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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To The West
Non classifié
1 078
Piano & claviers
Piano seul
570
Piano, Voix
360
Piano Facile
112
Piano, Voix et Guitare
97
Instruments en Do
37
Orgue
35
Piano Trio: piano, violon, violoncelle
10
Piano (partie séparée)
5
Piano grosses notes
4
1 Piano, 4 mains
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 6 mains
1
Clavecin
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
117
Basse electrique
61
Guitare notes et tablatures
57
Ligne De Mélodie, (Paroles) et Accords
40
Guitare (partie séparée)
9
Mandoline
4
Paroles et Accords
4
2 Guitares (duo)
3
Ukulele
3
Banjo
3
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Basse électrique (partie séparée)
1
Dulcimer
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
302
Chorale SSAA
108
Chorale 3 parties
74
Chorale TTBB
72
Chorale 2 parties
45
Chorale Unison
23
Voix Soprano, Piano
16
Voix Alto, Piano
14
Voix Tenor, Piano
14
Voix Baryton, Piano
12
Voix seule
12
Voix duo, Piano
3
Chorale
2
Voix haute
2
Voix duo
2
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
236
Flûte, Hautbois, Clarinette, Basson
228
Quatuor de Clarinettes: 4 clarinettes
218
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
186
Quintette de Saxophone: 5 saxophones
145
Flûte traversière et Piano
68
2 Saxophones (duo)
65
Clarinette et Piano
65
Clarinette
58
Flûte traversière
52
Saxophone (partie séparée)
35
2 Clarinettes (duo)
32
Hautbois, Piano (duo)
31
2 Flûtes traversières (duo)
27
Saxophone, Clarinette (duo)
26
Saxophone Alto
26
Saxophone Soprano et Piano
25
Quatuor de Flûtes : 4 flûtes
25
Saxophone Alto et Piano
24
Saxophone Tenor et Piano
20
Clarinette, Violon (duo)
19
Flûte, Clarinette (duo)
19
3 Saxophones (trio)
18
Hautbois (partie séparée)
17
Clarinette, Trompette (duo)
17
Cor anglais, Piano
17
Saxophone Tenor
16
Ensemble de Clarinettes
15
Saxophone Baryton, Piano
15
3 Clarinettes (trio)
15
Trio de Flûtes: 3 flûtes
12
2 Hautbois (duo)
11
Hautbois, Clarinette (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flûte, Trompette (duo)
10
Flûte, Violon
10
Saxophone
10
Flute (partie séparée)
10
Hautbois, Basson (duo)
10
Flûte, Saxophone (duo)
9
Clarinette et Alto
9
Ensemble de Flûtes
9
Clarinette Basse, Piano
9
Flûte à bec Soprano
8
Hautbois, Flûte
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Clarinette (partie séparée)
6
Flûte, Alto (duo)
6
Flûte et Guitare
6
Flûte à Bec
5
Flute, harpe et violon
3
Cor Anglais
3
Saxophone Soprano
3
Flûte à bec Alto
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
3
Clarinette, Basson (duo)
3
Flûte, Violon et Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Basson et Piano
2
2 Flûte à bec (duo)
2
2 Clarinettes, Piano
2
Flûte, trombone et piano
2
3 Flûtes à bec (trio)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo
2
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Flûte à bec, Guitare (duo)
1
Flûte, alto et harpe
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
Saxophone Baryton
1
Flûte à bec Tenor
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Harmonica
1
Flûte, Hautbois (duo)
1
Flûte traversière, Orgue (duo)
1
5 Flûtes à bec
1
Clarinette, trompette et piano
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Flûte à bec Alto, Piano
1
Hautbois, violon (duo)
1
Hautbois
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Quatuor de Cuivres : 2 trompettes, trombone, tuba
85
Trompette
52
Trombone et Piano
38
Trompette, Piano
35
Trompette (partie séparée)
32
Trombone (partie séparée)
32
Trompette, Saxophone (duo)
30
Trombone
29
Cor et Piano
22
Cor
20
Euphonium, Piano (duo)
17
Cor anglais, Piano
17
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
2 Trompettes (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Tuba et Piano
9
Tuba
8
Quatuor de cuivres: 4 trombones
6
3 Trombones (trio)
5
Quatuor de Cuivres
5
Quatuor de cuivres: 4 trompettes
5
Cor (partie séparée)
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 cors
4
3 Tubas (trio)
3
Cor Anglais
3
Tuba (partie séparée)
3
2 Cors (duo)
3
4 Tubas
2
3 Cors (trio)
2
Trombone, Cor (duo)
2
Trombone basse
2
Trompette, Cor (duo)
1
3 Trompettes (trio)
1
Ensemble de Cors
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Clarinette, Cor (duo)
1
Euphonium
1
2 Tubas (duo)
1
Cor, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
Cor et Orgue
1
Euphonium, Tuba (duo)
1
Trio de Cuivres
1
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
278
