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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
CITHARE
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FORMATION MUSI…
GUITARE
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HARPE
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COUNTRY
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Non classifié
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1
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1
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Clarinette
87
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4
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4
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2
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2
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23
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Trombone et Piano
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Cor et Piano
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Tuba et Piano
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Trombone
16
Tuba
15
Cor
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trompettes
5
2 Trompettes (duo)
4
Trombone (partie séparée)
3
2 Tubas (duo)
3
2 Cors (duo)
3
Trompette (partie séparée)
3
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Cors
2
Quatuor de Cuivres
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Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Cor anglais, Piano
2
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
4 Tubas
1
Ensemble de Tubas
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3 Trombones (trio)
1
Euphonium
1
3 Trompettes (trio)
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon
39
Violon et Piano
30
Alto, Piano
22
Violoncelle, Piano
19
Alto seul
18
Violon, Violoncelle (duo)
15
Harpe
13
Violoncelle
13
Contrebasse, Piano (duo)
11
Violoncelle (partie séparée)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
7
2 Violons (duo)
6
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Trio à cordes: 3 altos
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
3
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
2 Contrebasses (duo)
2
3 Contrebasses
2
Trio à cordes: 3 violins
2
Ensemble de Violons
2
3 Harpes
1
Violoncelle, Basse continue
1
2 Altos, Piano
1
4 Harpes
1
4 Contrebasses
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
53
Orchestre
21
Orchestre à Cordes
21
Ensemble de cuivres
17
Ensemble Jazz
14
Batterie
4
Orchestre de chambre
3
Ensemble de Percussions
2
Percussion (partie séparée)
2
Cloches
2
Ensemble d'École
1
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
So Into You
Ensemble de cuivres
Partitions à imprimer
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SINCE JESUS CAME INTO MY HEART (Horn Quartet #18)
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.872457 Composed by Gabriel. Arr…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.872457 Composed by Gabriel. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 7 pages. James K. Taylor #1921323. Published by James K. Taylor (A0.872457). This is a public domain hymn (SINCE JESUS CAME INTO MY HEART) by Gabriel I have arranged it for HORN QUARTET using the FINALE music software, and the audio horn tone is actually produced by the FINALE program. I am on a quest to arrange fifty old hymns as horn quartets. Please enjoy. By the way: I am posting these on YOUTUBE, so just do a search for James K. Taylor on YOUTUBE.
$20.00
18.61 €
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Ensemble de cuivres
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the way: I am posting these on YOUTUBE, so just do a search for James K
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Gabriel
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James K
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SINCE JESUS CAME INTO MY HEART
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James K. Taylor
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SheetMusicPlus
Monteverdi - The Fourth Book of Madrigals (Complete)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
116.29 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Brass Quartet - Titans
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.61 €
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Ensemble de cuivres
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.4 €
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Ensemble de cuivres
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Hello! Ma Baby
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Ho…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
6.51 €
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Ensemble de cuivres
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
I dovregubbens 'hood (In da hood of da mountain king)
Ensemble de cuivres
Brass Ensemble - Level 2 - Digital Download SKU: A0.940769 Composed by Edvard Grieg…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.940769 Composed by Edvard Grieg. Arranged by Nick Walkley. Children,Contemporary,Patriotic,Standards,World. Score and parts. 45 pages. Nick Walkley #3422303. Published by Nick Walkley (A0.940769). Based on Grieg's famous orchestral movement from 'Peer Gynt Suite no.1', this arrangement is a contemporary twist on an old classic and designed to appeal to young audiences and musicians. It was originally written for Sæbø Skulemusikklag, Norway, for World Brass Day 2017. The performance was recorded as representation of Norwegian culture and uploaded to Youtube in a shared playlist alongside others from around the globe*. The arrangement begins in a similar creepy manner to the original, tip-toeing in and gradually building up to a frightening frenzy. Something of a surprise is in store for the audience after a familiar opening however; a dubstep/drum n bass twist drops in before the melody rejoins in a new fashion, leading on to solo moments for drum kit and timpani. Elements of the original orchestration are again infused into the repeated refrain to intensify the music towards a dramatic final close.Note to conductors:Difficult solo tuba parts are a feature, but a simplified version is also supplied for less advanced players.The soprano cornet, 2nd horn and 2nd baritone parts are supplementary and can be omitted without problem. Beginner level (aspirant) parts are provided, written in B and E flat as 'Trolls' so that newer band members can join in. *this arrangement has been edited since that performance for publication.
