
Quatuor de cuivres: 4 cors
11
Ensemble de Trompettes
10
Trombone, Cor (duo)
8
Quatuor de cuivres: 4 trompettes
8
Tuba et Orgue
8
Trompette, Tuba (duo)
7
Quatuor de cuivres: 4 trombones
7
3 Trombones (trio)
7
Cor et Basson (duo)
6
Ensemble de Trombones
6
Trombone basse et Piano
6
Trombone basse
6
Euphonium
6
4 Tubas
5
Trompette, Basson (duo)
5
3 Tubas (trio)
4
Cor, Tuba (duo)
4
Trio de Cuivres
4
Trompette, Trombone, Piano
4
Cor (partie séparée)
4
Tuba (partie séparée)
3
Ensemble de Cors
3
Trombone, Tuba (duo)
3
Trompette, violon (duo)
2
Trompette, Saxophone (duo)
2
Trombone, Violon (duo)
2
3 Cors (trio)
1
3 Trompettes (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Euphoniums (duo)
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Cors, Piano
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
889
Violon et Piano
377
Quintette à cordes: 2 violons, alto, violoncelle, basse
314
Alto, Piano
250
Violoncelle, Piano
248
Violon
234
Violoncelle
233
Contre Basse
216
Contrebasse, Piano (duo)
205
Alto seul
190
2 Violons (duo)
138
Violon, Violoncelle (duo)
131
Trio à Cordes: violon, alto, violoncelle
117
2 Violoncelles (duo)
113
2 Altos (duo)
92
Violon, Alto (duo)
87
Trio à Cordes: 2 violons, violoncelle
68
Harpe
58
Alto, Violoncelle (duo)
44
2 Contrebasses (duo)
44
Violon, Basson (duo)
34
Trio à cordes: 3 violins
29
Violon (partie séparée)
25
Alto (partie séparée)
23
Quintette à cordes : 2 violons, alto et 2 violoncelles
22
Trio à Cordes: 3 violoncelles
21
4 Violoncelles
17
Contrebasse (partie séparée)
15
Quatuor à cordes: 4 violons
14
Alto et Basson
13
Trio à Cordes: 2 violons, alto
11
Trio à cordes: 3 altos
11
Quatuor à cordes : 4 altos
11
Piano Trio: Violon, Alto, Piano
10
Violoncelle, Contrebasse (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
2 Harpes (duo)
5
Violoncelle (partie séparée)
4
2 Violoncelles, Piano
4
Flûte, Contrebasse (duo)
4
Violon, Clarinette, Piano (trio)
4
Harpe, Violon (duo)
3
2 Altos, Piano
3
Harpe, Quatuor à cordes
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Violon, Tuba (duo)
3
Violon, Guitare (duo)
2
4 Harpes
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
1
Alto, Guitare (duo)
1
Ensemble de Violons
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
Harpe, Violon, Violoncelle
1
Ensemble d'Altos
1
Alto et Harpe
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
278
Orchestre à Cordes
214
Orchestre
89
Cloches
72
Ensemble Jazz
45
Ensemble de cuivres
30
Orchestre de chambre
27
Fanfare
26
Marimba
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
20
Xylophone
15
Jazz combo
10
Xylophone, Piano
9
Ensemble de Percussions
8
Batterie
3
Batterie (partie séparée)
3
Percussion (partie séparée)
3
Vibraphone
2
Vibraphone et Marimba
1
Percussion
1
Caisse Claire
1
+ 16 instrumentations
Retracter
Autres
Théorie de la musique
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Ring with Less
Ensemble de cuivres
Partitions à imprimer
30 partitions trouvées
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1
26
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
#
Contemporain
#
Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
BLESSED REDEEMER (Trio – Horn in F 1 & 2 with Piano, Score and Parts)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Harry Dixon Loes
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Gary Lanier
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BLESSED REDEEMER
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The Lanier Company
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.615518 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 11 pages. The...
