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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
WITH LYRICS
Non classifié
3 856
Piano & claviers
Piano, Voix
2 426
Piano, Voix et Guitare
2 161
Piano seul
2 009
Piano Facile
1 665
Instruments en Do
960
Accompagnement Piano
185
Piano grosses notes
125
Accordéon, Voix
118
Orgue
65
Accordéon
59
1 Piano, 4 mains
42
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
10
2 Accordéons
10
Piano Quatuor: piano, violon, alto, violoncelle
7
Ligne De Mélodie, Piano
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Instrument seul et Orgue
3
Piano (partie séparée)
2
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
4 034
Guitare notes et tablatures
3 377
Paroles et Accords
465
Ukulele
341
Basse electrique
148
Dulcimer
137
Guitare
92
Piano, Guitare (duo)
67
Mandoline
14
2 Dulcimers (duo)
8
2 Guitares (duo)
7
Banjo
5
Guitare (partie séparée)
4
3 Guitares (trio)
3
4 Guitares (Quatuor)
2
2 Ukuleles
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
Dobro
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 201
Chorale 3 parties
500
Chorale 2 parties
426
Chorale TTBB
195
Chorale Unison
165
Voix duo, Piano
136
Voix seule
114
Chorale SSAA
104
Voix Alto, Piano
92
Voix duo
92
Voix Tenor, Piano
79
Voix Soprano, Piano
69
Voix haute
61
Voix Baryton, Piano
36
Voix Tenor
33
Voix Soprano
26
Voix basse, Piano
18
Voix moyenne, Piano
11
Voix, Guitare
7
Voix basse
6
Chorale
4
Chorale SSAATTBB
3
Voix Mezzo-Soprano, Piano
3
Chorale SSATB
1
Chorale SSATTB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière
284
Saxophone Alto
278
Clarinette
197
Saxophone Tenor
191
Ocarina
182
Saxophone (partie séparée)
175
Flûte traversière et Piano
162
Hautbois (partie séparée)
154
Hautbois, Piano (duo)
141
Clarinette et Piano
138
2 Saxophones (duo)
135
Saxophone Alto et Piano
134
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Quatuor de Saxophones: 4 saxophones
92
Saxophone Tenor et Piano
81
Flûte, Hautbois, Clarinette, Basson
80
Quintette de Saxophone: 5 saxophones
71
2 Flûtes traversières (duo)
69
2 Clarinettes (duo)
65
Saxophone Soprano et Piano
62
Saxophone, Clarinette (duo)
52
Quatuor de Clarinettes: 4 clarinettes
51
Ensemble de saxophones
42
Saxophone Baryton, Piano
39
Clarinette, Violon (duo)
35
2 Hautbois (duo)
34
Quatuor de Flûtes : 4 flûtes
32
Flûte, Clarinette (duo)
29
Clarinette, Trompette (duo)
27
Cor anglais, Piano
26
Harmonica
23
Hautbois, Clarinette (duo)
23
Hautbois, Basson (duo)
21
Flûte, Violon
21
Ensemble de Clarinettes
21
Hautbois
21
3 Saxophones (trio)
21
Quintette de Clarinettes: 5 clarinettes
20
Hautbois, Flûte
19
Clarinette et Alto
19
Saxophone Soprano
18
Flûte, Saxophone (duo)
16
Flûte et Guitare
16
3 Clarinettes (trio)
16
Ensemble de Flûtes
15
Flûte à bec Soprano
15
Clarinette Basse, Piano
14
Quintette de Flûte : 5 flûtes
13
Flûte, Alto (duo)
13
Cor Anglais
11
Flûte, Trompette (duo)
11
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes à bec
7
Flûte à Bec
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à bec Alto
6
Flûte, Clarinette et Basson
6
Flûte, Violon, Piano
6
2 Flûte à bec (duo)
5
Saxophone Baryton
5
Clarinette (partie séparée)
4
2 Flûtes traversières, Piano
4
5 Flûtes à bec
4
2 Clarinettes, Piano
3
Flûte, Hautbois, Basson
3
Clarinette, Harpe (duo)
3
Flûte, Basson et Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Harpe
2
Flute (partie séparée)
2
Hautbois, violon (duo)
2
Cornemuse
2
3 Flûtes à bec (trio)
2
Clarinette, Violoncelle (duo)
2
2 Hautbois, Piano
2
Clarinette, Guitare (duo)
2
Instruments en Mib
2
Ensemble De Flûte à bec
2
Clarinette, Basson (duo)
2
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
Flûte, Tuba (duo)
1
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
Flûte, Violoncelle
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, trombone (duo)
1
Flûte, Trombone (duo)
1
Piccolo, Piano
1
Flûte à bec Tenor
1
Saxophone et Guitare
1
Flûte et Trio à cordes
1
Saxophone
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Tuba
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
