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--INSTRUMENTS--
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Crtitères actifs :
Zequinha de Abreu
expert
Violon
Partitions à imprimer
2 partitions trouvées
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Tico Tico no Fubá by Zequinha de Abreu for Violin
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Violon
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AVANCÉ
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Zequinha de Abreu
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The Sheet Music Library
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Tico Tico no Fubá by Ze
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The Sheet Music Library
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1253464 Composed by Zequinha de Abreu. Arranged by The Sheet Music Library. Instructional,Latin,Multicultural,World. 2 p...
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Violin Solo - Level 5 - SKU: A0.1253464 Composed by Zequinha de Abreu. Arranged by The Sheet Music Library. Instructional,Latin,Multicultural,World. 2 pages. The Sheet Music Library #847161. Published by The Sheet Music Library (A0.1253464). Tico Tico no Fubá by Zequinha de Abreu For ViolinJust the melody as it was played traditionaly by the choro groups.
$2.99
Choros No 1
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Violon
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AVANCÉ
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Contemporain
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Pub...
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Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
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Zequinha de Abreu
