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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rubinstein
Non classifié
76
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100
Piano, Voix
67
Piano Facile
8
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3
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2
2 Pianos, 4 mains
2
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2
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1
Piano grosses notes
1
Piano, Voix et Guitare
1
Accordéon
1
Ligne De Mélodie, Piano
1
+ 7 instrumentations
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Guitare
5
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3
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1
Voix
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2
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1
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1
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21
Flûte traversière et Piano
20
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
14
Saxophone Soprano et Piano
13
Saxophone Alto et Piano
11
Saxophone Baryton, Piano
9
Cor anglais, Piano
7
Clarinette Basse, Piano
7
Clarinette
6
2 Saxophones (duo)
5
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4
Flûte traversière
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Alto
3
Flûte et Guitare
3
Clarinette (partie séparée)
3
Saxophone Tenor
3
2 Flûtes traversières (duo)
3
2 Clarinettes (duo)
2
Saxophone et Guitare
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
Ensemble de Clarinettes
1
Clarinette, Alto et Piano (trio)
1
Ensemble de Flûtes
1
Saxophone et Piano
1
Hautbois (partie séparée)
1
Saxophone et Orgue
1
Ensemble de saxophones
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone (partie séparée)
1
+ 30 instrumentations
Retracter
Cuivres
Trombone et Piano
18
Cor et Piano
12
Euphonium, Piano (duo)
11
Trombone
11
Trompette, Piano
10
Cor anglais, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
6
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
2
Cor
2
Trompette, Euphonium (duo)
1
2 Trompettes (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
+ 11 instrumentations
Retracter
Cordes
Violon et Piano
24
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violoncelle, Piano
18
Alto, Piano
14
Violon
7
Violoncelle
5
Violon, Violoncelle (duo)
4
Alto seul
4
Harpe
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Alto (duo)
1
2 Violons (duo)
1
Alto (partie séparée)
1
2 Violoncelles (duo)
1
4 Violoncelles
1
+ 13 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
9
Orchestre
6
Ensemble de cuivres
3
Orchestre d'harmonie
3
Orchestre de chambre
1
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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VIOLONCELLE
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Crtitères actifs :
Rubinstein
Ensemble de cuivres
Partitions à imprimer
3 partitions trouvées
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Fanfare from Le Martyre de Saint Sébastien for Brass Choir and Timpani
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Ensemble de cuivres
#
AVANCÉ
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Classique
#
Claude Debussy
#
Charles Decker
#
Fanfare from Le Martyre de Sai
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Gordon Cherry
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792815 Composed by Claude Debussy. Arranged by Charles Decker. 20th Century. Score and parts. 21 pages. Gordon Cherry...
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Brass Ensemble - Level 5 - SKU: A0.792815 Composed by Claude Debussy. Arranged by Charles Decker. 20th Century. Score and parts. 21 pages. Gordon Cherry #6645173. Published by Gordon Cherry (A0.792815). The Fanfare from Le Martyre de Saint Sébastien for Brass Choir and Timpani is a sophisticated and brilliant work by French master Claude Debussy from his incidental music for the 1911 mystery play written for the famous actress Ida Rubenstein by the Italian author Gabriele D'Annunio, The Martyrdom of Saint Sebastian. The Fanfare is taken from Part III of the work and is titled Le Concile des faux dieux (the Council of the false gods).Charles Decker has done a fantastic job of editing the work for performance.It is appropriate for advanced performers. The instrumentation is for 4 Trumpets in B-flat, 4 Horns in F, 3 Trombones, Tuba and Timpani.
$25.00
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
#
Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
#
SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
#
Classique
#
Victor Ewald
#
Edited by Roar Kvam
#
Ewald: Quintet No. 3 for Brass
#
KVAMusic Edition
#
SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
(+)
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
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