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--INSTRUMENTS--
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Crtitères actifs :
Chiquinha-Gonzaga
Violon
Partitions à imprimer
2 partitions trouvées
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Gaúcho (Corta-Jaca) - Violin Solo - W/Chords
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Violon
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INTERMÉDIAIRE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1310147 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Film/TV,Latin,Multicultural,Ragtime,World....
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Violin Solo - Level 3 - SKU: A0.1310147 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Film/TV,Latin,Multicultural,Ragtime,World. 2 pages. Sheet Music To Play Editions #899282. Published by Sheet Music To Play Editions (A0.1310147). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. With Individual Violin Part with Chords. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Choros No 1
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Violon
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AVANCÉ
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Contemporain
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Pub...
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Violin Solo - Level 5 - SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
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Chiquinha-Gonzaga