Violon et Piano
82
Harpe
75
Violon
56
Alto, Piano
54
Violoncelle, Piano
53
Violoncelle
26
Violon, Violoncelle (duo)
25
2 Violoncelles (duo)
20
2 Violons (duo)
19
Alto seul
17
Violon, Alto (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
2 Altos (duo)
12
Contrebasse (partie séparée)
10
Violon (partie séparée)
9
Violon, Guitare (duo)
8
Trio à cordes: 3 violins
8
2 Harpes (duo)
8
Alto (partie séparée)
7
Contre Basse
7
Contrebasse, Piano (duo)
7
Harpe, Voix
6
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, alto
3
4 Violoncelles
3
Alto, Guitare (duo)
2
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
3 Contrebasses
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
2 Contrebasses (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
563
Batterie
95
Orchestre à Cordes
83
Orchestre
73
Ensemble Jazz
56
Ensemble de cuivres
34
Orchestre de chambre
28
Cloches
23
Fanfare
21
Ensemble de Percussions
21
Jazz combo
14
Batterie (partie séparée)
7
Percussion
2
Marimba
2
Percussion (partie séparée)
1
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
To The West
Ensemble de cuivres
Partitions à imprimer
34 partitions trouvées
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1
26
St. Peter (In Christ There Is No East or West)
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Ensemble de cuivres
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INTERMÉDIAIRE
#
Musique Sacrée
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. S...
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Brass Ensemble - Level 3 - SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
There's No Business Like Show Business
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Irving Berlin
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Kevin P Holdgate
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There's No Business Like Show
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Hold...
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Brass Ensemble - Level 3 - SKU: A0.791040 Composed by Irving Berlin. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 21 pages. Kevin P Holdgate #4966967. Published by Kevin P Holdgate (A0.791040). There's No Business Like Show Business is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical but for the purposes of the show that I made this arrangement for only 2 verses were required... a third verse could easily be added of course with appropriate lyrics.The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel Merman as the main musical number. The movie, directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that Singin' in the Rain-which starred Donald O'Connor as well-was a collection of Arthur Freed songs. There was also a disco version of the song made during the 1970s, with Merman reprising her singing role in The Ethel Merman Disco Album. The song became one of Ethel Merman's standards and was often performed by her at concerts and on television.This is a simple arrangement of the song playable by all levels of ensemble
$19.99
Ridin’ the Rails, duos for Tuba or Bass Trombone
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Ensemble de cuivres
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AVANCÉ
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Levi, William
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Levi, William
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Ridin’ the Rails, duos f
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792300 Composed by Levi, William. Arranged by Levi, William. 20th Century,Contemporary,Jazz. Score and parts. 31 page...
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Brass Ensemble - Level 5 - SKU: A0.792300 Composed by Levi, William. Arranged by Levi, William. 20th Century,Contemporary,Jazz. Score and parts. 31 pages. Gordon Cherry #4803939. Published by Gordon Cherry (A0.792300). Bill Levi has composed 15 duos for Tuba or Bass Trombone in a variety of styles that are fun to play. They are perfect for intermediate to advanced players and well written for the instruments. William Levi is a product of the final days of the big band era. He played in the big bands, then joined the popular Barney Rapp territory band that toured the Midwest and upper southern states. His orchestra played the music for the weekly performers booked into the club, including entertainers such as Natalie Cole, Nancy Wilson, Mel Torme, the Supremes, Carol Channing, Peggy Lee, Phyllis Diller, to name a few.