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Brass Ensemble - Level 3 - SKU: A0.615518 Composed by Harry Dixon Loes. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and parts. 11 pages. The Lanier Company #2956949. Published by The Lanier Company (A0.615518). BLESSED REDEEMER is a hymn arrangement by Gary Lanier for Horn in F 1 & 2 with Piano of one of our most cherished Hymns. The score, including cover and instrumental parts is 11 pages long. This arrangement is perfect for any Church or gathering where hymns of salvation are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: BLESSED REDEEMER (Piano Accompaniment for Horn in F 1 & 2).
$8.99
The Four Seasons - 3- or 4-part Woodwind &/or Brass Ensemble with Optional Percussion - Flexible Ins
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Ensemble de cuivres
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FACILE
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Classique
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Antonio Vivaldi
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Kathy Hirche
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The Four Seasons - 3- or 4-par
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Kathy Hirche
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.820034 Composed by Antonio Vivaldi. Arranged by Kathy Hirche. Baroque,Standards. Score and parts. 78 pages. Kathy Hir...
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Brass Ensemble - Level 2 - SKU: A0.820034 Composed by Antonio Vivaldi. Arranged by Kathy Hirche. Baroque,Standards. Score and parts. 78 pages. Kathy Hirche #5043847. Published by Kathy Hirche (A0.820034). The Four Seasons is generally considered to be Vivaldi’s most famous work. It is a set of four concerti for Violin, each of the four representing one of the four seasons. A performance of the entire original set would take at least 40 minutes. This version is a collection of the main themes presented as a short suite and takes approximately 5 minutes to perform. Alternatively, each of the movements may be performed as a separate piece. The aim of this arrangement was to give Early Intermediate Level Woodwind and/or Brass players an opportunity to perform what is undoubtedly one of the most well-known pieces of Baroque string repertoire. The instrumentation is flexible, allowing for many different combinations of instruments, including Clarinet Trio/ Ensemble, Saxophone Trio/Ensemble, Brass Trio/Ensemble and even Concert Band. The Solo at the start of the 4th Movement (Winter) is an opportunity to feature a Part 1 player who is more advanced. The inclusion of this short section is entirely optional. Part 4 is optional and can be used to include a Tuba and/or less competent players of Clarinet, Bass Clarinet, Tenor Saxophone and F Horn. The inclusion of a Tuba is preferable in the case of a large brass ensemble. The inclusion of a Bass Clarinet (Part 3 or 4) is preferable in a large clarinet ensemble. The score is shown in concert pitch. Octave displacement occurs in some parts. Parts 2, 3 and 4 are kept below the break for the Clarinet and/or Bass Clarinet players. Parts in this set: Part 1 (Flute, Oboe, Clarinet, Alto Saxophone, Trumpet); Part 2 (Clarinet, Alto Saxophone, Tenor Saxophone, Trumpet, F Horn); Part 3 (Clarinet / Bass Clarinet, Tenor Saxophone, Baritone Saxophone, Trombone/Euphonium/Bassoon); Optional Part 4 (Tuba, Clarinet / Bass Clarinet, Tenor Saxophone, F Horn); Optional Glockenspiel, Optional Cymbal & Triangle & Tambourine (2 players); Optional Snare Drum & Bass Drum (2 players).
$17.99
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Ten Minutes Ago
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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Richard Rodgers
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Ralph Raymond Hays
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Ten Minutes Ago
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Ralph Raymond Hays
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.720569 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Contemporary. Score and parts. 23 pages. Ralph Ra...
