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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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PIANO & CLAVIERS
Piano seul
160
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49
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8
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7
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Mandoline
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Chorale SATB
75
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VENTS
2 Saxophones (duo)
90
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87
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62
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48
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47
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33
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30
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29
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25
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19
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18
2 Hautbois (duo)
18
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18
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18
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17
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15
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14
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12
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12
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12
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11
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6
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5
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4
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4
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4
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Cor anglais, Piano
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3
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CUIVRES
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73
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47
Trompette, Saxophone (duo)
31
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25
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23
2 Trompettes (duo)
20
2 Trombones (duo)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trompette
15
Quatuor de Cuivres
14
Trompette, Piano
12
Trombone et Piano
12
Cor et Piano
7
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4
Trombone
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Tuba et Piano
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Trio de Cuivres
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Tuba
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Euphonium, Piano (duo)
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Cor
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Trompette (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Tuba (partie séparée)
1
Trombone basse
1
4 Tubas
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2 Tubas (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
179
Violon, Violoncelle (duo)
164
Violon
122
Trio à Cordes: violon, alto, violoncelle
121
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Violon, Alto (duo)
28
Violon et Piano
28
2 Violons (duo)
25
2 Violoncelles (duo)
21
2 Altos (duo)
20
Alto, Piano
19
Ensemble de Violons
14
Harpe
14
Trio à Cordes: 2 violons, violoncelle
14
Ensemble d'Altos
14
Violoncelle, Piano
12
Alto seul
7
Violon (partie séparée)
7
Violoncelle (partie séparée)
4
4 Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Harpes (duo)
2
2 Altos, Piano
2
Violoncelle
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
Harpe, Voix
1
4 Contrebasses
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
113
Orchestre d'harmonie
45
Ensemble de cuivres
18
Orchestre
18
Ensemble Jazz
12
Cloches
10
Jazz combo
8
Orchestre de chambre
8
Ensemble de Percussions
6
Batterie
1
Fanfare
1
Piano et Orchestre
1
Percussion
1
2 Marimbas
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Percussion (partie séparée)
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Ensemble d'École
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Vous avez sélectionné:
Will There Be A Time
Ensemble de cuivres
Partitions à imprimer
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1
St. Peter (In Christ There Is No East or West)
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
11.84 €
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Ensemble de cuivres
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Alexander R
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F
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
There’ll Be Some Changes Made
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Ov…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
12.76 €
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Ensemble de cuivres
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W
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F
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There’ll Be Some Changes Made
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Sweetwater Brass Press
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SheetMusicPlus
Step In Time
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.862340 Composed by Richard M. S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show. Score and parts. 45 pages. Kevin P Holdgate #468840. Published by Kevin P Holdgate (A0.862340). This is an arrangement with a tale to tell... A few years ago my wife and I were invited to attend a surprise 90th birthday party for the legendary brass band conductor James Scott. The party was held at Uppermill golf course in the heart of Saddleworth. Anyone familiar with the annual brass band festival that is the Whit Friday March contests will be familiar with the area and perhaps also with its somewhat damp climate. My wife and I decided that we would make a mini-break out of it and took our touring caravan to stay on a small farm site near Freisland (another Whit Friday venue). the weather was as predicted and it rained... and it rained... and then it rained some more to the extent that we had a family of ducks swimming around outside our caravan door. TV, and Internet connection in Saddleworth, in a caravan in the rain is virtually non-existent so we were well and truly stuck. We ventured out into nearby town of Oldham and eventually found a bookshop. Browsing through the music section I stumbled across a piano reduction of the show score to Mary Poppins. Contained in the score was a 32 bar, simple piano reduction of Step in Time... The rest, as they say, is history... This arrangement is not such a simple reduction. There are frequent changes of key, and time signatures throughout, but it has proven to be great fun to play and rehearse. Particularly with bands that are not the best 'sight readers'...
$29.99
27.43 €
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Ensemble de cuivres
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Richard M
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Kevin P Holdgate
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Step In Time
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Kevin P Holdgate
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SheetMusicPlus
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Sm…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.27 €
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Ensemble de cuivres
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F
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F
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Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Sweetwater Brass Press
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SheetMusicPlus
No Time To Die
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Bil…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 & 4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS.
$15.99
14.62 €
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Ensemble de cuivres
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Billie Eilish
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Graham Boag
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No Time To Die
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Graham Boag
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.27 €
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Ensemble de cuivres
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
No Time To Die for Brass Band
Ensemble de cuivres
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 48 pages. Published by…
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 48 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. <br> <br> <br> <br> The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful."<br> <br> Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$32.99
30.17 €
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Ensemble de cuivres
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Billie Eilish
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Graham Boag
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No Time To Die for Brass Band
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Graham Boag
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SheetMusicPlus
La Rejouissance (from "Heroic Music") (Eb) (Brass Choir - 3 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba)
Ensemble de cuivres
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.12…
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1222069 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 15 pages. Regis Bookshar #818353. Published by Regis Bookshar (A0.1222069). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728 and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Booksgar to be played by Trumpet Quintets or Brass Quinets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public peformances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir, with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Joy. There is also a version which includes a Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (15 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$18.00
16.46 €
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Ensemble de cuivres
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Georg Philipp Telemann
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Regis Bookshar
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La Rejouissance
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Regis Bookshar
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SheetMusicPlus
Onder een linde groen (Under the Linden Tree)
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.928158 Composed by Jan Pietersz…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.928158 Composed by Jan Pieterszoon Sweelinck. Arranged by P. F. Strohm. Baroque,Contest,Festival,Renaissance,Sacred. Score and parts. 36 pages. Pete Strohm Music #5754133. Published by Pete Strohm Music (A0.928158). A wonderful late Renaissance work from Dutch keyboardist and composer Jan Pieterszoon Sweelinck, arranged by American composer P. F. Strohm for your brass quintet as a contest, recital or concert showpiece. Four variations on an old Dutch folksong, full of Renaissance harmonies and dazzling scales. Very playable ranges, but there will be woodshed time putting the parts together. Once ready, though, Onder een linde groen will make your quintet glad to be brass players! Performance time 4:40. Member, ASCAP.
