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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Vocal With Lyric.
Non classifié
1 191
Piano & claviers
Piano, Voix
2 412
Piano, Voix et Guitare
2 234
Piano Facile
228
Piano seul
213
Instruments en Do
177
Accordéon, Voix
117
Accompagnement Piano
94
Piano grosses notes
49
Accordéon
7
Ligne De Mélodie, Piano
5
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Piano (partie séparée)
1
Orgue
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2 720
Ligne De Mélodie, (Paroles) et Accords
146
Basse electrique
134
Ukulele
48
Paroles et Accords
9
Guitare
8
Guitare (partie séparée)
2
+ 2 instrumentations
Retracter
Voix
Chorale SATB
266
Voix duo, Piano
141
Chorale 3 parties
120
Voix duo
94
Voix Alto, Piano
93
Chorale 2 parties
88
Voix seule
88
Voix Tenor, Piano
82
Voix Soprano, Piano
72
Voix haute
54
Chorale SSAA
41
Voix Baryton, Piano
38
Chorale Unison
38
Voix Tenor
34
Chorale TTBB
33
Voix Soprano
26
Voix basse, Piano
20
Voix moyenne, Piano
17
Voix basse
6
Voix, Guitare
5
Voix Mezzo-Soprano, Piano
3
Chorale SSAATTBB
1
Chorale
1
+ 18 instrumentations
Retracter
Vents
Saxophone Alto et Piano
36
Flûte traversière et Piano
33
Hautbois, Piano (duo)
32
Saxophone Alto
30
Clarinette et Piano
28
Ensemble de saxophones
27
Flûte traversière
26
Hautbois (partie séparée)
22
Quintette de Saxophone: 5 saxophones
21
Clarinette
17
Quatuor de Saxophones: 4 saxophones
14
Saxophone Tenor
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Tenor et Piano
10
Flûte, Hautbois, Clarinette, Basson
9
Harmonica
7
Saxophone Soprano
6
Saxophone Soprano et Piano
6
Ensemble de Clarinettes
6
Saxophone (partie séparée)
6
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
5
Saxophone Baryton, Piano
4
2 Saxophones (duo)
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes à bec
3
Cor anglais, Piano
3
2 Clarinettes (duo)
3
Quatuor de Flûtes : 4 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violon (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette Basse, Piano
2
2 Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Clarinette (duo)
1
Clarinette, Trompette (duo)
1
Flûte et Guitare
1
Flûte, Violon
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
5 Flûtes à bec
1
Hautbois, Flûte
1
3 Flûtes à bec (trio)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Basson (duo)
1
Flûte, Clarinette (duo)
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor et Piano
30
Trombone et Piano
29
Trompette, Piano
28
Trompette
28
Tuba et Piano
23
Trombone
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
12
Euphonium, Piano (duo)
10
Trompette (partie séparée)
4
2 Trompettes (duo)
4
Trombone (partie séparée)
4
Quatuor de Cuivres
4
Ensemble de Trombones
3
Cor anglais, Piano
3
Trompette, Saxophone (duo)
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Ensemble de Tubas
1
2 Trombones (duo)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
35
Violon et Piano
35
Alto, Piano
33
Violoncelle, Piano
33
Violoncelle
29
Alto seul
22
Contrebasse, Piano (duo)
19
Contre Basse
14
Trio à Cordes: violon, alto, violoncelle
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon, Violoncelle (duo)
4
2 Violons (duo)
3
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Harpe
2
Ensemble de Violons
1
Harpe, Voix
1
2 Altos (duo)
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
99
Orchestre d'harmonie
43
Orchestre
33
Ensemble de cuivres
27
Jazz combo
20
Orchestre de chambre
16
Orchestre à Cordes
7
Cloches
4
Ensemble de Percussions
1
Batterie (partie séparée)
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Vocal With Lyric.
Ensemble de cuivres
Partitions à imprimer
27 partitions trouvées
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1
26
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
All The Things You Are
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Kevin P Holdgate
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All The Things You Are
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.791026 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score...
