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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
WITHOUT YOU
Sheetmusicplus
Non classifié
1 835
Piano & claviers
Piano seul
607
Piano Facile
428
Piano, Voix
366
Piano, Voix et Guitare
187
Instruments en Do
56
Orgue
30
Piano grosses notes
14
Piano Trio: piano, violon, violoncelle
14
Accompagnement Piano
7
1 Piano, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
3
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Basse electrique
325
Guitare notes et tablatures
120
Guitare
62
Ligne De Mélodie, (Paroles) et Accords
42
Ukulele
17
Paroles et Accords
15
2 Guitares (duo)
5
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
4
Banjo
4
Ensemble de guitares
2
Ensemble de Ukulélés
2
Mandoline
1
Dulcimer
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
235
Chorale 3 parties
71
Chorale TTBB
64
Voix Baryton, Piano
54
Voix Alto, Piano
49
Voix Soprano, Piano
44
Voix Tenor, Piano
40
Chorale SSAA
40
Voix basse, Piano
23
Chorale 2 parties
22
Voix haute
19
Chorale Unison
18
Voix seule
12
Voix duo, Piano
7
Voix duo
7
Voix Tenor
5
Voix basse
3
Chorale
2
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix Soprano
1
Voix duo, Orgue
1
+ 17 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
194
2 Saxophones (duo)
193
Clarinette
161
Flûte traversière et Piano
160
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
159
Hautbois, Piano (duo)
157
Flûte traversière
157
Clarinette et Piano
152
2 Flûte à bec (duo)
148
Flûte, Hautbois, Clarinette, Basson
146
Saxophone Alto
142
Saxophone Alto et Piano
127
Saxophone Tenor
127
Quintette de Saxophone: 5 saxophones
125
2 Flûtes traversières (duo)
100
2 Clarinettes (duo)
90
Saxophone Tenor et Piano
89
Hautbois
85
Flûte irlandaise
81
2 Hautbois (duo)
76
3 Saxophones (trio)
63
Hautbois, Clarinette (duo)
59
3 Clarinettes (trio)
49
Hautbois (partie séparée)
45
Flûte, Clarinette (duo)
43
Quatuor de Clarinettes: 4 clarinettes
41
Saxophone Soprano et Piano
31
Flûte, Clarinette et Basson
31
Flûte, Hautbois (duo)
29
Saxophone (partie séparée)
27
Flûte à bec Soprano
27
Saxophone Soprano
22
Saxophone Baryton, Piano
21
Ensemble de Clarinettes
16
Saxophone Baryton
13
Hautbois, Basson (duo)
13
Hautbois, Flûte
12
Quatuor de Flûtes : 4 flûtes
12
Trio de Flûtes: 3 flûtes
10
Ensemble de Flûtes
10
Quatuor de Flûtes à bec
10
Flûte à bec Alto
8
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
8
Clarinette, Basson (duo)
8
Flûte, Hautbois, Piano (trio)
8
Ensemble de saxophones
8
Cor anglais, Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Hautbois, Basson
6
Quintette de Flûte : 5 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Violon
5
3 Hautbois
5
5 Flûtes à bec
5
Flûte et Guitare
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
4
Flûte à bec Tenor
4
Flûte, Hautbois, Clarinette (trio)
4
3 Flûtes à bec (trio)
4
Ocarina
3
Flûte, Violoncelle
3
Flûte à bec Alto, Piano
3
Flûte, Clarinette, Piano (trio)
2
Hautbois, Basson et Piano
2
Flûte à Bec
2
Hautbois, Guitare (duo)
2
Saxophone et Guitare
2
Clarinette (partie séparée)
2
Flûte, Trompette (duo)
2
Clarinette, Violoncelle (duo)
2
Harmonica
2
2 Clarinettes, Piano
2
Flûte, Violon et Violoncelle
1
2 Hautbois, Piano
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Hautbois, Violoncelle
1
Flûte, Basson et Piano
1
Ensemble De Flûte à bec
1
Piccolo
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Saxophone
1
Saxophone et Orgue
1
Clarinette Basse, Piano
1
Flûte à bec Soprano, Piano
1
2 Flûtes traversières, Piano
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
187
Trompette, Piano
148
Trompette
145
Cor et Piano
137
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Cor
129
Trombone
129
Trombone et Piano
110
Tuba et Piano
107
Tuba
94
2 Trompettes (duo)
82
2 Trombones (duo)
73
2 Cors (duo)
67
2 Tubas (duo)
52
Trompette, Trombone (duo)
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Trompette, Cor (duo)
20
Quatuor de Cuivres
19
Ensemble de Trombones