$20.00
18.61 €
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Ensemble de cuivres
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Edvard Grieg
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Nick Walkley
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I dovregubbens 'hood
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Nick Walkley
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SheetMusicPlus
Flexi Quartet - One Man Went to Mow
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767565 Composed by Traditional.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767565 Composed by Traditional. Arranged by Mike Lyons. Children,Folk,Multicultural,Standards,World. Score and parts. 25 pages. Lyons Music Services #6103321. Published by Lyons Music Services (A0.767565). A moderately easy setting of this well-known children's song for flexi ensemble. Parts are supplied to allow instruments in C, Bb, Eb and F to combine to play together. C parts are provided in Treble, Alto and Bass clefs. This is not really suitable for absolute beginners as it goes into 4 sharps, but with a little perseverance it should be playable by most well-practiced groups. The main tune stays in the 1st part throughout, but other tunes appear as we go through the repetitions (Row your Boat, Frere Jacques) to help keep your place. p>The piece opens with a single part (1) which is joined by other voices one at a time for each of the first four verses. Care will need to be taken to count the bars as the number of men increases. There's a lot of fun to be had from playing this piece. If you want to add some cuteness, the lyrics are provided so parts can be sung.
$8.00
7.44 €
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Ensemble de cuivres
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Traditional
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Mike Lyons
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Flexi Quartet - One Man Went to Mow
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Fifth Book of Madrigals (1605) - 18. E cosi a poco a poco
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767255 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3121643. Published by Lyons Music Services (A0.767255). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The penultimate song, again presents difficulties in arranging for quintet, however the sixth voice mostly alternates with the others and so with a bit of jusicious adaptation, a six-voice song becomes a quintet. E cosi a poco a poco a sei voci - Our young man has obviously been spurned (yet again) And so little by little like a butterfly simpleton I'll return to the fire in those false eyes
$5.99
5.57 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Afro-american Symphony
Ensemble de cuivres
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.10…
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Classical,Contest,Festival,Multicultural,World. 61 pages. Charles Decker Music Press #699415. Published by Charles Decker Music Press (A0.1095398). This is a brilliant arrangement of the first movement Longing of William Grant Still's Afro-American Symphony for a brass choir of four B-flat trumpets, four horns in F, three trombones, euphonium and tuba. William Grant Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra in October 1931 at conductor Howard Hanson's notable American Music Festival, it brought the melancholy flavor of the Blues to the symphony. For William Grant Still the Blues was a distinct African-American musical contribution, separate from the spiritual and popular jazz, and he wanted to incorporate it into a symphonic work based on Western classical symphonic instrumentation and forms. As part of the early 20th Century Harlem Renaissance in New York City, this work was enthusiastically received across the USA and overseas. Pair this brass choir arrangement of the first movement Longing with the third movement Humor also at Charles Decker Music Press to enliven a concert with colorful rhythms, soulful melodies and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this memorable and exciting arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$19.95
18.56 €
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Ensemble de cuivres
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William Grant Still
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Richard Decker
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Afro-american Symphony
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Charles Decker Music Press
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SheetMusicPlus
Afro-american Symphony
Ensemble de cuivres
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.11…
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Contest,Festival,Jazz,Multicultural,World. 56 pages. Charles Decker Music Press #772105. Published by Charles Decker Music Press (A0.1171832). From the Music of Black Composers Series is this arrangement of the third movement Humor from William Grant Still's Afro-American Symphony for a brass choir of 4 B-flat trumpets, 4 horns in F, 3 trombones, euphonium and tuba. Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra at conductor Howard Hanson's notable American Music Festival, it brought the flavor of the Blues and folk music to the symphony. For Still the Blues was a distinct African-American musical contribution he incorporated into a symphonic work. As part of the early 20th Century Harlem Renaissance in New York City, the work was enthusiastically received across the USA and overseas. This brass choir arrangement of the third movement will enliven concerts with its colorful rhythms reminiscent of Gershwin and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this exciting arrangement which can be paired with the additional first movement (Longing) of Still's Afro-American Symphony arranged for similar brass choir with Charles Decker Music Press.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$19.95
18.56 €
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Ensemble de cuivres
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William Grant Still
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Richard Decker
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Afro-american Symphony
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Charles Decker Music Press
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SheetMusicPlus
Monteverdi - The Fifth Book of Madrigals (1605) - 4. Ecco Silvio
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.767240 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767240 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3104235. Published by Lyons Music Services (A0.767240). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.Ecco Silvio - Here is Silvio who you hate so much! This is a song about jealousy and spurned love.
