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95
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13
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7
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2
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5
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2
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23
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91
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45
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39
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35
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33
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30
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17
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16
Flûte, Trompette (duo)
16
Hautbois, Basson (duo)
16
Clarinette et Alto
16
Flûte, Clarinette (duo)
15
Hautbois, Clarinette (duo)
14
Flûte, Violon
13
Flûte, Alto (duo)
12
Hautbois, Flûte
12
Quatuor de Clarinettes: 4 clarinettes
8
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7
Saxophone Alto et Piano
7
Quatuor de Saxophones: 4 saxophones
7
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7
Clarinette et Piano
7
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Tenor et Piano
6
Quintette de Clarinettes: 5 clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Clarinette
4
Hautbois, Piano (duo)
3
Saxophone Alto
3
Saxophone Soprano et Piano
3
Ensemble de Clarinettes
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Ensemble de saxophones
2
Saxophone Tenor
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
3 Saxophones (trio)
2
Flûte et Guitare
1
Hautbois (partie séparée)
1
Saxophone (partie séparée)
1
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1
Hautbois, violon (duo)
1
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1
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1
Instruments en Mib
1
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1
Ensemble de Flûtes
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Basson
1
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Trompette, Saxophone (duo)
34
2 Trompettes (duo)
19
2 Trombones (duo)
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette, Trombone (duo)
14
Trompette
4
Trombone et Piano
3
2 Tubas (duo)
3
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Trompette, Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trombones
1
Bass Clef Instruments
1
Trombone basse
1
Cor Anglais
1
Tuba
1
Cor
1
Tuba et Piano
1
Instruments en Sib
1
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16
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15
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13
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Violon et Piano
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Violon
4
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
2
4 Violoncelles
1
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1
Alto seul
1
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1
Contrebasse, Piano (duo)
1
Harpe
1
Violoncelle
1
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73
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9
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Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. …
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Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Violon
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Slide Ride
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SheetMusicPlus
Deluxe Anthology of Jazz Violin Styles
Violon
Violin - Intermediate - Digital Download Composed by David Reiner. Solos. Style. E-bo…
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Violin - Intermediate - Digital Download Composed by David Reiner. Solos. Style. E-book and online audio. 136 pages. Mel Bay Publications - Digital Sheet Music #93818MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118867.<br> <br> For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stephane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives; first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, youall find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Wirtten for intermediate to advanced violinists.ISBN 9781619118867.<br> <br> For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stephane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives; first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, youall find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Wirtten for intermediate to advanced violinists.
$19.99
18.43 €
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Violon
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David Reiner
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Deluxe Anthology of Jazz Violin Styles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
20 Etudes brillantes et caracteristiques
Violon
Violin - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This…
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Violin - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This edition: Sheet music. Essential Exercises. Downloadable. Op. 73. Schott Music - Digital #Q43463. Published by Schott Music - Digital
The studies by Charles Dancla (1817-1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound.<br> It is fun for both teacher and pupil to develop the violin playing technique in such a way. Furthermore, the delight in music-making is increased as every piece has its own characteristic, appearing not like a study but rather like a performance capriccio which could be played as an encore, for example.<br> The present edition is based on the (presumed) first edition of the Parisian publisher S. Richault (plate number 12974.B.) from c. 1856. Added fingerings have been marked accordingly. Information on technical characteristics, playing suggestions, etc. are contained in the notes at the end of the volume.The studies by Charles Dancla (1817-1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound.<br> It is fun for both teacher and pupil to develop the violin playing technique in such a way. Furthermore, the delight in music-making is increased as every piece has its own characteristic, appearing not like a study but rather like a performance capriccio which could be played as an encore, for example.<br> The present edition is based on the (presumed) first edition of the Parisian publisher S. Richault (plate number 12974.B.) from c. 1856. Added fingerings have been marked accordingly. Information on technical characteristics, playing suggestions, etc. are contained in the notes at the end of the volume.
$15.99
14.74 €
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Violon
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Charles Dancla (1817-1907)
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20 Etudes brillantes et caracteristiques
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Schott Music - Digital
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SheetMusicPlus
Fiddle Rag in E flat.
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.926359 Composed by Dick Walker. Co…
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Violin Solo - Level 3 - Digital Download SKU: A0.926359 Composed by Dick Walker. Concert,Folk,Jazz,Standards,Traditional. 3 pages. Richard Walker #2838169. Published by Richard Walker (A0.926359). A fiddle tune in swing and rag style. Similar to other tunes in these styles and fun to play and perform.
$3.99
3.68 €
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Violon
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Dick Walker
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Fiddle Rag in E flat.
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Richard Walker
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SheetMusicPlus
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