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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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Clarinette et Alto
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
11
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9
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Violoncelle, Piano
8
Violoncelle (partie séparée)
6
Alto seul
6
Trio à Cordes: violon, alto, violoncelle
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2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
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2 Violons (duo)
3
Harpe
2
Contre Basse
2
Harpe, Voix
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Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
2
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Violoncelle, Contrebasse (duo)
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PERCUSSIONS & ORCHESTRES
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Orchestre d'harmonie
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Orchestre
6
Ensemble Jazz
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Orchestre à Cordes
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Jazz combo
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Fanfare
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AUTRES
Vous avez sélectionné:
So Happy
Ensemble de cuivres
Partitions à imprimer
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1
You've Made Me So Very Happy
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.834414 By Brenda Holloway. By B…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.834414 By Brenda Holloway. By Berry Gordy Jr., Brenda Holloway, Frank E. Wilson, and Patrice Holloway. Arranged by Mark Thome. Contemporary. Score and parts. 20 pages. Mark Thome #4355411. Published by Mark Thome (A0.834414).
$15.00
13.84 €
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Ensemble de cuivres
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Brenda Holloway
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Mark Thome
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You've Made Me So Very Happy
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Mark Thome
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.34 €
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Ensemble de cuivres
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
After You’ve Gone
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808682 Composed by Turner Layto…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808682 Composed by Turner Layton (1894-1978), Henry Creamer (1879-1930). Arranged by F. Leslie Smith. Holiday,Jazz,Pop. Score and parts. 32 pages. Sweetwater Brass Press #3454039. Published by Sweetwater Brass Press (A0.808682).     After You’ve Gone, composed in 1918 by Turner Layton (melody) and Henry Creamer (lyrics), was a hit from the beginning. Al Jolson introduced it to live audiences, Marion Harris’ record went to #1 in early 1919, and since then dozens of artists have recorded it . . . and many are still doing so. The words are rather sad-she’s leaving and he’s trying to get her to stay-but played up tempo, the melody is bouncy and fun. That sad-versus-happy dichotomy is incorporated in this arrangement. It begins with a bright, bouncy introduction and first-time-through of the chorus, then slows so the Horn in F can play a melancholic and somewhat schmaltzy rendition of the verse. The Tuba provides a transition back to the upbeat chorus, and we are again off to the races. Layton’s melody slips and slides from one instrument to the next (with the Tuba getting an entire iteration all to itself!), until the pace again slows for a 4-bar reminder of the sentimental verse, which then gives way to a rousing Dixieland-like closing.
$7.95
7.34 €
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Ensemble de cuivres
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Turner Layton
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F
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After You’ve Gone
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Sweetwater Brass Press
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SheetMusicPlus
Campana sobre Campana, Spanish Christmas Carol for Brass Quartet
Ensemble de cuivres
Brass Ensemble - Level 1 - Digital Download SKU: A0.867722 Composed by traditional …
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Brass Ensemble - Level 1 - Digital Download SKU: A0.867722 Composed by traditional Spanish Christmas Carol. Arranged by Oliver König. Children,Christian,Christmas,World. Score and parts. 8 pages. Oliver Koenig #2857525. Published by Oliver Koenig (A0.867722). This wonderful Spanish Christmas Carol (Villancico) ' Campana Sobre Campana ' (Bell over Bell) is one of the oldest Spanish carols, and a favorite among children, thanks to its dynamic musicality and simplicity, making it an easy song to play.Its written in Bb key so its ideal for beginners of musicians of small ensembles. You can concentrate on playing together staccato improve your timing and enjoy of plain dynamics with your colleagues. The short piece enriches your Christmas concert with a very special Spanish flair. It's also very nice to ambient a Christmas market and it will surprise the audience at your performance in a church. We are happy to personalize the arrangement according to your requirements (add voices, change key, etc...) Please give us a feedback via mailbox: baubox@gmx.net.
$4.99
4.61 €
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Ensemble de cuivres
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traditional Spanish Christmas Carol
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Oliver König
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Campana sobre Campana, Spanish Christmas Carol for Brass Quartet
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Oliver Koenig
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SheetMusicPlus
Dancing Queen
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.757670 By ABBA. By Benny Anders…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.757670 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Jim Bicigo. Dance,Pop. Score and parts. 19 pages. Polar Publications #3500327. Published by Polar Publications (A0.757670). This ABBA classic is rumored to be a favorite of Queen Elizabeth II. Why?, because she is the queen and she loves to dance. So, why not make the queen happy and play this tune with your brass quartet or choir? Parts for Trumpet in Bb1, Trumpet in Bb 2 (Horn in F sub part included), Trombone (Horn in F sub part included), and Bass Trombone (Tuba sub part included).
$20.00
18.46 €
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Ensemble de cuivres
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ABBA
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Jim Bicigo
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Dancing Queen
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Polar Publications
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SheetMusicPlus
Day-o (the Banana Boat Song)
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.802610 By Harry Belafonte. By I…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.802610 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Peet du Toit. Pop. Score and parts. 35 pages. Peet du Toit #5990599. Published by Peet du Toit (A0.802610). Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. It is a work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.The best-known version was released by American singer Harry Belafonte in 1956 and later became one of his signature songs.I am happy to present this arrangement to you in the original key. Other percussive instruments may be used, including steal drums, using the basic rhythms contained herein.
$18.00
16.61 €
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Ensemble de cuivres
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Harry Belafonte
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Peet du Toit
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Day-o
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Peet du Toit
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SheetMusicPlus
Come, Ye Thankful People, Come (St. George’s, Windsor)
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arra…
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Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
6.41 €
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Ensemble de cuivres
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Pretty Eyed Baby
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. B…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.99 €
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Ensemble de cuivres
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Eldridge/Gillespie
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F
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
Captain Kangaroo (puffin' Billy)
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged…
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Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
11.99 €
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Ensemble de cuivres
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Edward White
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F
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two stand out
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.34 €
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Ensemble de cuivres
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
In the Evening by the Moonlight
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.34 €
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Ensemble de cuivres
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James Bland
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F
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
Marche et Cortege de Bacchus from Sylvia Ballet Suite
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.808646 Composed by Léo Delib…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.808646 Composed by Léo Delibes (1836-1891). Arranged by F. Leslie Smith. Concert,Romantic Period. Score and parts. 50 pages. Sweetwater Brass Press #516831. Published by Sweetwater Brass Press (A0.808646). Among the most noteworthy works by Clément Philibert Léo Delibes are two ballets, Coppélia (1870) and Sylvia (1876). Delibes based the latter on a Aminta, a play written by Torquato Tasso three centuries earlier, and it is populated by characters such as Eros, Diana, Orion, as well as Aminta and, of course, Sylvia. The third act opens in the forest with a celebration of the wine vintage, the Grand cortège de Bacchus (March and Procession of Bacchus). The March is exciting and brassy (enough so that the 1982-1986 television series, Knight Rider, used it for a musical theme!). The Procession is more song-like but ends with a big restatement of the March. Completed in 2012, this arrangement runs about 6 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$8.00
7.38 €
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Ensemble de cuivres
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Léo Delibes
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F
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Marche et Cortege de Bacchus from Sylvia Ballet Suite
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Sweetwater Brass Press
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SheetMusicPlus
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