$5.99
5.57 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767271 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99
5.57 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Lyons Music Services
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SheetMusicPlus
Ghostbusters
Ensemble de cuivres
Brass Ensemble - Level 2 - Digital Download SKU: A0.897945 By Ray Parker Jr. By Ray…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.897945 By Ray Parker Jr. By Ray Parker Jr. Arranged by Dana Usealman. Film/TV. Score and parts. 18 pages. Dana Usealman #3533065. Published by Dana Usealman (A0.897945). I arranged Ghostbusters for my 7th grade jazz band which is just a piano, alto sax, tenor sax, and trumpet, but I doubled some of the parts so you could use this for a larger group as well with more instrumentation. This will also work with just piano, sax, and trumpet... you will just be missing some of the harmony. Some of the rhythms are tricky for elementary, but since it's a familiar tune, you can teach it by rote or could easily use this piece to introduce reading more complicated dotted rhythms. It's also a good piece for more advanced ensembles that need an easy familiar tune to throw into their repertoire or playlist.
$14.99
13.95 €
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Ensemble de cuivres
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Ray Parker Jr
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Dana Usealman
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Ghostbusters
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Dana Usealman
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SheetMusicPlus
Moro Lasso
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arrang…
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Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
9.26 €
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Ensemble de cuivres
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Carlo Gesualso
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Eric Wilson
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Moro Lasso
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Woodrow Edition
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SheetMusicPlus
March
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.808691 Composed by James Johnst…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808691 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and parts. 18 pages. Sweetwater Brass Press #4295617. Published by Sweetwater Brass Press (A0.808691). Sergei Prokofiev’s comic opera, The Love for Three Oranges, Op. 33, was first produced in Chicago’s Auditorium Theatre in 1921. Prokofiev subsequently composed a concert suite from six of the opera’s selections. Of these, the March is probably best known. It was adopted as the theme song for a popular radio series, The FBI in Peace and War, which ran on CBS 1944-1958. Through its use on the program, listeners became familiar with the music and were so impressed that it was recorded and published independently as The FBI March. Because of its bold, driving and rhythmic nature, the March is well suited for a brass group, and makes for an exciting experience for both musicians and audience. This arrangement, written for brass quintet using trumpets pitched in C, was completed in 2012 and runs about 1 minute, 38 seconds. (A Bb-trumpets version is also available.) The arranger, Les Smith, can be reached at lessmith@ufl.edu. If you liked this one, check out Les’ Entry of the Graduates: Processional, Funeral March of a Marionette, Golliwog’s Cake Walk, Marche from Sylvia, March Militaires and War March of the Priests (from Athalia). For more arrangements by Les, type the following into the sheetmusicplus Search box: Sweetwater Brass Press.
$12.99
12.08 €
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Ensemble de cuivres
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James Johnston Stewart and Sergei Prokofiev
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F
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March
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Sweetwater Brass Press
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SheetMusicPlus
No Time To Die
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Bil…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 & 4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS.
$15.99
14.88 €
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Ensemble de cuivres
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Billie Eilish
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Graham Boag
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No Time To Die
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Graham Boag
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SheetMusicPlus
No Time To Die for Brass Band
Ensemble de cuivres
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 48 pages. Published by…
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 48 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. <br> <br> <br> <br> The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful."<br> <br> Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$32.99
30.69 €
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Ensemble de cuivres
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Billie Eilish
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Graham Boag
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No Time To Die for Brass Band
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Graham Boag
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SheetMusicPlus
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