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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come Out And Play
Non classifié
152
Piano & claviers
Piano seul
69
Piano, Voix
54
Orgue
12
Piano, Voix et Guitare
11
1 Piano, 4 mains
8
Instruments en Do
5
2 Pianos, 4 mains
5
Orgue, Piano (duo)
1
+ 3 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
23
Guitare notes et tablatures
8
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
2
Basse electrique
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
13
Chorale TTBB
2
Voix Soprano, Piano
2
Chorale Unison
2
Chorale 3 parties
1
Chorale 2 parties
1
Voix duo
1
Voix haute
1
Chorale SSAA
1
Voix basse, Piano
1
+ 5 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
38
Flûte traversière et Piano
36
Clarinette et Piano
32
Saxophone Alto et Piano
25
Saxophone Tenor et Piano
25
2 Flûtes traversières, Piano
24
2 Saxophones (duo)
24
Quintette de Saxophone: 5 saxophones
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Saxophone, Clarinette (duo)
13
2 Clarinettes (duo)
11
Ensemble de Clarinettes
8
Clarinette, Violon (duo)
7
2 Flûtes traversières (duo)
7
Ensemble de saxophones
7
Flûte, Clarinette (duo)
7
Quintette de Flûte : 5 flûtes
6
Flûte, Violon
6
Hautbois, Clarinette (duo)
5
Clarinette, Trompette (duo)
5
Flûte, Saxophone (duo)
5
Flûte, Trompette (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
2 Hautbois (duo)
4
Hautbois, Flûte
4
Ensemble de Flûtes
4
Clarinette et Alto
4
Flûte à Bec
3
Clarinette
3
Quatuor de Saxophones: 4 saxophones
3
Flûte traversière
3
Hautbois, Basson (duo)
3
Cor anglais, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois (partie séparée)
2
Flûte, Alto (duo)
2
Saxophone et Harpe
1
Clarinette Basse, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte et Quatuor à Cordes
1
Saxophone
1
Flûte et Guitare
1
Saxophone Soprano et Piano
1
Quatuor de Flûtes : 4 flûtes
1
+ 42 instrumentations
Retracter
Cuivres
Trombone et Piano
32
Trompette
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette, Piano
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trombones
9
Ensemble de Trompettes
8
Trompette, Saxophone (duo)
8
2 Trompettes (duo)
6
Trompette, Trombone (duo)
4
2 Trombones (duo)
4
Trompette (partie séparée)
3
Trombone
3
Quatuor de cuivres: 4 trombones
3
Cor anglais, Piano
2
Euphonium
2
Cor et Piano
2
Cor
2
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
Tuba
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres
1
Cor et Harpe
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
56
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon, Violoncelle (duo)
32
Alto, Piano
26
Violoncelle, Piano
25
2 Violons (duo)
10
2 Violoncelles (duo)
10
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
8
Harpe
8
Violon
7
Violoncelle
6
Violon, Alto (duo)
5
Ensemble d'Altos
5
Ensemble de Violons
5
2 Altos (duo)
3
Alto seul
2
Alto (partie séparée)
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Contre Basse
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre
26
Ensemble de cuivres
17
Orchestre à Cordes
16
Ensemble Jazz
15
Orchestre d'harmonie
14
Orchestre de chambre
7
Jazz combo
2
Batterie
2
Marimba
1
Cloches
1
+ 5 instrumentations
Retracter
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Come Out And Play
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Violon
Partitions à imprimer
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1
A Thousand Years
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.526215 By Christina Perri. By Chri…
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Violin Solo - Level 4 - Digital Download SKU: A0.526215 By Christina Perri. By Christina Perri and David Hodges. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 2 pages. Sarah Cellobat Chaffee #6027439. Published by Sarah Cellobat Chaffee (A0.526215). The book and movie vampire fantasy series Twilight has been a smash hit for audiences of all ages, and Christina Perri's catchy love song written for the movie has become a widely requested tune. This arrangement for solo violin is a beautiful string rendition of this popular song, with soaring vocal lines and dramatic octave and dynamic changes. Originally written for a wedding ceremony, it's also perfect for receptions, proposals, pop concerts, or just to play for fun! No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This arrangement is rated advanced-intermediate for some tricky rhythms throughout; it will be learnable for more advanced students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
7.35 €
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Violon
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Christina Perri
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Sarah Cellobat Chaffee
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A Thousand Years
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Sarah Cellobat Chaffee
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin II
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Violon
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin I
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo.…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Violon
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Benjamin Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
As Long As You Love Me
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.526292 By The Backstreet Boys. By …
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Violin Solo - Level 4 - Digital Download SKU: A0.526292 By The Backstreet Boys. By Martin Sandberg. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 2 pages. Sarah Cellobat Chaffee #6372659. Published by Sarah Cellobat Chaffee (A0.526292). As Long As You Love Me was the second single from the Backstreet Boys' very first album. Released in 1997, the song soon became one of the band's biggest hits and is now considered one of their signature songs. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! Maintaining the fun upbeat groove, passionate melody lines, and dynamic contrasts of the original, this arrangement for solo violin is just as much fun to play as it is to listen to, and it's sure to get everybody singing along! This chart was originally written for a wedding ceremony, but it will also be perfect for solo & ensemble concerts, receptions, cocktail hour, and any other occasion that needs some boy band throwback nostalgia. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. Rated advanced-intermediate; there's nothing too crazy here, but there are some interesting syncopated rhythms throughout and it goes up to 4th pos. on the E string. This will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