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Brass Ensemble - Level 5 - SKU: A0.720569 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Contemporary. Score and parts. 23 pages. Ralph Raymond Hays #3638721. Published by Ralph Raymond Hays (A0.720569). Introduced in the 1957 live television production featuring Julie Andrews (to a record home audience), this endearing tune captures the beauty and magic of love at first sight. CINDERELLA -- one of the final collaborations of Rodgers and Hammerstein -- has been reimagined countless times: in the 1965 television remake starring Leslie Ann Warren and Stuart Damon, the lavish 1997 television production starring Brandy and Whitney Houston, in the recent Broadway production, and in Children's, High School, and Community Theater productions worldwide. Common to all versions is this soaring waltz imbued with the genius and warmth for which Richard Rodgers and Oscar Hammerstein II are famous.This lovingly crafted arrangement is perfect for a wedding as well as Valentine's Day, an an anniversary, or a concert tribute to Broadway, Rodgers and Hammerstein, Fairy Tales, or any occasion.
$15.99
Captain Kangaroo (puffin' Billy)
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Ensemble de cuivres
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Contemporain
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Edward White
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F
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #...
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Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
O Sacrum Convivium!
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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Olivier Eugene Prospe Messiaen
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Lawrence Killian
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O Sacrum Convivium!
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Linden Brass Press Inc.
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.870817 Composed by Olivier Eugene Prospe Messiaen and Olivier Messiaen. Arranged by Lawrence Killian. Contemporary. S...
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Brass Ensemble - Level 5 - SKU: A0.870817 Composed by Olivier Eugene Prospe Messiaen and Olivier Messiaen. Arranged by Lawrence Killian. Contemporary. Score and parts. 17 pages. Linden Brass Press Inc. #4810755. Published by Linden Brass Press Inc. (A0.870817). Olivier Messiaen's beautiful setting works really well transcribed for brass, especially in a large church. The arrangement is scored for 10-piece brass ensemble: 3 trumpets (Bb), flugelhorn, two horns (F) with a substitute euphonium part for second horn, three trombones and tuba.Wikipedia: O Sacrum Convivium is a Latin prose text honoring the Blessed Sacrament. It was included as an antiphon to Magnificat in the vespers of the liturgical office on the feast of Corpus Christi. The text of the office is attributed with some probability to Saint Thomas Aquinas. Its sentiments express the profound affinity of the Eucharistic celebration, described as a banquet, to the Paschal mystery: O sacred banquet at which Christ is consumed, the memory of his Passion is recalled, our souls are filled with grace, and the pledge of future glory is given to us.
$19.95
Lucy Meets Mr. Tumnus
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Ensemble de cuivres
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DÉBUTANT
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Film Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Lucy Meets Mr. Tumnus
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. ...
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Brass Ensemble - Level 1 - SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
To Aslan's Camp
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Ensemble de cuivres
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FACILE
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Film Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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To Aslan's Camp
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Evacuating London
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Ensemble de cuivres
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FACILE
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Film Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Evacuating London
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Ensemble de cuivres
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Noël
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
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Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
That's A Plenty (Trio: two Bb trumpets + tuba)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Lew Pollack
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Betsy Bright
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That's A Plenty
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.964581 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz,Ragtime. Score and parts. 10 pages....
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Brass Ensemble - Level 4 - SKU: A0.964581 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz,Ragtime. Score and parts. 10 pages. Bright Music Company #6247275. Published by Bright Music Company (A0.964581). This arrangement of the audience favorite, That’s A Plenty is scored for 2 Bb trumpets and tuba. It’s a reduced version of our brass quintet arrangement of this piece. Our edition of this piece has been reduced to under 2 minutes, making it perfect for education shows when you want some Dixieland, but you don’t have all day. There’s enough written-in-improv lines (inspired by the Louis Armstrong recordings) to make it feel right, but without requiring actual improvisation. And, as always, there’s ample rest for the trumpets! This piece is so painless to play that it could be put at the end of any recital, no matter how tiring, and everyone can get through this last piece while taking the audience out with some Dixieland fun.Check out our full brass quintet edition of this arrangement too!Duration: just under 2 minutes
$12.00
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Dance of the Tumblers (Dance of the Clowns)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
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Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
A Rowdy, Raucous Rumpus
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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F
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A Rowdy, Raucous Rumpus
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pa...