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Brass Ensemble - Level 4 - SKU: A0.791026 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score and parts. 25 pages. Kevin P Holdgate #4887575. Published by Kevin P Holdgate (A0.791026). Versatile Brass Solo Collection for Brass BandAll the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939) and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It also appeared in the film Broadway Rhythm (1944).The Song is an established all time jazz classic and has been covered by literally hundreds of the worlds finest singers over the years. This version is based on the 1939 Artie Shaw recording where the vocalist was Helen Forrest.This arrangement is also available on Sheet Music Plus as a Cornet or Soprano Cornet Solo in C.A great swinging Chart from a golden era of jazz.
$25.99
All The Things You Are
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Kevin P Holdgate
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All The Things You Are
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.791028 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score...
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Brass Ensemble - Level 4 - SKU: A0.791028 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score and parts. 25 pages. Kevin P Holdgate #4887583. Published by Kevin P Holdgate (A0.791028). Versatile Brass Solo Collection with Brass BandAll the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939) and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It also appeared in the film Broadway Rhythm (1944).This version which I have arranged as a Cornet or Soprano Cornet solo is based on the 1939 Artie Shaw recording where the vocals were provided by Helen Forrest.A great swinging chart from one of the great composers of the swing era.Also available on Sheet Music Plus as a Tenor Horn Solo.
$25.99
SONG from Joseph Andrews of Henry Fielding
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Derrick Thom
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SONG from Joseph Andrews of He
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Derrick Thom. Lewis
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.975886 Composed by Derrick Thom. Lewis. 20th Century,Classical. Score and parts. 42 pages. Derrick Thom. Lewis #59852...
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Brass Ensemble - Level 4 - SKU: A0.975886 Composed by Derrick Thom. Lewis. 20th Century,Classical. Score and parts. 42 pages. Derrick Thom. Lewis #5985225. Published by Derrick Thom. Lewis (A0.975886). This is a tonal, classical style song in 6/8 rhythm at Andante, mostly, accompanied by Oboe, 3 Horns and Tuba. The lyric, by Henry Fielding (1723), is about the wooing of a young lovely, with attendant difficulties. Duration = 7 minutes 14 seconds. Besides the score and parts, there is also included a piano + vocal score. This can be used for performance (without the small ensemble), or for preparation for performance of the singer with the small wind-band. Note: the instrumental coda is a little shorter in the piano version, therefore the piano should not be used together with the wind-band.
$27.00
Take Me Back To Dear Old Blighty - BRASS BAND Score and Parts PDF
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Ensemble de cuivres
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INTERMÉDIAIRE
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Arthur J
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Brendan Elliget MAGA 537
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Take Me Back To Dear Old Bligh
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patr...
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Brass Ensemble - Level 3 - SKU: A0.750898 Composed by Arthur J. Mills, Fred Godfrey and Bennett Scott (1916). Arranged by Brendan Elliget MAGA 537. Patriotic,Traditional. Score and parts. 38 pages. BJE Music #4413147. Published by BJE Music (A0.750898). Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to Blighty - a slang term for Britain.Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: One of us suddenly said What an idea for a song! Four hours later it was all finished, and the whole country was singing it soon afterwards. I got - not very much. The chorus lyric Take me back to dear old Blighty/Put me on a train to London town was included in The Oxford Dictionary of Quotations. [Wikipedia}This arrangement is for Brass Band with optional Piano part (not on the score) and Vocal Lead Sheet.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 2:30 mins (2 Verses and two Choruses with repeat).
$20.00
Grown-Up Christmas List
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Ensemble de cuivres
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INTERMÉDIAIRE
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Noël
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Amy Grant
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Max Stannard
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Grown-Up Christmas List
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773450 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Max Stannard. Contemporary. Scor...
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Brass Ensemble - Level 3 - SKU: A0.773450 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Max Stannard. Contemporary. Score and parts. 38 pages. Max Stannard Music #3362255. Published by Max Stannard Music (A0.773450). Grown-Up Christmas List is a Christmas song composed by David Foster (music) and Linda Thompson-Jenner (lyrics). It was originally recorded by Foster, with Natalie Cole on vocals, for his 1990 non-holiday album River of Love. Though it was also released as a single, the song was not a hit upon its first appearance. In 1992, Amy Grant recorded a version for her second Christmas album, Home for Christmas. It has also been record by Michael Bublé and Barbra Streisand. This is a very lyrical and gentle solo which has been arranged with simple band parts to accompany a challenging Tenor Horn solo. Duration: 3 minutes www.maxstannardmusic.com @MStannardMusic.