8
Trompette, Saxophone (duo)
8
Euphonium, Piano (duo)
7
Cor anglais, Piano
7
Trompette (partie séparée)
7
Ensemble de Trompettes
7
Cor (partie séparée)
5
Quatuor de cuivres: 4 trombones
5
3 Trombones (trio)
4
Euphonium
4
Trompette, Tuba (duo)
4
Trombone (partie séparée)
4
Trombone, Cor (duo)
4
Ensemble de Cors
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
3
Cor, Tuba (duo)
3
Trombone, Tuba (duo)
2
Tuba (partie séparée)
2
Trombone basse
2
3 Trompettes (trio)
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trombones, Piano
1
Cor, Violoncelle (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
337
Violon
225
Violon et Piano
212
Alto, Piano
191
Violoncelle
176
Violoncelle, Piano
157
Alto seul
144
Violon, Violoncelle (duo)
115
Quintette à cordes: 2 violons, alto, violoncelle, basse
110
2 Violons (duo)
103
Contre Basse
99
Contrebasse, Piano (duo)
91
2 Violoncelles (duo)
87
2 Altos (duo)
79
Harpe
72
Violon, Alto (duo)
71
2 Contrebasses (duo)
51
Trio à Cordes: 2 violons, violoncelle
34
Trio à Cordes: violon, alto, violoncelle
24
Quintette à cordes : 2 violons, alto et 2 violoncelles
20
Alto (partie séparée)
13
Alto, Violoncelle (duo)
11
Trio à Cordes: 3 violoncelles
10
Violoncelle, Contrebasse (duo)
9
Trio à cordes: 3 violins
9
Violon (partie séparée)
8
4 Violoncelles
8
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
5
Piano Trio: Violon, Alto, Piano
5
Quatuor à cordes : 4 altos
4
2 Harpes (duo)
4
Harpe, Flûte (duo)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contrebasse (partie séparée)
3
Violon, Guitare (duo)
3
Trio à cordes
3
Violoncelle , Guitare (duo)
3
2 Violoncelles, Piano
2
Violoncelle (partie séparée)
2
Alto, Guitare (duo)
2
3 Contrebasses
2
Violon, Violoncelle, Clarinette
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
2 Altos, Piano
1
4 Harpes
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
232
Orchestre
133
Orchestre à Cordes
86
Ensemble Jazz
48
Ensemble de cuivres
47
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
23
Cloches
21
Batterie
17
Orchestre de chambre
16
Jazz combo
13
Ensemble de Percussions
6
Fanfare
6
Xylophone
4
Percussion (partie séparée)
3
Marimba
3
Xylophone, Piano
3
Batterie (partie séparée)
1
Marimba, Piano (duo)
1
+ 13 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
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CHARANGO
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CLAIRON
CLARINETTE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
WITHOUT YOU
SheetMusicPlus
Partitions à imprimer
47 partitions trouvées
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1
26
Without You
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
Contemporain
#
David Guetta Featuring Usher
#
Max Stannard
#
Without You
#
Max Stannard Music
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773435 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico Love, Taio Cruz, ...
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Brass Ensemble - Level 3 - SKU: A0.773435 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico Love, Taio Cruz, and Usher Raymond. Arranged by Max Stannard. Contemporary. Score and parts. 46 pages. Max Stannard Music #3125519. Published by Max Stannard Music (A0.773435). Without You is a song by French DJ David Guetta. The song features the vocals of R&B singer Usher, who told Billboard magazine that the project was maybe the biggest song I've made in my life. The arrangement for brass band adds a fanfare introduction but retains the songs driving beat in an albeit, slightly more Baroque style. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic.
$40.00
We Wish You a Merry Christmas for Brass Trio
#
Ensemble de cuivres
#
FACILE
#
Noël
#
Darren Sheriff
#
We Wish You a Merry Christmas
#
Darren Sheriff
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.922064 Arranged by Darren Sheriff. Christmas. Score and parts. 4 pages. Darren Sheriff #3676009. Published by Darren ...