$25.00
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
#
James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Kingdom Coming (The Year of Jubilo)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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F
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#
Kingdom Coming
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
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Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Dance of the Tumblers (Dance of the Clowns)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
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Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Take Me Back To Dear Old Blighty - BRASS BAND Score and Parts PDF
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Ensemble de cuivres
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INTERMÉDIAIRE
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Arthur J
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Brendan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patr...
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Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patriotic,Traditional. Score and parts. 38 pages. BJE Music #4413147. Published by BJE Music (A0.750898). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much. The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Brass Band with optional Piano part (not on the score) and Vocal Lead Sheet.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins (2 Verses and two Choruses with repeat).
$20.00
The Wayward Cowboy
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Ensemble de cuivres
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AVANCÉ
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Timothy Lee Miller
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The Wayward Cowboy
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TLM Music Publishing
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.990301 Composed by Timothy Lee Miller. Contemporary,Jazz. Score and parts. 29 pages. TLM Music Publishing #595981. Pu...
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Brass Ensemble - Level 5 - SKU: A0.990301 Composed by Timothy Lee Miller. Contemporary,Jazz. Score and parts. 29 pages. TLM Music Publishing #595981. Published by TLM Music Publishing (A0.990301). A fun tribute to the old west days of cowboys and dusty plains, or a drunken cowboy falling off a drunken horse. Nonetheless, yippie-ki-yay, pilgrim!! Trumpet parts are in B-flat with optional parts in C.
$15.99
"The Hunky Punks" Original for Brass Sextet.
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Grant Horsley
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"The Hunky Punks" Original for
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Grant Horsley
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/TV,Halloween. 33...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1433697 Composed by Grant Horsley. Classical,Comedy,Contest,Festival,Film/TV,Halloween. 33 pages. Grant Horsley #1013929. Published by Grant Horsley (A0.1433697). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba. This piece is in concert C minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at Advanced intermediate level although an intermediate player maybe fine with it. However, the youtube link has the full score for you to assess suitability. It is around 4 mins 30 in length and would be a great addition to a repertoire.Price is for the full score and parts.
$15.00
We're Gonna Hang Out The Wash On The Siegfried Line
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Ensemble de cuivres
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Contemporain
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Jimmy Kennedy and Michael Carr
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Kevin P Holdgate
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We're Gonna Hang Out The Wash
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - SKU: A0.791035 Composed by Jimmy Kennedy and Michael Carr. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 20 pages. Kevin...
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Brass Ensemble - SKU: A0.791035 Composed by Jimmy Kennedy and Michael Carr. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 20 pages. Kevin P Holdgate #4889985. Published by Kevin P Holdgate (A0.791035). Versatile Brass 'Old Time Favourites' CollectionWe're Going to Hang out the Washing on the Siegfried Line is a popular song by Ulster songwriter Jimmy Kennedy, written whilst he was a Captain in the British Expeditionary Force during the early stages of the Second World War, with music by Michael Carr. It was first published in 1939The Siegfried Line was a chain of fortifications along Germany's Western border, analogous to the Maginot Line in France.At the first big wartime variety concert organized by ENSA, which was broadcast by the BBC from RAF Hendon in North London on 17 October 1939, Adelaide Hall performed the song accompanied by Mantovani and his orchestra. A rare newsreel of this concert exists, and the footage is thought to be the earliest surviving film of a performer singing the song.The song was used as a morale-booster during the war, particularly up to and during the Battle of France.This is a simple arrangement of the song with a vocal line added if required.
$12.99
The Rains Of Castamere
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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George R
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Max Stannard
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The Rains Of Castamere
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773496 Composed by George R.R. Martin and Ramin Djawadi. Arranged by Max Stannard. Contemporary. Score and parts. 40 ...
