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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
There's No One Like Her
Non classifié
208
Piano & claviers
Piano seul
64
Piano, Voix et Guitare
18
Piano, Voix
11
Piano Facile
7
Orgue
4
Instruments en Do
4
Accompagnement Piano
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
5
2 Guitares (duo)
2
3 Guitares (trio)
2
Basse electrique
1
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Mandoline, Guitare (duo)
1
Dulcimer
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
28
Chorale TTBB
8
Chorale 3 parties
6
Pack Instrumental pour Chorale
3
Chorale 2 parties
2
Chorale Unison
2
Voix Tenor
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Chorale SSAA
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
19
Saxophone Tenor et Piano
19
Clarinette et Piano
18
Saxophone Soprano et Piano
15
Saxophone Baryton, Piano
14
Hautbois, Piano (duo)
14
Cor anglais, Piano
14
Saxophone Alto et Piano
13
Quatuor de Saxophones: 4 saxophones
12
Ensemble de saxophones
12
2 Saxophones (duo)
11
Saxophone (partie séparée)
10
Quintette de Saxophone: 5 saxophones
10
Saxophone Alto
10
Clarinette Basse, Piano
9
Saxophone Tenor
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Flûtes traversières (duo)
7
Clarinette
6
3 Saxophones (trio)
6
2 Clarinettes (duo)
6
Ensemble de Flûtes
6
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone, Clarinette (duo)
4
Clarinette (partie séparée)
3
2 Flûte à bec (duo)
3
Flûte à bec Soprano
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
2
Ensemble de Clarinettes
2
Clarinette, Guitare (duo)
2
Hautbois (partie séparée)
2
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
5 Flûtes à bec
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
Saxophone
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à Bec
1
Flûte, Violon
1
Flûte traversière
1
Quatuor de Flûtes à bec
1
2 Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte irlandaise
1
3 Flûtes à bec (trio)
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Euphonium, Piano (duo)
17
Ensemble de Trompettes
16
Trombone et Piano
14
Cor anglais, Piano
14
Cor et Piano
12
Trombone
9
Trombone (partie séparée)
7
2 Trombones (duo)
7
Trompette, Piano
6
Trompette
6
Quatuor de Cuivres
4
Trompette (partie séparée)
3
Trompette, Trombone (duo)
3
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Cor (partie séparée)
2
Ensemble de Cors
2
Trio de Cuivres
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
4 Tubas
1
Cor
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
3 Trombones (trio)
1
Instruments en Sib
1
Quatuor de cuivres: 4 trombones
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
15
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violoncelle, Piano
13
Alto, Piano
13
Trio à Cordes: violon, alto, violoncelle
11
2 Violons (duo)
6
Violon, Violoncelle (duo)
4
Harpe
4
Violon
4
Violon, Alto (duo)
3
2 Altos (duo)
3
Violoncelle
2
Violon (partie séparée)
2
2 Violoncelles (duo)
2
4 Violoncelles
2
Alto seul
1
Contrebasse (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Ensemble de Violons
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Ensemble de Violoncelles
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre
21
Ensemble de cuivres
11
Ensemble Jazz
11
Orchestre d'harmonie
9
Orchestre à Cordes
7
Orchestre de chambre
4
Jazz combo
4
Percussion (partie séparée)
2
Ensemble de Percussions
2
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Nouveautes
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Crtitères actifs :
There's No One Like Her
Ensemble de cuivres
Partitions à imprimer
11 partitions trouvées
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1
There's No Business Like Show Business
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Irving Berlin
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Kevin P Holdgate
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There's No Business Like Show
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Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Hold...
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Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Holdgate #4966967. Published by Kevin P Holdgate (A0.791040). There's No Business Like Show Business is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical but for the purposes of the show that I made this arrangement for only 2 verses were required... a third verse could easily be added of course with appropriate lyrics.The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel Merman as the main musical number. The movie, directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that Singin' in the Rain-which starred Donald O'Connor as well-was a collection of Arthur Freed songs. There was also a disco version of the song made during the 1970s, with Merman reprising her singing role in The Ethel Merman Disco Album. The song became one of Ethel Merman's standards and was often performed by her at concerts and on television.This is a simple arrangement of the song playable by all levels of ensemble
$19.99
(There's No Place Like) Home For The Holidays
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Ensemble de cuivres
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FACILE
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Jazz
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Perry Como
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R
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(There's No Place Like) Home F
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SBQUSA. Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.837129 By Perry Como. By Robert Allen. Arranged by R. R. Cardo. Jazz. Score and parts. 10 pages. SBQUSA. Publications...
