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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time for Change
Non classifié
631
Piano & claviers
Piano seul
463
Piano Facile
91
Piano, Voix
78
Piano, Voix et Guitare
62
Orgue
27
Accompagnement Piano
14
Instruments en Do
13
2 Pianos, 4 mains
5
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare
78
Guitare notes et tablatures
16
2 Guitares (duo)
10
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
6
Guitare (partie séparée)
6
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Mandoline
3
Paroles et Accords
2
Piano, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
166
Chorale 3 parties
72
Chorale 2 parties
32
Chorale TTBB
27
Chorale Unison
17
Chorale SSAA
17
Voix duo, Piano
10
Voix Soprano, Piano
7
Voix duo
6
Voix seule
5
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix haute
2
Chorale SSAATTBB
2
Voix basse, Piano
2
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Voix Tenor
1
Voix basse
1
Voix Soprano
1
Chorale
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
70
Quatuor de Saxophones: 4 saxophones
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Saxophone
36
2 Clarinettes (duo)
36
Hautbois, Piano (duo)
36
Saxophone, Clarinette (duo)
33
2 Flûtes traversières (duo)
32
Flûte, Hautbois, Clarinette, Basson
31
Saxophone Alto et Piano
31
Flûte traversière et Piano
28
Quatuor de Clarinettes: 4 clarinettes
26
Clarinette et Piano
25
Clarinette, Trompette (duo)
24
Clarinette
23
Saxophone (partie séparée)
23
Flûte traversière
22
Clarinette, Violon (duo)
20
Saxophone Soprano et Piano
19
Flûte et Guitare
18
Hautbois, Flûte
17
Flûte, Clarinette (duo)
16
Ensemble de Clarinettes
16
2 Hautbois (duo)
14
Ensemble de saxophones
14
Quatuor de Flûtes : 4 flûtes
13
Hautbois, Clarinette (duo)
13
Hautbois, Basson (duo)
13
Clarinette et Alto
12
Saxophone Alto
12
Quintette de Saxophone: 5 saxophones
11
Flûte, Saxophone (duo)
11
Saxophone Tenor et Piano
10
Saxophone Tenor
10
Flûte, Alto (duo)
10
Flûte, Trompette (duo)
9
Trio de Flûtes: 3 flûtes
8
3 Saxophones (trio)
8
Flûte, Violon
8
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Flûtes
6
Clarinette, Guitare (duo)
6
Saxophone Soprano
5
3 Clarinettes (trio)
5
Hautbois (partie séparée)
5
Cor Anglais
5
Flûte à bec Soprano
4
Saxophone Baryton, Piano
4
Flûte, Hautbois (duo)
3
Clarinette Basse, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon, Piano
3
Quatuor de Flûtes à bec
3
Cor anglais, Piano
3
Clarinette, Basson (duo)
3
Flûte, Violon et Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois
2
5 Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Cor anglais, Guitare (duo)
1
Flûte à Bec
1
Saxophone et Orgue
1
Hautbois et alto (duo)
1
Flute (partie séparée)
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Clarinette et Basson
1
Flute, harpe et violon
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto
1
Flûte, Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
3 Flûtes à bec (trio)
1
Flûte, Alto et Piano
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
+ 75 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone
27
Trompette
24
Trompette, Saxophone (duo)
23
2 Trompettes (duo)
20
Trombone (partie séparée)
17
Trombone et Piano
17
2 Trombones (duo)
15
Trompette (partie séparée)
15
Trompette, Trombone (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor et Piano
13
Trompette, Piano
8
Cor
8
Quatuor de Cuivres
7
Cor Anglais
5
Euphonium, Piano (duo)
3
Tuba et Piano
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
3
Euphonium
2
Euphonium, Tuba (duo)
2
Ensemble de Trombones
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Ensemble de Trompettes
2
Cor anglais, Guitare (duo)
1
Trio de Cuivres
1
Tuba
1
Ensemble de Cors
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
Trompette, Euphonium (duo)
1
3 Trombones (trio)
1
Trombone, Cor (duo)
1
2 Euphoniums (duo)
1
Trompette, Cor (duo)
1
3 Tubas (trio)
1
Cor (partie séparée)
1
4 Tubas
1
Trombone basse
1
+ 39 instrumentations
Retracter
Cordes
Harpe
103
Quatuor à cordes: 2 violons, alto, violoncelle
95
Violon, Alto (duo)
29
Violon et Piano
28
Violon, Violoncelle (duo)
26
Alto, Piano
25
2 Violons (duo)
21
Violon
20
2 Violoncelles (duo)
20
2 Altos (duo)
19
Violoncelle, Piano
16
2 Harpes (duo)
15
Violoncelle
14
Trio à Cordes: violon, alto, violoncelle
12
Trio à Cordes: 2 violons, violoncelle
10
Alto seul
9
Contrebasse (partie séparée)
4
4 Violoncelles
4
Violon (partie séparée)
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Ensemble d'Altos
1
Violon, Guitare (duo)