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Brass Ensemble - Level 3 - SKU: A0.773496 Composed by George R.R. Martin and Ramin Djawadi. Arranged by Max Stannard. Contemporary. Score and parts. 40 pages. Max Stannard Music #4278421. Published by Max Stannard Music (A0.773496). The Rains of Castamere comes from the soundtrack of HBO's acclaimed television series, Games of Thrones and has been arranged for traditional British brass band. The music is used to represent the Lanister family in the series, most notable, at the red wedding. The songs title comes from the History of Westeros, as the Reyne Family, a cadet branch of the House of Lanister, rebelled against their liege lords. Tywin Lanister obliterated the Reynes and the song was written, now the rains, weep o'er his hall, and not a soul to hear. Duration: c.2.30 www.maxstannardmusic.com @MStannardMusic.
$24.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Johnny Cash
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Joseph M
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(ghost) Riders In The Sky
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JOSEPH M CHOPP
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.924437 By Johnny Cash. By Stan Jones. Arranged by Joseph M. Chopp. Contemporary. Score and parts. 15 pages. JOSEPH M ...
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Brass Ensemble - Level 4 - SKU: A0.924437 By Johnny Cash. By Stan Jones. Arranged by Joseph M. Chopp. Contemporary. Score and parts. 15 pages. JOSEPH M CHOPP #4352809. Published by JOSEPH M CHOPP (A0.924437). Most everyone likes cowboy songs, and Ghost Riders in the Sky is one of the most exciting to hear and perform. This arrangement gives each musician in the brass quintet several solo opportunities and excellent rhythmic challenges. The lyrics tell the frightful story of a cowboy receiving a sobering warning to change your ways, or else! (see page two of the music.)Stan Jones was an American songwriter and actor, primarily writing Western music. He is best remembered for writing the legendary (ghost) Riders in the Sky (A Cowboy Legend), which has been called the #1 Western song ever written.Playing time = 2.5 minutesFind SMP arrangements; just search CHOPP for good quintet music. Music by Bach, Bartok, Billings, Holtz, Mussorgsky, Jewish Folksongs and several 16th Century composers are available at MusicForBrass.com. Just search CHOPP.jmchopp@hughes.net
$12.99
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
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Ensemble de cuivres
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AVANCÉ
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Classique
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John Philip Sousa
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Alexander L Burden
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King Cotton by John Philip Sou
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Alexander Burden
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Ale...
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Brass Ensemble - Level 5 - SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Alexander’s Ragtime Band
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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F
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Afro-american Symphony
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Ensemble de cuivres
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AVANCÉ
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William Grant Still
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Richard Decker
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Afro-american Symphony
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Bl...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1095398 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Classical,Contest,Festival,Multicultural,World. 61 pages. Charles Decker Music Press #699415. Published by Charles Decker Music Press (A0.1095398). This is a brilliant arrangement of the first movement Longing of William Grant Still's Afro-American Symphony for a brass choir of four B-flat trumpets, four horns in F, three trombones, euphonium and tuba. William Grant Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra in October 1931 at conductor Howard Hanson's notable American Music Festival, it brought the melancholy flavor of the Blues to the symphony. For William Grant Still the Blues was a distinct African-American musical contribution, separate from the spiritual and popular jazz, and he wanted to incorporate it into a symphonic work based on Western classical symphonic instrumentation and forms. As part of the early 20th Century Harlem Renaissance in New York City, this work was enthusiastically received across the USA and overseas. Pair this brass choir arrangement of the first movement Longing with the third movement Humor also at Charles Decker Music Press to enliven a concert with colorful rhythms, soulful melodies and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this memorable and exciting arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$24.99
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Waving Through A Window
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Benj Pasek and Justin Paul
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Max Stannard
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Waving Through A Window
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773473 Composed by Benj Pasek and Justin Paul. Arranged by Max Stannard. Contemporary. Score and parts. 84 pages. Max...