$24.99
Monteverdi Madrigals Book 6 - 08. SESTINA
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Madrigals Book 6 -
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Gloria from Sacrae Symphoniae, 1597 for Brass Ensemble
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Ensemble de cuivres
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AVANCÉ
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Giovanni Gabrieli
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David Mathie
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Gloria from Sacrae Symphoniae,
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.811101 Composed by Giovanni Gabrieli. Arranged by David Mathie. Baroque,Classical,Renaissance,Sacred. Score and parts...
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Brass Ensemble - Level 5 - SKU: A0.811101 Composed by Giovanni Gabrieli. Arranged by David Mathie. Baroque,Classical,Renaissance,Sacred. Score and parts. 52 pages. Gordon Cherry #5042769. Published by Gordon Cherry (A0.811101). This magnificent transcription of Gabrieli's 12 part vocal work by Dr. David Mathie is 4 minutes in length. As with many of Gabrieli's works, the Gloria is antiphonal and written for a 3 choir ensemble with 4 parts in each choir. The parts are for 6 Trumpets in Bb and 6 Trombones, plus 6 alternate substitute Horn parts. The work is of intermediate difficulty and is very sonorous and lyrical sounding. A wonderful addition to a Brass ensemble concert or church service.
$22.50
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Ensemble de cuivres
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Ensemble de cuivres
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
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Ensemble de cuivres
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
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Ensemble de cuivres
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
Monteverdi - The Sixth Book of Madrigals - 09. Ohimè il bel viso
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767278 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque. Score and parts. 36 pages. Lyons Music Servic...
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Brass Ensemble - Level 3 - SKU: A0.767278 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque. Score and parts. 36 pages. Lyons Music Services #3218697. Published by Lyons Music Services (A0.767278). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The ninth song (counting the 6 parts of Sestina as one item) is Ohime il bel viso - Alas! The pretty face sees our young man trying to wheedle an encounter out of his lover. Complaining how much her beauty makes him mad with passion. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$13.00
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
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Ensemble de cuivres
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina. This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons! As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Classique
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Lyons Music Services
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #321868...
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Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 13. Presso un fiume tranquillo
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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a tranquil river
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767282 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 55 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767282 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 55 pages. Lyons Music Services #3218713. Published by Lyons Music Services (A0.767282). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). This is the final song in the book and it forms a kind of short scena all by itself. The words are very evocative and descriptive. The title translates as By a tranquil river. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
We'll Meet Again
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Ensemble de cuivres
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INTERMÉDIAIRE
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Opera
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Classique
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Hughie Charles and Ross Parker
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Kevin P Holdgate
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We'll Meet Again
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791041 Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Ke...
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Brass Ensemble - Level 3 - SKU: A0.791041 Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Kevin P Holdgate #4966981. Published by Kevin P Holdgate (A0.791041). Versatile Brass Old Time CollectionThis is another arrangement from the concert I was asked to put together a few years ago to commemorate WW1 . I was asked to arrange a selection of music that was heard during the conflict, and to supplement that with songs from between the wars and from WW2... I arranged quite a few...Suitable for those summer small group jobs that are becoming ever more popular in the UK, particularly for lower section and non-competing bandsWe'll Meet Again is a 1939 British song made famous by singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with soldiers going off to fight as well as their families and sweethearts.The song gave its name to the 1943 musical film We'll Meet Again in which Dame Vera Lynn played the lead role. Lynn's recording is featured in the final scene of Stanley Kubrick's 1964 film Dr. Strangelove, and was also used in the closing scenes of the 1986 BBC television serial The Singing Detective. British director John Schlesinger used the song in his 1979 World War II film, Yanks, which is about British citizens and American soldiers during the military buildup in the UK as the Allies prepared for the D-Day Invasion.The obligato euphonium part can be omitted if required. The vocal line is also on the 1st Cornet line so this could be played as a standalone item.
$19.99
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