1
4 Contrebasses
1
4 Harpes
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
152
Orchestre à Cordes
68
Ensemble Jazz
62
Cloches
56
Orchestre
46
Batterie
25
Ensemble de cuivres
22
Orchestre de chambre
20
Jazz combo
20
Ensemble de Percussions
16
Percussion
6
Fanfare
5
Batterie (partie séparée)
3
Piano et Orchestre
1
Marimba
1
Vibraphone
1
Caisse Claire
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Time for Change
Ensemble de cuivres
Partitions à imprimer
22 partitions trouvées
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1
There’ll Be Some Changes Made
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Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
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W
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F
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There’ll Be Some Changes
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
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Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
Brass Quartet - A Foregone Conclusion
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - A Foregone Con
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Publis...
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Brass Ensemble - Level 5 - SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Published by Lyons Music Services (A0.767318). This is a brand new work for brass quartet, using brass band instrumentation: Cornet (doubling Flugelhorn), Tenor Horn, Baritone Horn and Euphonium.It was written as a submission for a new brass quartet (A4 Brass Quartet) comprising musicians from the RNCM, but didn't get selected. Each movement is based on the ensemble's name and contains a pun on A4. Each movement also has fourths involved in it somewhere.The first movement is called Aforethought (because it contains my initial ideas) and it uses a mixture of tonal and quartal harmonies. Melodies and harmony are based around fourths and fifths. It requires all players to be able to flutter-tongue. After the opening fanfare, there is a march-like melody on the cornet, accompanied by the rest of the ensemble. This is followed by a contrasting tune using intervals of a fourth. These ideas are developed over several keys until the first march-like melody returns. The fanfare idea closes the movement.The second movement is called Aforementioned. It takes its ideas from the first movement, but gives them a bluesy style. The cornet player changes to the flugelhorn for this movement which has a beautiful languid melody. The horn shares some of the glory towards the end.The third and final movement is called Aphorhythm (A4 rhythm) and is in 7/8 time. The jerky little melody plays with the pulse of the 7/8 and smoothly morphs into a steadier 'middle 8' section before reprising the opening music.Altogether, this is an enjoyable and exciting piece for brass quartet..
$25.00
A Raggy Boogaloo for Brass and Rhythm
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Ensemble de cuivres
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Dr
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A Raggy Boogaloo for Brass and
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Trombacor Music
#
SheetMusicPlus
Brass Ensemble - SKU: A0.931695 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 38 pages. Trombacor Music #6273527. Published by Tr...
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Brass Ensemble - SKU: A0.931695 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 38 pages. Trombacor Music #6273527. Published by Trombacor Music (A0.931695). Here’s A Raggy Boogaloo scored for standard brass quintet with rhythm section of piano, bass, and drums. Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the octet throughout. There is an extended jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the octet to use is included. A performance for a jazz audience can extend the solo section for as many improvisers as a feature piece for other soloists. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone, and tuba, is joined by a rhythm section. This is a great opportunity to expand your brass quintet into a larger group with an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo, with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long. **Watch for other works in the Trombacor Music Library for quintet and rhythm section as they become available. They are currently being transcribed into the Sibelius software by the composer’s assistant.