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Brass Ensemble - Level 3 - SKU: A0.773473 Composed by Benj Pasek and Justin Paul. Arranged by Max Stannard. Contemporary. Score and parts. 84 pages. Max Stannard Music #3588479. Published by Max Stannard Music (A0.773473). This arrangement for brass band is of a song from the hit Broadway musical, Dear Evan Hansen. Evan is a high school senior with severe social anxiety, which inhibits his ability to connect with other people and make friends. After the death of one of his classmates, he fabricates a lie that inadvertently brings him closer to the classmate's family, while also allowing him to gain his own sense of purpose. Waving Through a Window has become the most popular song from this musical, which will hit the West End in 2019. Duration: 4mins www.maxstannardmusic.com @MStannardMusic.
$34.99
American Melodies Duet
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Samuel Francis Smith, Katharin
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Alexander L Burden
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American Melodies Duet
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Alexander Burden
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.899870 Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patrioti...
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Brass Ensemble - Level 4 - SKU: A0.899870 Composed by Samuel Francis Smith, Katharine Bates & Samuel Ward. Arranged by Alexander L Burden. Folk,Patriotic. Score and parts. 9 pages. Alexander Burden #5359107. Published by Alexander Burden (A0.899870). Genre: Folk Songs, PatrioticLength: 3:35Instrumentation: Alto Saxophone and EuphoniumThis fun and accessible mashup includes three well known American folk songs: Yankee Doodle, America (My Country Tis of Thee), & America, the Beautiful. Great for any occasion, it's guaranteed to be a hit at your next performance! The Arranger:Alexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
Baryton Trio in F major, Hob.XI:83
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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James Bicigo
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Baryton Trio in F major, Hob.X
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Polar Publications
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.757686 Composed by Franz Joseph Haydn. Arranged by James Bicigo. Classical,Concert,Graduation,Standards,Wedding. Scor...
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Brass Ensemble - Level 3 - SKU: A0.757686 Composed by Franz Joseph Haydn. Arranged by James Bicigo. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 25 pages. Polar Publications #3510137. Published by Polar Publications (A0.757686). Franz Joseph Haydn composed these trios for Prince Esterhazy who played the baryon. The trumpet part is kept to the middle range, so that the timbre works with the horn, but the darkness of the original scoring still comes through. This is music by one of the all time great composers of western classical music, that works beautifully for modern brass instruments. The three short dance movements are charming and work well for any concert or recital.
$30.00
Elsa's Procession For Brass Quartet
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Ensemble de cuivres
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Classique
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Richard Wagner
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Bud Caputo
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Elsa's Procession For Brass Qu
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Bud Caputo
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SheetMusicPlus
Brass Ensemble - SKU: A0.826696 Composed by Richard Wagner. Arranged by Bud Caputo. Opera,Romantic Period,Standards. Score and parts. 15 pages. Bud Capu...
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Brass Ensemble - SKU: A0.826696 Composed by Richard Wagner. Arranged by Bud Caputo. Opera,Romantic Period,Standards. Score and parts. 15 pages. Bud Caputo #4885703. Published by Bud Caputo (A0.826696). This famous orchestral interlude from the opera repertoire is arranged here for brass quartet. Although the ranges and technical difficulties lay well within the reach of Grade 4 performers, the brief modulation section from Eb to E Major will challenge most students accustomed to the traditional keys found inmost band repertoire. Audiences will enjoy this work and students will become familiar with one of the all-time great Western European composers.
$12.00
Tequila Sunrise
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Ensemble de cuivres
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INTERMÉDIAIRE
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Rock
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The Eagles
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Max Stannard
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Tequila Sunrise
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773374 By The Eagles. By Don Henley and Glenn Frey. Arranged by Max Stannard. Pop,Rock. Score and parts. 55 pages. Ma...
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Brass Ensemble - Level 3 - SKU: A0.773374 By The Eagles. By Don Henley and Glenn Frey. Arranged by Max Stannard. Pop,Rock. Score and parts. 55 pages. Max Stannard Music #2081759. Published by Max Stannard Music (A0.773374). This is an arrangement of a song by my favourite band, the Eagles.The first single from their second album, 'Desperado', the song, Tequila Sunrise, refers to a popular cocktail. All of the songs on Desperado were based on themes of the Old West. 2016 Arranging Contest Entry. www.maxstannardmusic.com @MStannardMusic Duration: 2.50.
