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--INSTRUMENTS--
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Max S
Non classifié
52
Piano & claviers
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51
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6
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5
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3
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3
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2
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1
+ 2 instrumentations
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Basse electrique
5
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3
Guitare
1
Voix
Chorale SATB
30
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6
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5
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4
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1
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12
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8
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7
Clarinette
6
Hautbois (partie séparée)
5
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5
Saxophone Tenor
4
Saxophone Alto
4
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
Quatuor de Clarinettes: 4 clarinettes
2
2 Clarinettes (duo)
1
2 Flûtes traversières (duo)
1
Ensemble de Clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière et Piano
1
+ 11 instrumentations
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8
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6
Trombone (partie séparée)
4
Trompette
3
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2
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2
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1
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1
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1
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1
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1
Ensemble de Cors
1
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1
Trombone et Piano
1
+ 9 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
39
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6
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5
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4
Violon
3
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2
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2
2 Violoncelles (duo)
2
Violoncelle
2
2 Violons (duo)
2
Harpe
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Alto seul
1
Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle, Piano
1
2 Altos (duo)
1
+ 13 instrumentations
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Ensemble Jazz
15
Orchestre
13
Orchestre d'harmonie
12
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7
Fanfare
5
Orchestre à Cordes
4
Jazz combo
2
Cloches
2
Orchestre de chambre
1
Marimba
1
Batterie (partie séparée)
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Vous avez sélectionné:
Max S
avancé
Violon
Partitions à imprimer
3 partitions trouvées
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I Want It That Way
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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The Backstreet Boys
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Sarah Cellobat Chaffee
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I Want It That Way
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.526203 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Sarah Cellobat Chaffee....
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Violin Solo - Level 4 - SKU: A0.526203 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 2 pages. Sarah Cellobat Chaffee #6012239. Published by Sarah Cellobat Chaffee (A0.526203). I Want It That Way is one of the Backstreet Boys' biggest hits, and anyone who grew up in the 90's and early 2000's probably knows this one by heart! This version for solo violin was originally written for a wedding ceremony, but it will also be perfect for cocktails, receptions, pop concerts, solo & ensemble contest, and any other occasion that needs some boy band throwback nostalgia -- you're sure to get everyone singing along! No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This arrangement is rated advanced-intermediate for a few high notes and some tricky rhythms, and it will be playable for students and sightreadable for professionals. (Watch out for the key change to B major at the end!) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
Partita for Solo Violin (2011)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Thomas Oboe Lee
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Partita for Solo Violin
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869216 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. With Alleman...
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Violin Solo - Level 4 - SKU: A0.869216 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. With Allemande 3. 15 pages. Thomas Oboe Lee #3917. Published by Thomas Oboe Lee (A0.869216). Program note: In the spring of 2011 I had nothing to do after I finished composing an all-male a cappella sextet on the Latin textO Magnum Mysterium. And I wasn’t quite ready to begin work on my next project, Symphony No. 8 … City of Light. A year ago Irina Muresanu premiered my Violin Concerto (2009) in Jordan Hall with Maestro Max Hobart and the Boston Civic Symphony. I was thrilled with her performance of the work. So I thought, how about a set of solo pieces for the violin for her as a token of my appreciation for her artistry? Anytime one thinks of writing for solo violin, one has to face up to the monumental Partitas and Sonatas for unaccompanied violin by Johann Sebastian Bach. My Partita, similar to Bach’s in the use of the baroque suite as narrative and structure, is in seven movements. 1. Fantasia 2. Allemande 3. Courante 4. Sarabande 5. Gavotte/Minuet 6. Air 7. Gigue Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/partita-for-solo-violin-2011Video link: https://youtu.be/9NE8jM6tVyQ
$9.99
Three Movements for Solo Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Watson
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Three Movements for Solo Violi
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James Watson
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945).
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Violin Solo - Level 4 - SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945). This is a three movement pantonal work for unaccompanied solo violin. Each movement has it's own personality and character. The first begins freely and expressively in the beginning and builds momentum to a somewhat sporadic series of various motivic manipulations, ending in an aggressive, accelerating repetition of the motif, which can be heard in various places of the following two movements. The second movement, somewhat more quirky, is meant to provoke a sense of temporary confusion and disorientation. The pizzicato open G in the first few measures is the disorienting element, interrupting the melody every few beats. The rest of the piece gradually becomes more and more playful before slowing down as if unsure what lies ahead.The third movement is the shortest of the three. It begins very eerily and slightly chilling with a downward glissando on artificial and natural harmonics. It almost seems as if a character in a story is lost in an unfamiliar place, trying to find the way home. As the movement progresses, it builds in expression and intensity the way a light in the distance becomes closer as one walks closer to it. From this climax, to the end, it becomes gradually softer and slower, mimicking the burning embers of a dying fire, reminiscing of warmth and comfort.
$10.00
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