+ 98 instrumentations
Retracter
Cuivres
Trompette
258
Trombone
194
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Cor
142
Trompette, Piano
123
Tuba
122
Trombone et Piano
122
Cor et Piano
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
92
Tuba et Piano
72
2 Trompettes (duo)
38
Trompette, Saxophone (duo)
37
Quatuor de Cuivres
36
2 Trombones (duo)
35
Euphonium
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Euphonium, Piano (duo)
29
Trompette, Trombone (duo)
28
Cor anglais, Piano
26
Trompette (partie séparée)
23
2 Cors (duo)
16
Quatuor de cuivres: 4 trombones
14
Cor Anglais
11
Quatuor de cuivres: 4 cors
10
Trompette, Cor (duo)
10
Ensemble de Trombones
9
Trombone (partie séparée)
9
Ensemble de Trompettes
7
2 Tubas (duo)
6
Trio de Cuivres
6
Quatuor de cuivres: 4 trompettes
4
Bass Clef Instruments
4
3 Trombones (trio)
4
Instruments en Sib
3
Trompette, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Tuba et Orgue
3
Trombone basse
3
2 Trompettes, Clavier (piano ou orgue)
3
Ensemble de Cors
2
Trombone basse et Piano
2
2 Cors, Piano
2
4 Tubas
2
Trompette, Harpe
1
Trompette, violon (duo)
1
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
3 Cors (trio)
1
Cor et Harpe
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
Cor (partie séparée)
1
3 Tubas (trio)
1
Cor, Violoncelle (duo)
1
Trombone, Violon (duo)
1
+ 51 instrumentations
Retracter
Cordes
Violon
367
Violoncelle
314
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon et Piano
235
Alto seul
198
Violoncelle, Piano
153
Alto, Piano
137
2 Violons (duo)
69
Violon, Violoncelle (duo)
69
Contre Basse
65
Harpe
58
Alto (partie séparée)
57
Contrebasse, Piano (duo)
55
Trio à Cordes: 2 violons, violoncelle
53
Trio à Cordes: violon, alto, violoncelle
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Altos (duo)
34
2 Violoncelles (duo)
33
Violon, Alto (duo)
30
2 Harpes (duo)
23
Violon, Guitare (duo)
20
4 Violoncelles
12
Harpe, Voix
9
Trio à Cordes: 2 violons, alto
9
Piano Trio: Violon, Alto, Piano
8
Harpe, Flûte (duo)
7
Contrebasse (partie séparée)
7
Trio à cordes: 3 violins
7
Violon (partie séparée)
5
Ensemble de Violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
2 Violons, Piano
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
2
2 Violoncelles, Piano
2
Harpe, Violon (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto et Harpe
2
Autoharp
2
Violoncelle, Contrebasse (duo)
2
Violoncelle (partie séparée)
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Alto et Basson
1
Violoncelle, Orgue
1
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
1
+ 48 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
210
Ensemble Jazz
133
Orchestre
111
Ensemble de cuivres
70
Cloches
70
Orchestre à Cordes
56
Orchestre de chambre
38
Jazz combo
38
Batterie
7
Fanfare
5
Ensemble de Percussions
3
Percussion (partie séparée)
2
Xylophone, Piano
2
Batterie (partie séparée)
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Marimba
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Vous avez sélectionné:
WITH LYRICS
Ensemble de cuivres
Partitions à imprimer
70 partitions trouvées
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1
26
51
Once In Love With Amy
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
Frank Loesser
#
F
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Once In Love With Amy
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Let Me Call You Sweetheart for Brass Quartet with optional horn
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Ensemble de cuivres
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FACILE
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Leo Friedman
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Tyler Merideth
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Let Me Call You Sweetheart for
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Tyler Merideth
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.782539 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 10 pages. Tyler Merid...