$24.99
Tequila Sunrise
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Ensemble de cuivres
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Rock
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The Eagles
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Max Stannard
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Tequila Sunrise
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - SKU: A0.773433 By The Eagles. By Don Henley and Glenn Frey. Arranged by Max Stannard. Pop,Rock. Score and parts. 15 pages. Max Stannard...
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Brass Ensemble - SKU: A0.773433 By The Eagles. By Don Henley and Glenn Frey. Arranged by Max Stannard. Pop,Rock. Score and parts. 15 pages. Max Stannard Music #3125503. Published by Max Stannard Music (A0.773433). This is an arrangement of a song by my favourite band, the Eagles.The first single from their second album, 'Desperado', the song, Tequila Sunrise, refers to a popular cocktail. All of the songs on Desperado were based on themes of the Old West. . www.maxstannardmusic.com @MStannardMusic Duration: 2.50.
$12.99
Last Train Home
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Ensemble de cuivres
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Jazz
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Pat Metheny
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Kevin P Holdgate
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Last Train Home
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - SKU: A0.791046 By Pat Metheny. By Pat Metheny. Arranged by Kevin P Holdgate. Jazz. Score and parts. 27 pages. Kevin P Holdgate #4968415...
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Brass Ensemble - SKU: A0.791046 By Pat Metheny. By Pat Metheny. Arranged by Kevin P Holdgate. Jazz. Score and parts. 27 pages. Kevin P Holdgate #4968415. Published by Kevin P Holdgate (A0.791046). Versatile Brass Solo CollectionThis is a full brass band arrangement of the classic Pat Metheny classic that I originally arranged for the fabulous Rob Westacott to play with The James Shepherd Versatile Brass. He recorded it on the groups' final album 'Legacy'. That arrangement is also available on Sheet Music Plus.The music of Pat Metheny may not be instantly familiar to a brass band audience but as the recipient of 20 Grammy awards he certainly should be.This is a great solo for the advanced player willing to try something new... the baritone and Euphonium players play the part of the train throughout... .
$19.99
Wooden Heart
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Joe Dowell
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Brendan Elliget MAGA 537
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Wooden Heart
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.751065 By Joe Dowell. By Ben Weisman, Bert Kaempfert, Fred Wise, and Kay Twomey. Arranged by Brendan Elliget MAGA 537...
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Brass Ensemble - Level 3 - SKU: A0.751065 By Joe Dowell. By Ben Weisman, Bert Kaempfert, Fred Wise, and Kay Twomey. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #6527307. Published by BJE Music (A0.751065). Wooden Heart (Muss i denn lit. Must I then) is a song recorded by Elvis Presley and featured in the 1960 Elvis Presley film G.I. Blues. The song was a hit single for Presley in the UK Singles Chart, reaching No. 1 for six weeks in March and April 1961. Wooden Heart, created by Fred Wise, Ben Weisman, Kay Twomey and German bandleader Bert Kaempfert, was based on a German folk song by Friedrich Silcher, Muss i denn, originating from the Rems Valley in Württemberg, southwest Germany. Wooden Heart features several lines from the original folk song. Marlene Dietrich recorded a version of the song sometime before 1958, pre-dating Presley, in the original German language…[Wikipedia] This is an arrangement for the Brass Band or Brass Ensemble with optional parts for Piano, and Acoustic Bass (Bass Guitar). There are parts for Trombones in BC and TC, and Horns in Eb and F, Euphoniums in TC and BC, Tubas in Eb, Bb, and C. Grade = 3 Duration = 1:45 mins. The audio was recorded with NotePerformer 3. Copyright © 1960 Gladys Music, Inc. Copyright Renewed, Assigned to Chappell & Co., Erika Publishing and Sinless Music All Rights for Erika Publishing Controlled and Administered by BMG Rights Management (US) LLC International Copyright Secured All Rights Reserved
$45.00
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