$9.95
9.1 €
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Ensemble de cuivres
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Jan Pieterszoon Sweelinck
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P
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Onder een linde groen
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Pete Strohm Music
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SheetMusicPlus
Flexi Quartet - One Man Went to Mow
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767565 Composed by Traditional.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767565 Composed by Traditional. Arranged by Mike Lyons. Children,Folk,Multicultural,Standards,World. Score and parts. 25 pages. Lyons Music Services #6103321. Published by Lyons Music Services (A0.767565). A moderately easy setting of this well-known children's song for flexi ensemble. Parts are supplied to allow instruments in C, Bb, Eb and F to combine to play together. C parts are provided in Treble, Alto and Bass clefs. This is not really suitable for absolute beginners as it goes into 4 sharps, but with a little perseverance it should be playable by most well-practiced groups. The main tune stays in the 1st part throughout, but other tunes appear as we go through the repetitions (Row your Boat, Frere Jacques) to help keep your place. p>The piece opens with a single part (1) which is joined by other voices one at a time for each of the first four verses. Care will need to be taken to count the bars as the number of men increases. There's a lot of fun to be had from playing this piece. If you want to add some cuteness, the lyrics are provided so parts can be sung.
$8.00
7.32 €
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Ensemble de cuivres
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Traditional
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Mike Lyons
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Flexi Quartet - One Man Went to Mow
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Lyons Music Services
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SheetMusicPlus
Once In Love With Amy
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesse…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.88 €
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Ensemble de cuivres
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
In the Evening by the Moonlight
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.27 €
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Ensemble de cuivres
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James Bland
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F
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
Hope Prevails
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christi…
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
4.57 €
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
This movement reflects the desperation of the soul
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Kingdom Coming (The Year of Jubilo)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay W…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
9.12 €
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Ensemble de cuivres
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.27 €
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Ensemble de cuivres
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Come, Ye Thankful People, Come (St. George’s, Windsor)
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arra…
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Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
6.36 €
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Ensemble de cuivres
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George Job Elvey
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F
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quartet - Titans
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.29 €
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Ensemble de cuivres
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
KIRCHEN-SYMPHONIE for organ and brassband, opus 18 (conductor score) - Score Only
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1107288 Composed by Julius Katt…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1107288 Composed by Julius Katterfeldt (1813-1886). Classical,Sacred. Score and parts. 14 pages. Albismusic #709950. Published by Albismusic (A0.1107288). Julius Katterfeldt was born in Wandsbek in 1813. Wandsbek was not yet part of Hamburg at that time. His father Johann Hinrich Katterfeldt was the organist at the famous Schnitger organ of Hamburg's main church St. Jakobi. He also gave his son first music lessons. Later he was a pupil of the famous Christian Heinrich Rinck in Darmstadt. Julius Katterfeldt was first organist at the church of St. Johannes in Eppendorf. In 1840, Katterfeldt was appointed by the Danish king to the post of cathedral organist in Schleswig. After the Schleswig-Holstein uprising (1848 to 1851) he had to give up his organist post at the cathedral. Friedrich von Reventlou (1797-1874) brought Katterfeldt to the monastery church in Preetz, where Renventlou was provost, because of the political quarrels over the county of Holstein. In Preetz he even had to take on sexton duties in addition to organ duties. After the war (Battle of Dybbøl/DK), Schleswig once again belonged to the Republic of Prussia. For this reason, the German Emperor had a new tower built for Schleswig Cathedral in 1864. It can be assumed that the church symphony by Julius Katterfeldt was composed for this purpose beforehand and was therefore later published by the renowned Berlin music publisher BOTE & BOCK. His Church Symphony Opus 18, for brassband and organ, is dedicated to the Prussian Emperor Wilhelm I. Katterfeldt’s Church Symphony is the first original symphonic work for the instrumentation organ and brass band. His son-in-law was the Schwerin cathedral organist George Hepworth (1825-1918). Through his contacts in England, some of J. Katterfeldt's organ works were published in the anthologies Organist's Quarterly Journal (editor, William Spark). this publication: ISMN 979-700-212-81-0 instrumental parts (PiccTrp, Fluegelhorn, Trumpet 1+2, Frenchhorn 1+2 (F alt. C), Euphonium, Tuba) conductor score: ISMN 979-700-212-81-4.
$4.99
4.56 €
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Ensemble de cuivres
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Julius Katterfeldt
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KIRCHEN-SYMPHONIE for organ and brassband, opus 18
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Albismusic
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SheetMusicPlus
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