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Brass Ensemble - Level 2 - SKU: A0.782539 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 10 pages. Tyler Merideth #6097539. Published by Tyler Merideth (A0.782539). Let Me Call You Sweetheart is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910. This arrangement features two trumpets and two trombone parts with an optional horn part for the first trombone.If you liked this arrangement, you might like other work I have done. Feel free to visit tylermerideth.com
$9.99
Beauty And The Beast
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Ensemble de cuivres
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DÉBUTANT
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Film Walt Disney
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Celine Dion & Peabo Bryson
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Alessandro Macrì
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Beauty And The Beast
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.931289 By Celine Dion & Peabo Bryson. By Alan Menken and Suwen Liao. Arranged by Alessandro Macrì. Disney. Score a...
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Brass Ensemble - Level 1 - SKU: A0.931289 By Celine Dion & Peabo Bryson. By Alan Menken and Suwen Liao. Arranged by Alessandro Macrì. Disney. Score and parts. 11 pages. Music Macri Editions #6675191. Published by Music Macri Editions (A0.931289). Beauty and the Beast is the soundtrack album to the 2017 film Beauty and the Beast. The album, largely based on material from Disney's 1991 animated version, features songs and instrumental score composed by Alan Menken with lyrics by Howard Ashman and three new songs composed by Menken with lyrics by Tim Rice. The soundtrack album was released by Walt Disney Records on March 10, 2017.
$13.00
All The Things You Are
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Kevin P Holdgate
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All The Things You Are
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.791028 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score...
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Brass Ensemble - Level 4 - SKU: A0.791028 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score and parts. 25 pages. Kevin P Holdgate #4887583. Published by Kevin P Holdgate (A0.791028). Versatile Brass Solo Collection with Brass BandAll the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939) and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It also appeared in the film Broadway Rhythm (1944).This version which I have arranged as a Cornet or Soprano Cornet solo is based on the 1939 Artie Shaw recording where the vocals were provided by Helen Forrest.A great swinging chart from one of the great composers of the swing era.Also available on Sheet Music Plus as a Tenor Horn Solo.
$25.99
Help Yourself
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Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Patrizio Buanne
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Chris North
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Help Yourself
#
Danetre Music
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.831649 By Patrizio Buanne. By Carlo Donida Labati, Carlo Labati, Giulio Mogol, and Jack Fishman. Arranged by Chris No...
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Brass Ensemble - Level 4 - SKU: A0.831649 By Patrizio Buanne. By Carlo Donida Labati, Carlo Labati, Giulio Mogol, and Jack Fishman. Arranged by Chris North. Contemporary. Score and parts. 57 pages. Danetre Music #4595693. Published by Danetre Music (A0.831649). The 1968 number one hit for Tom Jones, and now arranged for brass band by Chris North. This popular Tom Jones classic, is in fact a cover version, which started life as the Italian song Gli Occhi Miei (My Eyes), written by Giulio Rapetti Mogol with lyrics by Carlo Donida Labati, and was performed by Dino Eugenio Zambelli , as well as Wilma Goich. The British author and songwriter Jack Fishman, wrote the English lyrics, which bear no relation to the original Italian. This arrangement is faithful to the Tom Jones version, and is scored in the original key of E flat major, modulating E major, so some players could find the final section demanding. Advanced Intermediate level. Duration 2:40.