7.35 €
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Violon
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The Backstreet Boys
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Sarah Cellobat Chaffee
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As Long As You Love Me
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Sarah Cellobat Chaffee
#
SheetMusicPlus
2, 4, 6, 8: Positions We Don't Appreciate for Violin
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1512713 Composed by Steven Kruse &…
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Violin Solo - Level 4 - Digital Download SKU: A0.1512713 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. 47 pages. String Play for All #1087663. Published by String Play for All (A0.1512713). It has long been accepted practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is a good reason for studying the odd-numbered positions first. The body of the instrument and the crook of the neck provide solid reference points for finding these positions. Hamonically, first, third, and fifth position outline the triad, the foundation of Western tonal music. The fingering of fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With the new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire fingerboard has become essential.LIke the relationship in fingering between first and third position, the same relationship can be found between second and sixth and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Shifting exercises between the even positions are also provided. We hope teachers and students will find this material useful.
$14.95
13.76 €
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Violon
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Steven Kruse & Penny Thompson Kruse
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2, 4, 6, 8: Positions We Don't Appreciate for Violin
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String Play for All
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SheetMusicPlus
Prelude from Suite No. 1 for Cello
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1213637 Composed by Johann Sebasti…
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Violin Solo - Level 4 - Digital Download SKU: A0.1213637 Composed by Johann Sebastian Bach. Arranged by Lavender Hill. Baroque,Chamber,Classical,Wedding. 3 pages. Lavender Hill #810832. Published by Lavender Hill (A0.1213637). J.S. Bach, Prelude from Suite No. 1 for CelloAdvanced Intermediate LevelUnaccompanied Violin part: 2 pagesTime: 2:10Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes through constraints of availability / space / budget – or just for the thrill of it - we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s the glorious Prelude from Bach's Cello Suite No. 1 in G major, transposed into D major so it can be played on the violin.  Although the original version is the epitome of celloism, Bach will hopefully be okay with this since he himself rearranged and transposed the Prelude from his solo violin Partita No. 3 in E major. The present articulation is based on the copy made by Bach's wife, Anna Magdalena, during his lifetime.  If you like this, please check out my other arrangements for unacompanied violin: Bach's Air from Suite No. 3 in D (“Air on the G Stringâ€); Ain't Misbehavin'.
$8.99
8.27 €
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Violon
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Johann Sebastian Bach
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Lavender Hill
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Ain't Misbehavin
'
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Prelude from Suite No. 1 for Cello
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Lavender Hill
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SheetMusicPlus
Ave Maria Advanced Variation for Solo Violin
Violon
Violin - Advanced Intermediate - Digital Download Composed by Franz Schubert (1797-…
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Violin - Advanced Intermediate - Digital Download Composed by Franz Schubert (1797-1828). Arranged by Shawn Boucké. Romantic Period, Classical Period, Wedding, Funeral, Recital. Individual Part. 1 pages. Published by Shawn Boucke
After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of Ave Maria takes the original theme and turns it into a concert piece. After the first verse with a multitude of chords is performed, a second version comes with string crossings reminiscent of the Bach Chaconne. Rubato is definitely acceptable and at times necessary to bring out the feeling of this piece.<br> <br> For those who are still progressing, the chords can be omitted where needed to make the piece more approachable.After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of Ave Maria takes the original theme and turns it into a concert piece. After the first verse with a multitude of chords is performed, a second version comes with string crossings reminiscent of the Bach Chaconne. Rubato is definitely acceptable and at times necessary to bring out the feeling of this piece.<br> <br> For those who are still progressing, the chords can be omitted where needed to make the piece more approachable.
$5.99
5.51 €
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Violon
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Franz Schubert (1797-1828)
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Shawn Boucké
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Ave Maria Advanced Variation for Solo Violin
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Shawn Boucke
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SheetMusicPlus
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