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6
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1
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7
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5
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3
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Quatuor de cuivres: 4 trombones
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71
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7
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4
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Trio à Cordes: violon, alto, violoncelle
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7 partitions trouvées
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1
Corelli : Concerto grosso Op. 6, n° 8 'Concerto pour la nuit de Noël' - V. Allegro - Pastorale
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Corelli
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Concerto grosso Op. 6, n° 8 '
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Tomplay
Telechargez la partition Violon Concerto grosso Op. 6, n° 8 'Concerto pour la nuit de Noël' - V. Allegro - Pastorale de Corelli. Partition po...
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Telechargez la partition Violon Concerto grosso Op. 6, n° 8 'Concerto pour la nuit de Noël' - V. Allegro - Pastorale de Corelli. Partition pour Violon avec accomp. orchestre -- Classique
7.99€
Violin Concerto, opus 129 (2009) for violin solo and orchestra
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe ...
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Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99
Kommos (Lamentation) / "When the World Moved On" - Violin II
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjam...
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Violin Solo - Level 4 - SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Violin I
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Saj...
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Violin Solo - Level 4 - SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Crazy Little Thing Called Love
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Dwight Yoakam
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Dan Sanchez
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Crazy Little Thing Called Love
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Dan Sanchez
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.799118 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Dan Sanchez. Rock. 4 pages. Dan Sanchez #...
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Violin Solo - Level 4 - SKU: A0.799118 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Dan Sanchez. Rock. 4 pages. Dan Sanchez #4776573. Published by Dan Sanchez (A0.799118). This Solo Violin arrangement still manages to capture the full sound of my string quartet version of Crazy Little Thing Called Love by Queen. Your listeners will love this toe-tapping tune, so much so that you might get an air-guitarist joining you on the side! The bowings included here with help with the swing. It’s a blast to play; I really enjoy it. I hope you do, too! One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general. So, feel free to check out my other arrangements while you're here!Thanks,Dan
$4.99
After Thought - for violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Rain Worthington
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After Thought - for violin
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SR Worthington
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.916252 Composed by Rain Worthington. 20th Century,Contemporary,Standards. 3 pages. SR Worthington #3029327. Published by...
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Violin Solo - Level 4 - SKU: A0.916252 Composed by Rain Worthington. 20th Century,Contemporary,Standards. 3 pages. SR Worthington #3029327. Published by SR Worthington (A0.916252). A short contemplative piece for solo violin. Program note: An emotional reflection – surfacing after a thought just a moment past. World premiere 2014: Michael Braudy, violin at The Delhi Music Society, New Delhi, India. Audio here features a home studio recording by violinist, Sylvia Ahramjian. (ca. 2'40) ASCAP/SRWorthington, Publisherhttps://soundcloud.com/rain-worthington/after-thought
$2.50
Partita for Solo Violin (2011)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Thomas Oboe Lee
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Partita for Solo Violin
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869216 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. With Alleman...
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Violin Solo - Level 4 - SKU: A0.869216 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. With Allemande 3. 15 pages. Thomas Oboe Lee #3917. Published by Thomas Oboe Lee (A0.869216). Program note: In the spring of 2011 I had nothing to do after I finished composing an all-male a cappella sextet on the Latin textO Magnum Mysterium. And I wasn’t quite ready to begin work on my next project, Symphony No. 8 … City of Light. A year ago Irina Muresanu premiered my Violin Concerto (2009) in Jordan Hall with Maestro Max Hobart and the Boston Civic Symphony. I was thrilled with her performance of the work. So I thought, how about a set of solo pieces for the violin for her as a token of my appreciation for her artistry? Anytime one thinks of writing for solo violin, one has to face up to the monumental Partitas and Sonatas for unaccompanied violin by Johann Sebastian Bach. My Partita, similar to Bach’s in the use of the baroque suite as narrative and structure, is in seven movements. 1. Fantasia 2. Allemande 3. Courante 4. Sarabande 5. Gavotte/Minuet 6. Air 7. Gigue Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/partita-for-solo-violin-2011Video link: https://youtu.be/9NE8jM6tVyQ
$9.99
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