$19.99
I Know Why (and So Do You)
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Ensemble de cuivres
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Jazz
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Glenn Miller
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Kevin P Holdgate
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I Know Why
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Kevin P Holdgate
#
SheetMusicPlus
Brass Ensemble - SKU: A0.790994 By Glenn Miller. By Harry Warren. Arranged by Kevin P Holdgate. Jazz. Score and parts. 23 pages. Kevin P Holdgate #43537...
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Brass Ensemble - SKU: A0.790994 By Glenn Miller. By Harry Warren. Arranged by Kevin P Holdgate. Jazz. Score and parts. 23 pages. Kevin P Holdgate #4353707. Published by Kevin P Holdgate (A0.790994). The Versatile Brass Big Band Collection for Brass BandWe recorded this son on the Versatile Brass CD 'Renaissance' with the wonderful David Pogson as the soloist. This is the original version that I did for Brass Band.It was recorded originally by Glenn Miller and his orchestra and was featured in the film Sun Valley Serenade in 1941. It is a great tune by the legendary Harren Warren with lyrics by Mack Gordon.
$19.99
All The Things You Are
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jack Leonard with Tommy Dorsey
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Kevin P Holdgate
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All The Things You Are
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.791026 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score...
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Brass Ensemble - Level 4 - SKU: A0.791026 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Kevin P Holdgate. Musical/Show. Score and parts. 25 pages. Kevin P Holdgate #4887575. Published by Kevin P Holdgate (A0.791026). Versatile Brass Solo Collection for Brass BandAll the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939) and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It also appeared in the film Broadway Rhythm (1944).The Song is an established all time jazz classic and has been covered by literally hundreds of the worlds finest singers over the years. This version is based on the 1939 Artie Shaw recording where the vocalist was Helen Forrest.This arrangement is also available on Sheet Music Plus as a Cornet or Soprano Cornet Solo in C.A great swinging Chart from a golden era of jazz.
$25.99
On The Sunny Side Of The Street
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Jimmy McHugh
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Frank Stubbs
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On The Sunny Side Of The Stree
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Frank Stubbs
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.985051 Composed by Jimmy McHugh. Arranged by Frank Stubbs. Contemporary. Score and parts. 11 pages. Frank Stubbs #619...
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Brass Ensemble - Level 3 - SKU: A0.985051 Composed by Jimmy McHugh. Arranged by Frank Stubbs. Contemporary. Score and parts. 11 pages. Frank Stubbs #6196395. Published by Frank Stubbs (A0.985051). On The Sunny Side of the Street is a favourite jazz standard written by Jimmy McHugh with lyrics by Dorothy Fields. Louis Armstrong, Dizzy Gillespie and Count Basie were a few of the artists who had his with this song. This version is in C major (concert pitch) as is Louis Armstrong's version. This Flexi-Brass version can also be used as a Trumpet Quartet using just the Trumpet parts of the arrangement. Cornets or Flugelhorn can use those parts too. Parts for E flat Horn, French Horn. Euphonium, Trombone and Tuba in Treble Clef and Trombone and Tuba in Bass Clef. Standard of players need to be Grade 5 and above.
$17.99
Wings Of The Dawn
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Linda A
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Dico
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Wings Of The Dawn
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Dico
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.843009 Composed by Linda A. Spencer. Arranged by Dico. Praise & Worship. Score and parts. 27 pages. Dico #6460733. Pu...
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Brass Ensemble - Level 3 - SKU: A0.843009 Composed by Linda A. Spencer. Arranged by Dico. Praise & Worship. Score and parts. 27 pages. Dico #6460733. Published by Dico (A0.843009). WINGS OF THE DAWNÂ (in Bb) - Arrangement for brass quintet of the inspired song by Linda A. Spencer, with lyrics from Psalm 139. Also provided in A (original key) and Ab in my catalogue. (Audio in A). Optional parts with enharmonic key signatures changes for Trumpets and Horn in F are included.