$27.95
Step In Time
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
#
Richard M
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Kevin P Holdgate
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Step In Time
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Cont...
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Brass Ensemble - Level 4 - SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show. Score and parts. 45 pages. Kevin P Holdgate #468840. Published by Kevin P Holdgate (A0.862340). This is an arrangement with a tale to tell... A few years ago my wife and I were invited to attend a surprise 90th birthday party for the legendary brass band conductor James Scott. The party was held at Uppermill golf course in the heart of Saddleworth. Anyone familiar with the annual brass band festival that is the Whit Friday March contests will be familiar with the area and perhaps also with its somewhat damp climate. My wife and I decided that we would make a mini-break out of it and took our touring caravan to stay on a small farm site near Freisland (another Whit Friday venue). the weather was as predicted and it rained... and it rained... and then it rained some more to the extent that we had a family of ducks swimming around outside our caravan door. TV, and Internet connection in Saddleworth, in a caravan in the rain is virtually non-existent so we were well and truly stuck. We ventured out into nearby town of Oldham and eventually found a bookshop. Browsing through the music section I stumbled across a piano reduction of the show score to Mary Poppins. Contained in the score was a 32 bar, simple piano reduction of Step in Time... The rest, as they say, is history... This arrangement is not such a simple reduction. There are frequent changes of key, and time signatures throughout, but it has proven to be great fun to play and rehearse. Particularly with bands that are not the best 'sight readers'...
$29.99
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Pretty Eyed Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eldridge/Gillespie
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F
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. A...
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Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Kingdom Coming (The Year of Jubilo)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
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Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Ensemble de cuivres
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Noël
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
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Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Once In Love With Amy
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Johnny Cash
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Joseph M
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(ghost) Riders In The Sky
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JOSEPH M CHOPP
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.924437 By Johnny Cash. By Stan Jones. Arranged by Joseph M. Chopp. Contemporary. Score and parts. 15 pages. JOSEPH M ...
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Brass Ensemble - Level 4 - SKU: A0.924437 By Johnny Cash. By Stan Jones. Arranged by Joseph M. Chopp. Contemporary. Score and parts. 15 pages. JOSEPH M CHOPP #4352809. Published by JOSEPH M CHOPP (A0.924437). Most everyone likes cowboy songs, and Ghost Riders in the Sky is one of the most exciting to hear and perform. This arrangement gives each musician in the brass quintet several solo opportunities and excellent rhythmic challenges. The lyrics tell the frightful story of a cowboy receiving a sobering warning to change your ways, or else! (see page two of the music.)Stan Jones was an American songwriter and actor, primarily writing Western music. He is best remembered for writing the legendary (ghost) Riders in the Sky (A Cowboy Legend), which has been called the #1 Western song ever written.Playing time = 2.5 minutesFind SMP arrangements; just search CHOPP for good quintet music. Music by Bach, Bartok, Billings, Holtz, Mussorgsky, Jewish Folksongs and several 16th Century composers are available at MusicForBrass.com. Just search CHOPP.jmchopp@hughes.net
$12.99
Rudolph The Red-nosed Reindeer
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Ensemble de cuivres
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AVANCÉ
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Noël
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John Denver
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Evelin Auger
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Rudolph The Red-nosed Reindeer
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Linden Brass Press Inc.
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1139995 By John Denver. By Johnny Marks. Arranged by Evelin Auger. Christmas. Score and parts. 18 pages. Linden Brass...
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Brass Ensemble - Level 5 - SKU: A0.1139995 By John Denver. By Johnny Marks. Arranged by Evelin Auger. Christmas. Score and parts. 18 pages. Linden Brass Press Inc. #740257. Published by Linden Brass Press Inc. (A0.1139995). Here's a great arrangement of Rudolph for brass quintet by Evelin Auger, former Principal trombone of the Orchestre Symphonique de Québec. It has been performed many times by the brass players of that orchestra, and audiences loved it! Trombone requires a plunger mute and has a quick change to open, but getting rid of the mute is part of the fun!