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Brass Ensemble - Level 4 - SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pages. Sweetwater Brass Press #3631645. Published by Sweetwater Brass Press (A0.808685).   What is a Rumpus? Most definitions include words such as noisy disturbance, commotion and uproar. Sort of like the sounds from a group of neighborhood children in the days before play dates, private lessons and organized kids’ sports. These sounds were part and parcel of the games they played, games that originated years, even centuries, before and involved high energy levels and top-of-their-voices counting, chanting or singing (with an occasional Nyah-nyah nyah-nyah nyah nyah thrown in for good measure!). Rowdy and raucous, indeed!  This composition is one that will entertain both adults (who, after all, are just grown-up children!) and youngsters. Like children at play, it races right along. In one 6-minute work, it incorporates tunes of eleven children’s game and campfire songs: Michael Finnegan; Ring a Ring o’ Roses; Twinkle, Twinkle, Little Star; London Bridge; Hickory Dickory Dock; Three Blind Mice; John Jacob Jingleheimer Schmidt; My Pony Boy; Old MacDonald Had A Farm; The Farmer in the Dell and Bingo. And, again, like children at play, there is fun, humor and a surprise at every turn.  A Rowdy, Raucous Rumpus is a hoot to play. At a cut-time tempo of 132 and with 14(!) changes of key, it keeps all five musicians on their toes. And busy: on the Tuba part, there are V.S. (turn the page quickly) indications on the bottom of 6 of the 8 pages, 5 for Trombone and Horn in F, 3 for Trumpet 2, and 2 for Trumpet 1. In Bingo, the last tune, the group intermittently stops playing and claps or foot-taps loudly (which is a good spot for audience participation!). On the audio clip, this is indicated with a click (actually, a tambourine sound).  There are a few high notes scattered throughout. Trumpet plays B above its staff once and A a number of times. Trumpet 2 has one A above its staff. Trombone has one F above its staff. Tuba has one G in the top space of its staff.
$9.95
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
Your Favorite Christmas Hymns and Carols for Brass, Book 1
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Ensemble de cuivres
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 68 pag...
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Brass Ensemble - Level 2 - SKU: A0.522154 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 68 pages. Colin Kirkpatrick Publications #3579897. Published by Colin Kirkpatrick Publications (A0.522154). Your Favorite Christmas Hymns and Carols for Brass, Book 1Arranged for brass by Colin Kirkpatrick Here’s a brand new collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. They are presented in a set of two books and include full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios.The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves) The audio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and Silent Night. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99
Your Favorite Christmas Hymns and Carols for Brass, Book 2
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Ensemble de cuivres
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pag...
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Brass Ensemble - Level 2 - SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Ensemble de cuivres
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INTERMÉDIAIRE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
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Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
All By Myself
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Ensemble de cuivres
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INTERMÉDIAIRE
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Pop musique
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Celine Dion
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Peet du Toit
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All By Myself
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.802386 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Peet du Toit. Pop. Score and parts. 10 pag...
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Brass Ensemble - Level 3 - SKU: A0.802386 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Peet du Toit. Pop. Score and parts. 10 pages. Peet du Toit #5374267. Published by Peet du Toit (A0.802386). From the 2nd movement (Andante sostenuto) of Rachmaninov's 2nd piano concerto, Eric Carmen did well to combine it with his brainchild song: All by myself. The chords and progressions are very pleasing. In this brass quintet arrangement, both the trombone and the french horn are featuring as soloists, whilst the tuba supports the restless undertones of the Romantic era, and the trumpets provide the necessary flair when due. Enjoy!
$13.00
Solace: A Mexican Serenade
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Ensemble de cuivres
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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F
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Solace: A Mexican Serenade
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV,Folk,Holiday,Lo...