$36.00
Wings Of The Dawn
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Linda A
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Dico
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Wings Of The Dawn
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Dico
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.842877 Composed by Linda A. Spencer. Arranged by Dico. Praise & Worship,Sacred. Score and parts. 21 pages. Dico #6264...
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Brass Ensemble - Level 3 - SKU: A0.842877 Composed by Linda A. Spencer. Arranged by Dico. Praise & Worship,Sacred. Score and parts. 21 pages. Dico #6264379. Published by Dico (A0.842877). WINGS OF THE DAWN - Arrangement for brass quintet of the inspired song by Linda A. Spencer, with lyrics from Psalm 139. Also provided in Ab and Bb in my catalogue.
$36.00
Wings Of The Dawn
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Linda A
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Dico
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Wings Of The Dawn
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Dico
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.843008 Composed by Linda A. Spencer. Arranged by Dico. Praise & Worship. Score and parts. 21 pages. Dico #6460713. Pu...
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Brass Ensemble - Level 3 - SKU: A0.843008 Composed by Linda A. Spencer. Arranged by Dico. Praise & Worship. Score and parts. 21 pages. Dico #6460713. Published by Dico (A0.843008). WINGS OF THE DAWN (in Ab)Â - Arrangement for brass quintet of the inspired song by Linda A. Spencer, with lyrics from Psalm 139. Also provided in A (original key) and Bb in my catalogue. (Audio in A)
$36.00
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Pretty Eyed Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eldridge/Gillespie
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F
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. A...
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Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Monteverdi Madrigals Book 6 - 08. SESTINA
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Madrigals Book 6 -
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
Five Easy Christmas Carol Arrangements for Various Quartets - volume 5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Noël
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Traditional
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Nicholas Palmer
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Five Easy Christmas Carol Arra
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Nicholas D Palmer
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.782787 Composed by Traditional. Arranged by Nicholas Palmer. Christian,Christmas,Sacred,Standards. Score and parts. 4...
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Brass Ensemble - Level 3 - SKU: A0.782787 Composed by Traditional. Arranged by Nicholas Palmer. Christian,Christmas,Sacred,Standards. Score and parts. 44 pages. Nicholas D Palmer #3382111. Published by Nicholas D Palmer (A0.782787). This fifth volume of Christmas carols arranged for various quartets contains soprano, alto, tenor, and bass parts in various transpositions for quartets of woodwinds, brass, or mixed ensembles. The full score is arranged unconventionally by voice part, rather than instrument convenience of dealing with a variety of possible quartets or other mixed ensembles. Reprint the parts as needed within your organization. There are four other volumes of these, with ten arrangements each, as well as the same set of arrangements specifically for string quartet, with bowings and other markings, in some alternate keys. Lyrics are available separately for the complete set of 45 carols, for audience or church assembly sing-alongs.
$5.99
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
In the Evening by the Moonlight
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Ensemble de cuivres
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INTERMÉDIAIRE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Kingdom Coming (The Year of Jubilo)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
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Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Summertime
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Kevin P Holdgate
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Summertime
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.790941 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate....
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Brass Ensemble - Level 3 - SKU: A0.790941 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Kevin P Holdgate. Jazz. Score and parts. 25 pages. Kevin P Holdgate #4321537. Published by Kevin P Holdgate (A0.790941). The Versatile Brass Solo CollectionSolo for Flugelhorn (Available with Treble/Bass Clef Trombone parts, Eb and F Horn plus Eb Bass and Tuba Parts)Summertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP,The song soon became, and has remained one of the most popular and much recorded jazz standards, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of blacks in the southeast United States from the early twentieth century.
$12.99
Hello! Ma Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 2...
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Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Alexander’s Ragtime Band
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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F
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99
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