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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sons. Folk
Non classifié
145
Piano & claviers
Piano grosses notes
326
Orgue
283
Piano, Voix et Guitare
168
Piano Facile
138
Piano seul
80
Clavier
25
Piano, Voix
20
Piano Trio: piano, violon, violoncelle
5
Instruments en Do
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Accompagnement Piano
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
107
Guitare
21
Ukulele
18
Paroles et Accords
11
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline
6
Basse electrique
4
2 Guitares (duo)
3
Banjo
3
Dulcimer
3
4 Guitares (Quatuor)
2
Guitare Pedal Steel
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
43
Voix Alto, Piano
35
Voix Soprano, Piano
26
Voix Tenor, Piano
26
Voix Baryton, Piano
26
Chorale 3 parties
12
Chorale Unison
11
Chorale 2 parties
6
Chorale TTBB
6
Voix haute
4
Voix seule
2
Chorale
1
Chorale SSAA
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
34
Flûte traversière
27
Clarinette
24
2 Flûtes traversières (duo)
22
Flûte traversière et Piano
19
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
15
2 Clarinettes (duo)
13
Hautbois, Piano (duo)
13
Saxophone Alto
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Piano
8
Flûte, Clarinette (duo)
7
Saxophone Soprano et Piano
6
Quintette de Saxophone: 5 saxophones
5
Quatuor de Saxophones: 4 saxophones
5
Harmonica
5
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Tenor
4
Hautbois
4
Saxophone Baryton, Piano
3
2 Hautbois (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois (partie séparée)
3
Flûte et Guitare
3
Saxophone Soprano
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Saxophones, Piano
2
Flûte irlandaise
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Flûte, Trompette (duo)
1
Saxophone et Harpe
1
Saxophone
1
Flûte, Violoncelle, Guitare
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ocarina
1
Flûte, Saxophone (duo)
1
Ensemble de Flûtes
1
Saxophone (partie séparée)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Harpe (duo)
1
Flûte, Violon
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
+ 47 instrumentations
Retracter
Cuivres
Trompette
20
2 Trompettes (duo)
19
Trompette, Trombone (duo)
18
Trompette, Piano
14
Trombone et Piano
11
Trombone
9
2 Trombones (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Cor et Piano
6
Cor
6
Tuba
4
Tuba et Piano
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Trombones (trio)
1
Cor et Harpe
1
2 Tubas (duo)
1
Trompette, Harpe
1
+ 15 instrumentations
Retracter
Cordes
Violoncelle
35
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon
22
Alto seul
22
2 Violoncelles (duo)
21
Violoncelle, Piano
20
2 Violons (duo)
19
Violon et Piano
18
Violon, Violoncelle (duo)
16
Alto, Piano
12
Harpe
7
2 Harpes (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
2 Altos (duo)
5
Contrebasse, Piano (duo)
4
Contre Basse
2
Harpe, Violon (duo)
2
Trio à cordes: 3 violins
2
Alto et Harpe
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Piano Trio: Violon, Alto, Piano
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
16
Orchestre à Cordes
15
Ensemble de cuivres
7
Orchestre
6
Cloches
4
Quintette de Cuivres: autres combinaisons
3
Jazz combo
1
Xylophone, Piano
1
+ 3 instrumentations
Retracter
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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CELTIQUE - IRISH - S…
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CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Sons. Folk
Ensemble de cuivres
Partitions à imprimer
7 partitions trouvées
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1
America
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Neil Diamond
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Joseph M
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Again, just search CHOPP
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America
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JOSEPH M CHOPP
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.924438 By Neil Diamond. By Neil Diamond. Arranged by Joseph M. Chopp. Pop. Score and parts. 22 pages. JOSEPH M CHOPP ...
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Brass Ensemble - Level 4 - SKU: A0.924438 By Neil Diamond. By Neil Diamond. Arranged by Joseph M. Chopp. Pop. Score and parts. 22 pages. JOSEPH M CHOPP #4368652. Published by JOSEPH M CHOPP (A0.924438). This is a great piece of patriotic music for all times of celebrating our freedom and our flag. The driving rhythm starts at the first measure and works its way throughout the piece to a reference of My country 'tis of thee… just before the rousing finish.Every instrument of the brass quintet is featured with melodies, doubling, unisons and solos. For performance practice emphasis should be on ending notes as written for a crisp presentation.Playing time is 3.5 minutes.For more great brass quintet arrangements, just search CHOPP on SMP website. My mostly traditional brass quintets (Bach, Bartok, Billings, Christmas, Easter, Holtz, Mussorgsky, Jewish Folksongs, and several 16th century composers) are available at MusicForBrass.com. Again, just search CHOPP. Questions/comments email jmchopp@hughes.net. Thank you!Joe
$12.99
Lucy Meets Mr. Tumnus
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Ensemble de cuivres
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DÉBUTANT
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Film Walt Disney
#
Harry Gregson-Williams
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Alessandro Macrì
#
Lucy Meets Mr. Tumnus
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. ...
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Brass Ensemble - Level 1 - SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
To Aslan's Camp
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Ensemble de cuivres
#
FACILE
#
Film Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
To Aslan's Camp
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
Evacuating London
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Ensemble de cuivres
#
FACILE
#
Film Walt Disney
#
Harry Gregson-Williams
#
Alessandro Macrì
#
Evacuating London
#
Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00
American Melodies Duet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Samuel Francis Smith, Katharin
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Alexander L Burden
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America, the Beautiful
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American Melodies Duet
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Alexander Burden
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.899870 Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patrioti...
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Brass Ensemble - Level 4 - SKU: A0.899870 Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patriotic. Score and parts. 9 pages. Alexander Burden #5359107. Published by Alexander Burden (A0.899870). Genre: Folk Songs, PatrioticLength: 3:35Instrumentation: Alto Saxophone and EuphoniumThis fun and accessible mashup includes three well known American folk songs: Yankee Doodle, America (My Country Tis of Thee), & America, the Beautiful. Great for any occasion, it's guaranteed to be a hit at your next performance! The Arranger:Alexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
#
SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
#
SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
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Sons. Folk