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Brass Ensemble - Level 2 - SKU: A0.837129 By Perry Como. By Robert Allen. Arranged by R. R. Cardo. Jazz. Score and parts. 10 pages. SBQUSA. Publications #1919737. Published by SBQUSA. Publications (A0.837129). Another Old-Fashioned Christmas Song, changing up your program. Warm and Sentimental, also great to use with a singer. Check out all our CHRISTMAS arrangements (17 more CHRISTMAS titles, mostly pop/contemporary being sold at SMP) in full length audio) at this link:https://www.youtube.com/watch?v=8mT6cPE9DUs&list=PLEByq_Bp6yNpRyzXcRhrLMQdslH37u-S2
$12.99
There's No Business Like Show Business
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Ensemble de cuivres
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Contemporain
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Irving Berlin
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Jim Davies
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There's No Business Like Show
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JD Music Scoring
#
SheetMusicPlus
Brass Ensemble - SKU: A0.1029915 Composed by Irving Berlin. Arranged by Jim Davies. Contemporary. Score and parts. 25 pages. JD Music Scoring #5801369. ...
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Brass Ensemble - SKU: A0.1029915 Composed by Irving Berlin. Arranged by Jim Davies. Contemporary. Score and parts. 25 pages. JD Music Scoring #5801369. Published by JD Music Scoring (A0.1029915). There's No Business Like Show Business is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun, it has been arranged for Brassband Quintet and comes with alternative parts:Part 1: Cornet 1 in Bb (solo), Part 2: Cornet 2 in Bb / Horn in Eb, Part 3: Horn in E / Baritone in Bb / French Horn, Part 4: Trombone in Bb / Euphonium in Bb, Part 5: Bass in Eb / Bass in BbDuration: 2MinsLevel: Easy (grade 5+)
$12.99
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Urlicht from Mahler's 2nd Symphony in C minor for Flugel or Mezzo Sop solo
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Ensemble de cuivres
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Classique
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Gustav Mahler
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Phil Lawrence
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Urlicht from Mahler's 2nd Symp
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 p...
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Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 pages. Phillip Lawrence #4283561. Published by Phillip Lawrence (A0.883780). There’s no doubt that this is one of the saddest and yet beautiful works ever, The Urlicht from Mahler’s 2nd Symphony in C minor for alto voice and alternatively here for Flugel solo. I arranged this 14 years ago for a dear friend trumpeter of mine who passed before his time and a favourite of his.I discovered Mahler 2 at the age of 16 and like Kaplin, it has been a journey of understanding and study for me sifting through Mahler’s own handwritten score at times and through his letters at the time of composing which on and off was near 20 years! The recording you will here attached is by The Fairey Band (from my album with them It's Not Unusual worldofbrass) conducted by Frank Renton and sung by one of the most beautiful alto voices in this land, Margaret McDonald. I’ve no doubt in my mind this arrangement works 100% hence me including the recording itself. Alternatives within the score are Picc A tpt in lieu of Sop, the solo line flg instead of mezzo voice, vibraphone instead of harp.
$29.99
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Ricercare In B Flat For Brass Orchestra
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Ensemble de cuivres
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INTERMÉDIAIRE
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Thomas R
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Ricercare In B Flat For Brass
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Thomas R. Schadl
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.912507 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Instructional,Standards. Score and parts. 28 pages....
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Brass Ensemble - Level 3 - SKU: A0.912507 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Instructional,Standards. Score and parts. 28 pages. Thomas R. Schadl #6438039. Published by Thomas R. Schadl (A0.912507). In writing the Ricercare In B Flat Major For Brass Orchestra, it came to my attention the works of Giovanni Gabrielli, Palestrina and other composers of the sixteenth and seventeenth centuries. The fugues of Johann Sebastien Bach and his contemporaries are the descendants of the ricercare in that the themes are treated contrapuntally. The main feature in the ricercare and the fugue is the melodic imitation of the principal theme. Unlike the fugues of Bach that includes the countersubject, the ricercare has no regular countermelody to provide musical interest to the theme. Another feature to discover in the Ricercare In B Flat Major is the concerto nature, where the trumpet ensemble plays against instruments of lower pitch registration and the French horn chorus plays against instruments of different tone colors. The concluding section of the piece includes all instruments playing together.In performing the work, the brass orchestra performs together on stage. There also may be a possibility of having the work performed in different parts of a hall to give listeners an idea of the concerto-like works of Gabrielli’s sacred symphonies. This idea may be decided at the discretion of the conductor and the ensemble.The work is suitable for concert use and may be used to teach students the compositional techniques composers of previous centuries used in composing their works.
$31.95
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