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--INSTRUMENTS--
ACCORDEON
ALTO
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CHORALE - CHAN…
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Song of Peace: Score
Non classifié
218
Piano & claviers
Piano seul
252
Piano, Voix
75
Piano Facile
65
Piano, Voix et Guitare
40
Piano Trio: piano, violon, violoncelle
10
Accompagnement Piano
8
Orgue
7
1 Piano, 4 mains
3
Instruments en Do
2
Piano Quatuor: piano, 2 violons, violoncelle
2
+ 5 instrumentations
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Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
Piano, Guitare (duo)
1
Mandoline
1
Voix
Chorale SATB
38
Chorale 2 parties
14
Chorale 3 parties
14
Voix duo, Piano
6
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5
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3
Chorale
3
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2
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1
Voix Alto, Piano
1
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24
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21
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20
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17
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14
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14
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11
2 Clarinettes (duo)
10
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8
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8
Quatuor de Clarinettes: 4 clarinettes
7
2 Hautbois (duo)
6
Saxophone Baryton, Piano
6
Ensemble de Clarinettes
4
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4
Hautbois, Basson (duo)
3
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3
Quatuor de Flûtes à bec
3
Ocarina
2
Clarinette Basse, Piano
2
Ensemble de Flûtes
2
Quatuor de Flûtes : 4 flûtes
2
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2
Flûte, Hautbois, Clarinette, Basson
2
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2
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2
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2
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2
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1
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1
Clarinette
1
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1
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1
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1
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1
Ensemble de saxophones
1
5 Flûtes à bec
1
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1
Cor anglais, Piano
1
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Trompette, Piano
14
Trombone et Piano
11
Cor et Piano
9
2 Trompettes (duo)
8
2 Cors (duo)
8
Tuba et Piano
8
2 Trombones (duo)
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Euphonium, Piano (duo)
3
Trompette (partie séparée)
2
Ensemble de Trompettes
2
Ensemble de Trombones
1
Trompette
1
Trombone (partie séparée)
1
Ensemble de Cors
1
Tuba
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1
Cor anglais, Piano
1
+ 14 instrumentations
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Cordes
Violoncelle, Piano
31
Alto, Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
22
2 Violoncelles (duo)
13
2 Altos (duo)
12
Harpe
11
Contrebasse, Piano (duo)
9
Violon, Violoncelle (duo)
8
2 Violons (duo)
7
Alto, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Alto (duo)
4
Harpe, Flûte (duo)
3
Harpe, Voix
3
4 Violoncelles
2
Alto seul
2
Quatuor à cordes : 4 altos
2
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle
2
Violon
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 23 instrumentations
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Orchestre d'harmonie
24
Orchestre
9
Ensemble de cuivres
6
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6
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6
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4
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2
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2
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Vous avez sélectionné:
Song of Peace: Score
Ensemble de cuivres
Partitions à imprimer
6 partitions trouvées
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Song of Peace for Brass Choir
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Ensemble de cuivres
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INTERMÉDIAIRE
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Francois Clement Theodore Dubo
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Lisa Ochoco
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Song of Peace for Brass Choir
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Lisa L Ochoco
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.560042 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th C...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.560042 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period. Score and Parts. 15 pages. Lisa L Ochoco #6380841. Published by Lisa L Ochoco (A0.560042). Théodore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as César Franck, Camille Saint-Saëns, or Maurice Ravel.
$12.00
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
Blowin' In The Wind
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Ensemble de cuivres
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INTERMÉDIAIRE
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Rock
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Stevie Wonder
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Max Stannard
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Blowin' In The Wind
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773458 By Stevie Wonder. By Bob Dylan. Arranged by Max Stannard. Rock. Score and parts. 9 pages. Max Stannard Music #...
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Brass Ensemble - Level 3 - SKU: A0.773458 By Stevie Wonder. By Bob Dylan. Arranged by Max Stannard. Rock. Score and parts. 9 pages. Max Stannard Music #3411645. Published by Max Stannard Music (A0.773458). This is an arrangement for Brass Quintet of Bob Dylan's iconic song, Blowin' in the Wind. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war and freedom. The refrain The answer, my friend, is blowin' in the wind has been described as impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind. Duration: 2.10 www.maxstannardmusic.com @MStannardMusic.
$12.99
March
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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James Johnston Stewart and Ser
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F
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March
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808691 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and ...
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Brass Ensemble - Level 3 - SKU: A0.808691 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and parts. 18 pages. Sweetwater Brass Press #4295617. Published by Sweetwater Brass Press (A0.808691). Sergei Prokofiev’s comic opera, The Love for Three Oranges, Op. 33, was first produced in Chicago’s Auditorium Theatre in 1921. Prokofiev subsequently composed a concert suite from six of the opera’s selections. Of these, the March is probably best known. It was adopted as the theme song for a popular radio series, The FBI in Peace and War, which ran on CBS 1944-1958. Through its use on the program, listeners became familiar with the music and were so impressed that it was recorded and published independently as The FBI March. Because of its bold, driving and rhythmic nature, the March is well suited for a brass group, and makes for an exciting experience for both musicians and audience. This arrangement, written for brass quintet using trumpets pitched in C, was completed in 2012 and runs about 1 minute, 38 seconds. (A Bb-trumpets version is also available.) The arranger, Les Smith, can be reached at lessmith@ufl.edu. If you liked this one, check out Les’ Entry of the Graduates: Processional, Funeral March of a Marionette, Golliwog’s Cake Walk, Marche from Sylvia, March Militaires and War March of the Priests (from Athalia). For more arrangements by Les, type the following into the sheetmusicplus Search box: Sweetwater Brass Press.
$12.99
March
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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James Johnston Stewart and Ser
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F
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March
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808690 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and ...
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Brass Ensemble - Level 3 - SKU: A0.808690 Composed by James Johnston Stewart and Sergei Prokofiev. Arranged by F. Leslie Smith. Contemporary. Score and parts. 18 pages. Sweetwater Brass Press #4293681. Published by Sweetwater Brass Press (A0.808690). Sergei Prokofiev’s comic opera, The Love for Three Oranges, Op. 33, was first produced in Chicago’s Auditorium Theatre in 1921. Prokofiev subsequently composed a concert suite from six of the opera’s selections. Of these, the March is probably best known. It was adopted as the theme song for a popular radio series, The FBI in Peace and War, which ran on CBS 1944-1958. Through its use on the program, listeners became familiar with the music and were so impressed that it was recorded and published independently as The FBI March. Because of its bold, driving and rhythmic nature, the March is well suited for a brass group, and makes for an exciting experience for both musicians and audience. This arrangement, written for brass quintet using trumpets pitched in Bb, was completed in 2012 and runs about 1 minute, 38 seconds. (A C-trumpets version is also available.)
$12.99
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