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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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Again
Non classifié
99
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127
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14
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13
2 Pianos, 4 mains
6
1 Piano, 4 mains
6
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Instruments en Do
1
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1
+ 5 instrumentations
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Guitares
Basse electrique
11
Guitare
9
Guitare notes et tablatures
3
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1
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Chorale SATB
24
Chorale TTBB
6
Chorale SSAA
5
Chorale 3 parties
1
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1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix duo, Piano
1
Voix Tenor, Piano
1
+ 4 instrumentations
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Saxophone
19
Clarinette
9
Flûte traversière et Piano
9
Flûte traversière
7
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4
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4
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4
3 Clarinettes (trio)
3
Hautbois, Piano (duo)
2
Hautbois (partie séparée)
2
Flute (partie séparée)
2
Saxophone Alto
2
Saxophone Tenor et Piano
2
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Flûtes traversières (duo)
2
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais, Piano
1
Ensemble de Flûtes
1
2 Saxophones (duo)
1
Flûte, Trombone (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 19 instrumentations
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Ensemble de Trombones
11
Trombone et Piano
9
Trompette
8
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7
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7
Cor
4
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3
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2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres
2
Trompette, Piano
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trombones (duo)
1
Cor anglais, Piano
1
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1
Trombone basse
1
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19
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16
Violon
9
Violoncelle, Piano
7
Alto, Piano
2
Violoncelle
2
Violon, Violoncelle (duo)
2
Alto seul
2
Alto, Violoncelle (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles (duo)
1
Alto et Harpe
1
2 Violons (duo)
1
2 Altos (duo)
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre
30
Orchestre d'harmonie
15
Batterie
11
Ensemble Jazz
11
Orchestre à Cordes
11
Orchestre de chambre
6
Ensemble de cuivres
5
Jazz combo
2
Cloches
2
Ensemble de Percussions
2
Fanfare
2
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FLUTE A DIX…
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LUTH, THEOR…
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Violon
Partitions à imprimer
9 partitions trouvées
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1
"Waltz Fantasy" for violin & piano Op. 87 (violin Part)
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Violon
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AVANCÉ
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Contemporain
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Gary Noland
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piano Op
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"Waltz Fantasy" for
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Freeland Publications
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.980415 Composed by Gary Noland. 20th Century,Concert,Contemporary. 13 pages. Freeland Publications #3236555. Published b...
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Violin Solo - Level 5 - SKU: A0.980415 Composed by Gary Noland. 20th Century,Concert,Contemporary. 13 pages. Freeland Publications #3236555. Published by Freeland Publications (A0.980415). Violin Part to Waltz Fantasy for violin & piano Op. 87. Score is available separately for purchase. for Duration: ca. 15-20 minutes. Review of performance (Aaron Berenbach, Northwest Reverb): Like an André Rieu opium dream, Noland's waltz slowly emerged from a morass of sound, solidified into a lush, decadent, Viennese waltz before dissolving and reforming again and again. Like Bernstein, Noland made great use of the familiar, in this case the easily recognized waltz form, but made it personal, unique, and extremely interesting in his interpretation. Link to performance:https://www.youtube.com/watch?v=7LnKAl3nVPs Link to MIDI rendition:https://www.youtube.com/watch?v=UjhBVazquM8 .
$4.50
Yin and Yang
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Violon
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AVANCÉ
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Jacob Litoff
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Yin and Yang
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1022490 Composed by Jacob Litoff. World. 3 pages. Jacob Litoff #2013719. Published by Jacob Litoff (A0.1022490). ...
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Violin Solo - Level 5 - SKU: A0.1022490 Composed by Jacob Litoff. World. 3 pages. Jacob Litoff #2013719. Published by Jacob Litoff (A0.1022490). This piece I wrote in December of 2000. The main objective in this piece was to use lots of left hand pizzicato to strengthen my left hand. The piece starts out in the minor and goes to the major and this is supposed to represent the yin and yang in life. Then the first section in the minor gets repeated once again followed by a coda that ends on a happy major chord. The piece is rather difficult to play, but is fun and has nice melodies.
$7.50
The Christmas Song (chestnuts Roasting On An Open Fire)
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Violon
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AVANCÉ
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Noël
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Christina Aguilera
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Julia Yeon-Joo Oh
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The Christmas Song
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Julia Oh Music
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1129880 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Julia Yeon-Joo Oh. Christmas,Holiday,Jazz. 5 p...