$14.95
Plaisir d'amour
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jean-Paul-Égide Martini
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F
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Plaisir d'amour
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Lov...
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Brass Ensemble - Level 3 - SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686). This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog. Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii. This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F. The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3. This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.95
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
A Rowdy, Raucous Rumpus
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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F
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A Rowdy, Raucous Rumpus
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pa...
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Brass Ensemble - Level 4 - SKU: A0.808685 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children,Holiday,Traditional. Score and parts. 83 pages. Sweetwater Brass Press #3631645. Published by Sweetwater Brass Press (A0.808685).   What is a Rumpus? Most definitions include words such as noisy disturbance, commotion and uproar. Sort of like the sounds from a group of neighborhood children in the days before play dates, private lessons and organized kids’ sports. These sounds were part and parcel of the games they played, games that originated years, even centuries, before and involved high energy levels and top-of-their-voices counting, chanting or singing (with an occasional Nyah-nyah nyah-nyah nyah nyah thrown in for good measure!). Rowdy and raucous, indeed!  This composition is one that will entertain both adults (who, after all, are just grown-up children!) and youngsters. Like children at play, it races right along. In one 6-minute work, it incorporates tunes of eleven children’s game and campfire songs: Michael Finnegan; Ring a Ring o’ Roses; Twinkle, Twinkle, Little Star; London Bridge; Hickory Dickory Dock; Three Blind Mice; John Jacob Jingleheimer Schmidt; My Pony Boy; Old MacDonald Had A Farm; The Farmer in the Dell and Bingo. And, again, like children at play, there is fun, humor and a surprise at every turn.  A Rowdy, Raucous Rumpus is a hoot to play. At a cut-time tempo of 132 and with 14(!) changes of key, it keeps all five musicians on their toes. And busy: on the Tuba part, there are V.S. (turn the page quickly) indications on the bottom of 6 of the 8 pages, 5 for Trombone and Horn in F, 3 for Trumpet 2, and 2 for Trumpet 1. In Bingo, the last tune, the group intermittently stops playing and claps or foot-taps loudly (which is a good spot for audience participation!). On the audio clip, this is indicated with a click (actually, a tambourine sound).  There are a few high notes scattered throughout. Trumpet plays B above its staff once and A a number of times. Trumpet 2 has one A above its staff. Trombone has one F above its staff. Tuba has one G in the top space of its staff.
$9.95
A Raggy Boogaloo
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Dr
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A Raggy Boogaloo
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Trombacor Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.931693 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 26 pages. Trombacor Music #6270169. Publi...
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Brass Ensemble - Level 4 - SKU: A0.931693 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 26 pages. Trombacor Music #6270169. Published by Trombacor Music (A0.931693). Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the quintet throughout. There is a jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the quintet to use is included. Here is another feature of this work: if no one improvises in the quintet, but you still want to feature the trombone solo, markings in the score and parts explain how to omit the jazz improvisation section and take an Optional D.S. back to letter A, and then jump to the Coda. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone and tuba can perform an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long.
$19.95
Low Rider
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Ensemble de cuivres
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Contemporain
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War
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Charlie Peterson
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Low Rider
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Quintessential Brass Repertoire
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SheetMusicPlus
Brass Ensemble - SKU: A0.909092 By War. By Charles W. Miller, Harold R. Brown, Howard Scott, Jerry Goldstein, Lee Oskar, Leroy Jordan, Morris Dickerson,...
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Brass Ensemble - SKU: A0.909092 By War. By Charles W. Miller, Harold R. Brown, Howard Scott, Jerry Goldstein, Lee Oskar, Leroy Jordan, Morris Dickerson, and Sylvester Allen. Arranged by Charlie Peterson. Contemporary. Score and parts. 17 pages. Quintessential Brass Repertoire #5712335. Published by Quintessential Brass Repertoire (A0.909092). Funky 70s song by the band War. It starts out with the French horn playing cowbell! The melody starts with trumpet 1 then shifts to trombone, trumpet 2 and then French horn (after relinquishing the cowbell). The tuba plays that classic bass line most of the time but does change for a while in the middle and even gets a few bars of melody. When the trumpet takes back the melody at the end the horn can either play a harmony line or go back to cowbell. Should be a fun one!
