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Roar: Tuba
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Vous avez sélectionné:
Roar: Tuba
Ensemble de cuivres
Partitions à imprimer
4 partitions trouvées
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Roar
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Ensemble de cuivres
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FACILE
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Pop musique
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Katy Perry
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Dale Vail
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Roar
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Dale Vail
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.1308332 By Katy Perry. By Bonnie McKee, Dr. Luke, Henry Walter, Katy Perry, Lukasz Gottwald, and Max Martin. Arranged...
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Brass Ensemble - Level 2 - SKU: A0.1308332 By Katy Perry. By Bonnie McKee, Dr. Luke, Henry Walter, Katy Perry, Lukasz Gottwald, and Max Martin. Arranged by Dale Vail. Pop. Score and Parts. 21 pages. Dale Vail #897570. Published by Dale Vail (A0.1308332). Arranged for Brass Ensemble (Sextet). Parts in Orchestral and British Band Transpositions.Two Trumpets (Cornets optional!)Horn (F and Eb)Trombone (Bass and Bb Treble)Euphonium (or trombone) (Bass and Bb Treble)Tuba (Bass and Eb Treble)www.dalevail.com.
$13.00
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
A Rowdy, Raucous Rumpus
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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F
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A Rowdy, Raucous Rumpus
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pa...
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Brass Ensemble - Level 4 - SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pages. Sweetwater Brass Press #3631645. Published by Sweetwater Brass Press (A0.808685).   What is a Rumpus? Most definitions include words such as noisy disturbance, commotion and uproar. Sort of like the sounds from a group of neighborhood children in the days before play dates, private lessons and organized kids’ sports. These sounds were part and parcel of the games they played, games that originated years, even centuries, before and involved high energy levels and top-of-their-voices counting, chanting or singing (with an occasional Nyah-nyah nyah-nyah nyah nyah thrown in for good measure!). Rowdy and raucous, indeed!  This composition is one that will entertain both adults (who, after all, are just grown-up children!) and youngsters. Like children at play, it races right along. In one 6-minute work, it incorporates tunes of eleven children’s game and campfire songs: Michael Finnegan; Ring a Ring o’ Roses; Twinkle, Twinkle, Little Star; London Bridge; Hickory Dickory Dock; Three Blind Mice; John Jacob Jingleheimer Schmidt; My Pony Boy; Old MacDonald Had A Farm; The Farmer in the Dell and Bingo. And, again, like children at play, there is fun, humor and a surprise at every turn.  A Rowdy, Raucous Rumpus is a hoot to play. At a cut-time tempo of 132 and with 14(!) changes of key, it keeps all five musicians on their toes. And busy: on the Tuba part, there are V.S. (turn the page quickly) indications on the bottom of 6 of the 8 pages, 5 for Trombone and Horn in F, 3 for Trumpet 2, and 2 for Trumpet 1. In Bingo, the last tune, the group intermittently stops playing and claps or foot-taps loudly (which is a good spot for audience participation!). On the audio clip, this is indicated with a click (actually, a tambourine sound).  There are a few high notes scattered throughout. Trumpet plays B above its staff once and A a number of times. Trumpet 2 has one A above its staff. Trombone has one F above its staff. Tuba has one G in the top space of its staff.
$9.95
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Roar: Tuba