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Brass Ensemble - Level 3 - SKU: A0.808676 Composed by Scott Joplin (1868–1917). Arranged by F. Leslie Smith. 20th Century,Film/TV,Folk,Holiday,Love,Ragtime. Score and parts. 20 pages. Sweetwater Brass Press #3213035. Published by Sweetwater Brass Press (A0.808676). Marvin Hamlisch’s score for the 1973 movie The Sting revived interest in ragtime music. Ragtime, of course, is music, often in march-time, that features syncopation, a ragged beat. It originated in African-American districts of large cities and first flourished during the period, 1895-1918. One of the most successful ragtime composers was Scott Joplin, known as the King of Ragtime. Hamlisch used several Joplin compositions as background music for the George Roy Hill-directed film, and one of those was this beautiful and contemplative 1909 composition, Solace: A Mexican Serenade. In All Music Guide to Classical Music: The Definitive Guide to Classical Music (Woodstra et al., ed., CMP Books: 2005), Blair Johnston called Solace a musical hybrid neither authentically Mexican nor authentic ragtime. It is, instead, a habanera, but also a very lovely piece of Americana. This brass quintet arrangement of Solace was adapted from the Joplin piano score. Like the score, this arrangement is in 2/4 time and contains a lot of 16th notes. Joplin’s tempo instruction, however, is Very slow march time, and the metronome marking suggests 96 eighth notes a minute, so in reality the actual tempo is an andante 4/8. Trumpet 1 has some B-above-the-staff notes in the last section, Trumpet 2 has a few interesting rhythmic figures in section B; Trombone has 3 or 4 F-above-the-staff notes, and Tuba plays a couple of top-of-the-staff A’s in section D and at the very end. Plus, of course, the piece is syncopated. Completed in 2017, this arrangement runs about 6 minutes, 10 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu; he would be delighted to hear from you. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.50
Funeral For A Friend
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Ensemble de cuivres
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AVANCÉ
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Elton John
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David J
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Funeral For A Friend
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Sterling Music Editions
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1500207 By Elton John. By Bernie Taupin and Elton John. Arranged by David J. Miller. 20th Century,Classical,Pop,Rock....
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Brass Ensemble - Level 5 - SKU: A0.1500207 By Elton John. By Bernie Taupin and Elton John. Arranged by David J. Miller. 20th Century,Classical,Pop,Rock. 7 pages. Sterling Music Editions #1076285. Published by Sterling Music Editions (A0.1500207). Sir Elton John's Funeral for a Friend opens his 1973 album Goodbye Yellow Brick Road. This instrumental track continues seamlessly into his radio hit Love Lies Bleeding. The music was written as the answer to what he would like to have performed at his own funeral. This piece has been previously covered live by both Dream Theater and Metallica; and we now present the version covered by Barclay Brass! In our live performance at the link below, we segued into Billy Joel's Piano Man, his hit from the same year. It was our intention to bring together these two great rock pianists with a suite of music from 1973.The synthesizer colors lend themselves perfectly to the sound of a brass choir. Each group of instruments are featured as the mood of the music changes from somber, to angry, to hopeful. This arrangement (complete with the 16 seconds of wind as heard on the album) works as an opener, closer, or anywhere on a concert to create a shift in the flow of your program. To hear how this arrangement works live, click on the link below!For more brass arrangements by David J. Miller, visit the Barclay Brass YouTube Channel at https://www.youtube.com/@TheBarclayBrass/videos.
$49.99
American Melodies Duet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Samuel Francis Smith, Katharin
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Alexander L Burden
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American Melodies Duet
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Alexander Burden
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.899870 Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patrioti...
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Brass Ensemble - Level 4 - SKU: A0.899870 Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patriotic. Score and parts. 9 pages. Alexander Burden #5359107. Published by Alexander Burden (A0.899870). Genre: Folk Songs, PatrioticLength: 3:35Instrumentation: Alto Saxophone and EuphoniumThis fun and accessible mashup includes three well known American folk songs: Yankee Doodle, America (My Country Tis of Thee), & America, the Beautiful. Great for any occasion, it's guaranteed to be a hit at your next performance! The Arranger:Alexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
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