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Violin Solo - Level 5 - SKU: A0.1129880 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Julia Yeon-Joo Oh. Christmas,Holiday,Jazz. 5 pages. Julia Oh Music #730287. Published by Julia Oh Music (A0.1129880). This arrangement of the beautiful timeless song by Nat King Cole, originally made for the violin but of course playable by any other treble clef instrument, can be played along with this playback: https://youtu.be/0k5ypUnr864 Original song: https://youtu.be/hwacxSnc4tI The instrumental part includes my suggestion for an improvisation but you feel free to improvise or leave the playback do its part and come in again in bar 45. Wish you all a wonderful and musical Christmas :).
$6.99
Toccata
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Violon
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AVANCÉ
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Contemporain
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Graeme Culpepper
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Toccata
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Graeme Culpepper
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1028165 Composed by Graeme Culpepper. Contemporary. 4 pages. Graeme Culpepper #3690745. Published by Graeme Culpepper (A...
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Violin Solo - Level 5 - SKU: A0.1028165 Composed by Graeme Culpepper. Contemporary. 4 pages. Graeme Culpepper #3690745. Published by Graeme Culpepper (A0.1028165). Toccata aims to showcase the performer’s virtuosity in a numerous amount of ways. The piece opens with a sixthteenth note pattern that is the core of the work, and expands upon the pattern implementing various harmonic changes throughout. In the middle of the piece a theme is presented in 4/4 time which gives way to high scalar runs which is interrupted by the beginning pattern and repeated over again. After this, there is a return of the beginning idea, which is taken through several different keys until arriving in G minor. At the end of the piece the theme from the middle is presented in its full glory, and in 3/4. The piece closes with a G minor chord being built from the bottom up and added portamento before the final chord.
$9.25
Sonata No.1
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Violon
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AVANCÉ
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Melissa Blanton
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2nd Largo in relative major
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Sonata No.1
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Melissa Blanton
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SheetMusicPlus
Instrumental Solo,Violin - Level 5 - Interactive Download SKU: A0.480433 Composed by Melissa Blanton. This edition: Interactive Download. Classical,Conte...
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Instrumental Solo,Violin - Level 5 - Interactive Download SKU: A0.480433 Composed by Melissa Blanton. This edition: Interactive Download. Classical,Contest. Individual part. 3 pages. Duration 231. Melissa Blanton #5KXeTC4WiFaUMCJy5DqVvR. Published by Melissa Blanton (A0.480433). Key: F major.Unique,unaccompanied, passionate Sonata in 3 movements- First mvmt, Allegretto in D minor; 2nd Largo in relative major; 3rd Allegretto in D minor again.
$2.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Duets
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Violon
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AVANCÉ
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Rodion Shchedrin
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Duets
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Schott Music - Digital
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SheetMusicPlus
Violin solo - difficult - SKU: S9.Q15933 Composed by Rodion Shchedrin. This edition: Sheet music. Violin Library. Downloadable. Duration 10 minutes. Sch...
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Violin solo - difficult - SKU: S9.Q15933 Composed by Rodion Shchedrin. This edition: Sheet music. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q15933. Published by Schott Music - Digital (S9.Q15933). You can even play a duet on a solo instrument! In his piece! In notes spread across two systems the violin displays its characteristic contrasting qualities. The instrument contradicts itself: staccato notes cut in abruptly within a legato line, quiet phrases are interrupted by an expressive fortissimo, while a stubbornly contemporary answering voice is set against Bach's formal language. Shchedrin succeeds in finding a remarkably powerful way of reminding every solo violinist that their instrument is inhabited by at least two different souls.
$17.99
Poem For Carlita (for unaccompanied violin)
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Violon
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AVANCÉ
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Contemporain
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Mark O'Connor
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Poem For Carlita
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Mark O'Connor Musik International
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SheetMusicPlus
Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Americana. Solo Part. 9 pa...
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Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Americana. Solo Part. 9 pages. Published by Mark O'Connor Musik International
Poem For Carlita (for unaccompanied violin) MO149
Violin Solo
Music by Mark O?Connor
5 pages - 7:30 minutes in length
Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no ?return.? The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it?s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again.
$6.00
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