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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Real Hero
Non classifié
35
Piano & claviers
Piano seul
20
Piano Facile
4
Instruments en Do
3
Piano, Voix
3
Piano, Voix et Guitare
2
Guitares
Ligne De Mélodie, (Paroles) et Accords
7
Guitare notes et tablatures
6
Mandoline
1
Voix
Chorale SATB
4
Chorale TTBB
1
Chorale Unison
1
Vents
Flûte traversière et Piano
2
2 Saxophones (duo)
1
Saxophone Alto et Piano
1
Flûte, Clarinette (duo)
1
Saxophone Tenor et Piano
1
Hautbois, Piano (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
3 Saxophones (trio)
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette Basse, Piano
1
3 Clarinettes (trio)
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Flûtes : 4 flûtes
1
+ 8 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Cors (duo)
1
Trombone et Piano
1
Bass Clef Instruments
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
2 Trompettes (duo)
1
Trio de Cuivres
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
+ 6 instrumentations
Retracter
Cordes
Violon (partie séparée)
2
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Violon
1
Alto, Piano
1
Contrebasse (partie séparée)
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7
Orchestre
5
Ensemble de cuivres
4
Orchestre à Cordes
3
Fanfare
1
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Crtitères actifs :
The Real Hero
Ensemble de cuivres
Partitions à imprimer
4 partitions trouvées
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1
Blackadder Theme
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Howard Goodall
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Warren J
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Blackadder Theme
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Warren J Wernick
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. W...
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Brass Ensemble - Level 4 - SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983–1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .
$12.99
Monteverdi - The Third Book of Madrigals - No 12 Perfidissimo volto
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767199 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 18 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767199 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 18 pages. Lyons Music Services #3074235. Published by Lyons Music Services (A0.767199). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 12th song, Perfidissimo volto begins as follows: The most treacherous face of beautyAs with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Fables, Fiction, and Folklore
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Ensemble de cuivres
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Contemporain
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Simon M
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Fables, Fiction, and Folklore
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Sperl Publishing
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SheetMusicPlus
Brass Ensemble - SKU: A0.1024971 Composed by Simon M. Sperl. Contemporary. Score and parts. 28 pages. Sperl Publishing #3912935. Published by Sperl Publ...
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Brass Ensemble - SKU: A0.1024971 Composed by Simon M. Sperl. Contemporary. Score and parts. 28 pages. Sperl Publishing #3912935. Published by Sperl Publishing (A0.1024971). This piece, Fables, Fiction and Folklore, is built on a mode and musical figure that can be transposed by a tritone while maintaining every note in the scale. In other words, whether it’s played in G or C#, the exact same notes are used. This mirroring of the musical figure is meant to symbolize how we see ourselves. We look in the mirror and see something that may look like us but is, in fact, as far away from reality as possible. We look past all the good and beautiful things in ourselves and our worlds while only seeing our faults and blemishes. On the other hand, when we look at others, we see idealized versions. We think about them as if they are fictionalized characters in a story. Let’s focus on the positive when we look at ourselves and our lives and forgive the imperfections. We’re the heroes of our personal folktale.
$29.99
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