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Brass Ensemble - Level 2 - SKU: A0.922064 Arranged by Darren Sheriff. Christmas. Score and parts. 4 pages. Darren Sheriff #3676009. Published by Darren Sheriff (A0.922064). Brass instruments and Christmas music are just naturally a perfect pairing.What Christmas celebration would be complete without We Wish You a Merry Christmas written for Brass Trio.
$3.99
My Life Would Suck Without You
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Ensemble de cuivres
#
FACILE
#
Kelly Clarkson
#
Marcel Handler
#
My Life Would Suck Without You
#
Marcel Handler
#
SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.525359 By Kelly Clarkson. By Claude Kelly, Lukasz Gottwald, and Max Martin. Arranged ...
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Brass Ensemble Euphonium,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.525359 By Kelly Clarkson. By Claude Kelly, Lukasz Gottwald, and Max Martin. Arranged by Marcel Handler. Hip-Hop,Pop,R & B,Rock. Score and parts. 20 pages. Marcel Handler #135898. Published by Marcel Handler (A0.525359). Arrangement for Brass Ensemble and opt. Drums, Score and all Parts.
$18.00
Without You
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Ensemble de cuivres
#
DÉBUTANT
#
Film/TV
#
David Guetta Featuring Usher
#
Paulo Galvao Filho
#
Without You
#
Paulo Galvao Filho
#
SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.710418 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico Love, Taio Cruz, ...
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Brass Ensemble - Level 1 - SKU: A0.710418 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico Love, Taio Cruz, and Usher Raymond. Arranged by Paulo Galvao Filho. Film/TV. Score and parts. 6 pages. Paulo Galvao Filho #6366531. Published by Paulo Galvao Filho (A0.710418).
$12.99
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
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Ensemble de cuivres
#
DÉBUTANT
#
Jim Evans
#
Elementary Ensembles, Volume 1
#
beginning.band
#
SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by be...
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Brass Ensemble - Level 1 - SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
$30.00
In the Evening by the Moonlight
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Ensemble de cuivres
#
INTERMÉDIAIRE
#
James Bland
#
F
#
In the Evening by the Moonligh
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. S...
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Brass Ensemble - Level 3 - SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Because
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Ensemble de cuivres
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INTERMÉDIAIRE
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Guy d'Hardelot
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F
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e
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Because
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritua...
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Brass Ensemble - Level 3 - SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
M'appari tutt' amor (“Mostly Martha”)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts...
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Brass Ensemble - Level 4 - SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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F
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F
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Gremlins, Trolls and Hobgoblin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Bras...
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Brass Ensemble - Level 4 - SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Hello! Ma Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 2...
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Brass Ensemble - Level 4 - SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Adagietto, from Symphony No. 5
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Gustav Mahler
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Craig Garner
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Adagietto, from Symphony No. 5
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.740228 Composed by Gustav Mahler. Arranged by Craig Garner. Romantic Period. Score and parts. 14 pages. Dorm 40 Music...
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Brass Ensemble - Level 3 - SKU: A0.740228 Composed by Gustav Mahler. Arranged by Craig Garner. Romantic Period. Score and parts. 14 pages. Dorm 40 Music #2922907. Published by Dorm 40 Music (A0.740228). This miniature may be Mahler's most famous symphonic excerpt due to its use in the Visconti film Death in Venice. The melody (possibly a love song to his wife, Alma) is characterized by sighing motive and long suspensions which are stretched to their breaking point before they resolve. This unique and beautiful arrangement includes an optional Harp part. The combination of brass and harp is amazing! The audio sample includes both versions for you to hear: first without Harp, and then with the Harp. There is nothing like the sound of Mahler performed on brass. This arrangement makes a wonderful addition to your library. Performance time, depends how slow you want to play it, but usually 3:30-4:00. Published by Dorm 40 Music, www.dorm40music.com
$12.00
I dovregubbens 'hood (In da hood of da mountain king)
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Ensemble de cuivres
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FACILE
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Classique
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Edvard Grieg
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Nick Walkley
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I dovregubbens 'hood
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.940769 Composed by Edvard Grieg. Arranged by Nick Walkley. Children,Contemporary,Patriotic,Standards,World. Score and...