$15.00
What A Friend We Have In Jesus
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Charles Converse
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Keith Loftis
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What A Friend We Have In Jesus
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Keith Loftis
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.483138 Composed by Charles Converse. Arranged by Keith Loftis. Jazz,Praise & Worship,Sacred,Spiritual,Traditional. Sc...
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Brass Ensemble - Level 3 - SKU: A0.483138 Composed by Charles Converse. Arranged by Keith Loftis. Jazz,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 16 pages. Keith Loftis #102754. Published by Keith Loftis (A0.483138). This arrangement starts out as a traditional hymn-like presentation (with some contemporized harmonies). After it's traditional presentation, It breaks into an up-beat, dixie-land style of music. This piece works well as a prelude to a worship setting or programed as a change of pace selection for general audiences. The arranger encourages ensembles to take more time at the ending than the recording presents.
$1.99
Fuga Con Un Soggetto Solo
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Archangelo Corelli
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Gary Bricault
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Fuga Con Un Soggetto Solo
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Gary Bricault
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.825291 Composed by Archangelo Corelli. Arranged by Gary Bricault. Baroque. Score and parts. 19 pages. Gary Bricault #...
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Brass Ensemble - Level 4 - SKU: A0.825291 Composed by Archangelo Corelli. Arranged by Gary Bricault. Baroque. Score and parts. 19 pages. Gary Bricault #6413387. Published by Gary Bricault (A0.825291). Arrangement as Brass Quartet (2 C Trpt F Horn Tromb). Performance time 2'29.Includes C and Bb trumpet parts, And trombone/bass trombone part.
$9.99
The Leprehaun
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Irish Folk Tune
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Rick Rangno
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The Leprehaun
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Rick Rangno
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.954884 Composed by Irish Folk Tune. Arranged by Rick Rangno. Children,Folk,Holiday. Score and parts. 19 pages. Rick R...
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Brass Ensemble - Level 4 - SKU: A0.954884 Composed by Irish Folk Tune. Arranged by Rick Rangno. Children,Folk,Holiday. Score and parts. 19 pages. Rick Rangno #4363421. Published by Rick Rangno (A0.954884). This arrangement is based on an old Irish air found in P.W. Joyce's collection Ancient Irish Music published in Dublin in 1873. In Irish folklore the leprehaun is portrayed as a little bearded man, wearing a green coat and hat, and who gets into all kinds of mischief. In general they are solitary creatures who spend their time as cobblers making and mending shoes and have a pot of gold hidden at the end of the rainbow. According to the legends, if you are lucky enough to find a leprehaun and catch him you can exchange his freedom for his treasure. But leprehauns can be a tricky...take your eyes off him for just a second and he'll be gone in a wink leaving you with nothing!This should be played quite boisterously and playfully. It could fit into many types of programs of a light nature. Ideal for St.Patrick's Day or children's concerts.
$8.99
Still Still Still - Christmas song - 7 Parts - Brass Ensemble
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Ensemble de cuivres
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INTERMÉDIAIRE
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Noël
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Arranged by Thomas Graf. Baroque Period, Neo-Classical, European, Christmas. Score, Set of Parts. 32 pages. Published by Thomas Graf - the-hit-factory.com (S0.1...
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Arranged by Thomas Graf. Baroque Period, Neo-Classical, European, Christmas. Score, Set of Parts. 32 pages. Published by Thomas Graf - the-hit-factory.com (S0.163993). - Score,Set of Parts - Baroque Period,Neo-Classical,European,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. Instrumentation: Part I/II (Tpt. Bb/C), Part III (Tpt. Bb.), Part IV (Fl./Horn), Part V (Hrn./Tbn./Euph.), Part VI (Tbn Bb/C), Part VII (Tuba/Bass in Bb) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$19.99
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