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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song of Longing
Non classifié
113
Piano & claviers
Piano seul
81
Instruments en Do
19
Piano Facile
19
Piano, Voix
16
Piano, Voix et Guitare
9
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Orgue
1
Orgue, Trompette (duo)
1
+ 4 instrumentations
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Guitares
Guitare
7
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
2
Voix
Chorale SATB
31
Voix Soprano, Piano
30
Voix Alto, Piano
28
Voix Baryton, Piano
27
Voix Tenor, Piano
27
Chorale 3 parties
23
Chorale 2 parties
9
Chorale TTBB
6
Chorale SSAA
2
Chorale Unison
2
Voix seule
1
Voix Tenor
1
Voix haute
1
+ 8 instrumentations
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Vents
Hautbois, Piano (duo)
19
Flûte traversière et Piano
17
Clarinette et Piano
14
Clarinette
14
Saxophone Alto
13
Flûte traversière
13
Quintette de Saxophone: 5 saxophones
9
2 Flûtes traversières (duo)
7
Hautbois
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Alto et Piano
7
Hautbois (partie séparée)
6
2 Saxophones (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Clarinettes (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Ensemble de Flûtes
5
2 Hautbois (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de Clarinettes
3
Flûte, Alto (duo)
2
Saxophone et Orgue
2
5 Flûtes à bec
2
Flûte, Violoncelle
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Saxophone Tenor
2
Ensemble de saxophones
2
Flûte, Violon, Piano
2
Saxophone Soprano et Piano
1
Cor anglais, Piano
1
Saxophone Soprano
1
Clarinette, Basson (duo)
1
Clarinette, Orgue
1
Flûte traversière, Orgue (duo)
1
Saxophone Baryton
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
Flûte, Hautbois, Basson
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette et Basson
1
Saxophone Baryton, Piano
1
+ 46 instrumentations
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Cuivres
Trompette, Piano
12
Trombone
12
Cor et Piano
11
Trompette
11
Trombone et Piano
10
Cor
10
Tuba
9
Tuba et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
2 Trompettes (duo)
5
2 Tubas (duo)
4
2 Cors (duo)
4
2 Trombones (duo)
3
Euphonium, Piano (duo)
2
Ensemble de Trompettes
2
Ensemble de Cors
2
Cor anglais, Piano
1
Trombone, Orgue
1
+ 14 instrumentations
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Cordes
Alto, Piano
21
Violon et Piano
21
Violon
18
Violoncelle, Piano
15
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violoncelle
14
Alto seul
12
2 Violons (duo)
8
Contre Basse
7
Violon, Violoncelle (duo)
5
Contrebasse, Piano (duo)
5
2 Altos (duo)
4
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Harpe
3
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
+ 19 instrumentations
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Orchestre d'harmonie
13
Orchestre à Cordes
5
Orchestre
4
Orchestre de chambre
4
Jazz combo
2
Ensemble de cuivres
2
Ensemble Jazz
2
Vibraphone
1
Fanfare
1
Xylophone
1
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Vous avez sélectionné:
Song of Longing
Ensemble de cuivres
Partitions à imprimer
2 partitions trouvées
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M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Take Me Back To Dear Old Blighty - BRASS BAND Score and Parts PDF
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Ensemble de cuivres
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INTERMÉDIAIRE
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Arthur J
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Brendan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patr...
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Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patriotic,Traditional. Score and parts. 38 pages. BJE Music #4413147. Published by BJE Music (A0.750898). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much. The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Brass Band with optional Piano part (not on the score) and Vocal Lead Sheet.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins (2 Verses and two Choruses with repeat).
$20.00
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