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Brass Ensemble - Level 2 - SKU: A0.940769 Composed by Edvard Grieg. Arranged by Nick Walkley. Children,Contemporary,Patriotic,Standards,World. Score and parts. 45 pages. Nick Walkley #3422303. Published by Nick Walkley (A0.940769). Based on Grieg's famous orchestral movement from 'Peer Gynt Suite no.1', this arrangement is a contemporary twist on an old classic and designed to appeal to young audiences and musicians. It was originally written for Sæbø Skulemusikklag, Norway, for World Brass Day 2017. The performance was recorded as representation of Norwegian culture and uploaded to Youtube in a shared playlist alongside others from around the globe*. The arrangement begins in a similar creepy manner to the original, tip-toeing in and gradually building up to a frightening frenzy. Something of a surprise is in store for the audience after a familiar opening however; a dubstep/drum n bass twist drops in before the melody rejoins in a new fashion, leading on to solo moments for drum kit and timpani. Elements of the original orchestration are again infused into the repeated refrain to intensify the music towards a dramatic final close.Note to conductors:Difficult solo tuba parts are a feature, but a simplified version is also supplied for less advanced players.The soprano cornet, 2nd horn and 2nd baritone parts are supplementary and can be omitted without problem. Beginner level (aspirant) parts are provided, written in B and E flat as 'Trolls' so that newer band members can join in. *this arrangement has been edited since that performance for publication.
$20.00
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
Intermezzo (from Six Pieces for Piano, Op. 118)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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F
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there are several of those
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Intermezzo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score a...
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Brass Ensemble - Level 3 - SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95
Alexander’s Ragtime Band
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and p...
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Brass Ensemble - Level 4 - SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Eg veit i himmerik ei borg (I know a castle in heaven)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3...
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Brass Ensemble - Level 3 - SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Ensemble de cuivres
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INTERMÉDIAIRE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
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Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Come, Ye Thankful People, Come (St. George’s, Windsor)
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Ensemble de cuivres
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Noël
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Bras...
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Brass Ensemble - SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
Captain Kangaroo (puffin' Billy)
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Ensemble de cuivres
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Contemporain
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Edward White
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F
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two stand out
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #...
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Brass Ensemble - SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
Dance of the Tumblers (Dance of the Clowns)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Perio...
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Brass Ensemble - Level 4 - SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Pretty Eyed Baby
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Eldridge/Gillespie
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F
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Pretty Eyed Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. A...
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Brass Ensemble - Level 4 - SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709). Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge. This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing. Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
William Tell Overture - Allegro Vivace for BQ
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Ensemble de cuivres
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AVANCÉ
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Opera
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Classique
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Gioachino Rossini
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James Haynor
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William Tell Overture - Allegr
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James Haynor
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1095623 Composed by Gioachino Rossini. Arranged by James Haynor. Opera,Romantic Period. Score and parts. 25 pages. Ja...
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Brass Ensemble - Level 5 - SKU: A0.1095623 Composed by Gioachino Rossini. Arranged by James Haynor. Opera,Romantic Period. Score and parts. 25 pages. James Haynor #699609. Published by James Haynor (A0.1095623). The William Tell Overture is the overture to the opera William Tell, whose music was composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement. The overture is in four parts, each following without pause. This arrangement is scored for Brass Quintet and makes a lively and exciting addition to any concert or recital. Not for the faint of heart, you’d better bring your double tongue chops! Makes a great encore! ( Duration - 3:02 ).
$10.00
Mean
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Taylor Swift
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Gary D
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Mean
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DR GARY D BELSHAW
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.796614 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and parts. 32 pages. DR GARY...
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Brass Ensemble - Level 4 - SKU: A0.796614 By Taylor Swift. By Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and parts. 32 pages. DR GARY D BELSHAW #3049301. Published by DR GARY D BELSHAW (A0.796614). 2017 Chamber Music Contest Entry. A Pop! Seriously! arrangement from Gary D. Belshaw Music. 2 Trumpets, Horn, Trombone, and Tuba. Duration: about four and one-half minutes. 31 pages not including sample part page. This hit from Taylor Swifts 2010 album, Speak Now, as simple as it seems, makes for some awesome interaction among the five brass instruments. Because it rocks even without the rhythm section, this will be a real crowd-pleaser, including those who may not know the song at all. Perfect recital or social event repertoire; could even be useful in church with the right sermon, especially by the Youth Minister! Make the most of the contrasting articulations and phrasing.
$19.99
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