English - German - French.

A beautiful and wide-ranging collection of 41 great tunes from all over Argentina. This collection features tangos, milongas, chamames, chacareras, zambas and gatos as well as earlier styles and new compositions. Many pieces are presented as duets and there is the opportunity for the solo violinist to play along with the guitar or bandoneon and second violin accompaniment on the MP3 backing tracks. Summaries of the individual tunes and detailed notes on the music of Argentina enable you to get the best out of this exciting and colourful music. All pieces were recorded by Ros Stephen and are available as MP3 files for free download. The edition is suitable for players of level 3 and above.

"I would recommend this volume to anyone interested in exploring traditional music." (Sarah Kekus (Chair National Association of Music Educators [NAME] 2010-11)

"This is a really appealing book, and great value for money." (The Strad)

"Additionally, all pieces are expertly played by violinist Stephen. Her extensive notes on the different styles and tunes enable one to get the best out of this colourful and exciting music." (Australian Strings Association Journal, Stringendo)

Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.
Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form. Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.

Caprices No.?s 1 - 6 (for unaccompanied violin) MO112

Violin Solo

Music by Mark O?Connor

36 pages - 20:00 minutes in length



Caprice No. 1 In A Major - p. 1

Caprice No. 2 In G Minor - p. 7

Caprice No. 3 In A Major - p. 13

Caprice No. 4 In D Major - p. 19

Caprice No. 5 In F Major - p. 25

Caprice No. 6 In G Major - p. 31



Caprices No.?s 1 - 6 for unaccompanied violin are among Mark O?Connor?s most critically acclaimed works. Receiving great interest from performers, teachers and students of the violin, O?Connor has contributed music here which will challenge even the most gifted virtuoso. O?Connor?s caprices, like Nicolo Paganini?s and Pietre Locatelli?s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. ?Caprice?s No.?s 1 - 6? feature demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, broken chord arpeggios, two-handed pizzicato, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works? driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate.



Original music printed from the composer?s manuscripts.

Music editing, copying and engraving by Mark O?Connor

using ?Finale? on Apple Macintosh 1986 - 1994



Composed By Mark O?Connor

Caprices No.?s 1 - 6 can be heard on ?Midnight On The Water? Warner Bros. Records

Mark O?Connor - violin



Catalogue Number MO112

Copyright © 1986 by Mark O?Connor Music International

ISBN 9781619118867.

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stephane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives; first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, youall find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Wirtten for intermediate to advanced violinists.

Quarantine Etudes for Violin by Dr. Piotr Szewczyk
Composed in May 2020 during the global pandemic.

All major etude books for violin, including those by Mazas, Kreutzer, Dont and
others, are firmly rooted in romantic harmonic language; minor and major triads,
arpeggios, diminished and augmented chords, dominant 7th etc.

A 21st Century violinist will encounter a much more varied musical language.
Those standard etudes don?t prepare students for octatonic scales, various
modes, whole tone scales, rapid chromatic twists and turns, atonality, extended
jazz harmonies etc. that are a big part of contemporary music.

I created these bite-sized etudes to help students experience different musical
languages and go against the ingrained familiar patterns their fingers are used to.
I hope they will be fun and adventurous challenge for violin students of all ages.

Appalachia Waltz MO106

Appalachia Waltz for unaccompanied violin by Mark O?Connor

Violin Solo ? 3 pages

Music by Mark O?Connor

3 pages - 5:00 minutes in length



Appalachia Waltz is a piece composed by Mark O?Connor for unaccompanied violin which gained fame as the title track from the album featuring O?Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release remained for many months in the top ten of Billboard Magazine?s Classical music chart. O?Connor originally composed the piece as a solo for unaccompanied violin in 1993 before he brought it to the trio when compiling material for their album. Here, in its original form, ?Appalachia Waltz? is just the way O?Connor performs it in his solo

concerts. With the musical influences coming from Scandinavian and Appalachian folk fiddling, O?Connor creates two independent lines while playing double-stops surprising the listener who is hearing just one fiddle. It is one of O?Connor?s most beautiful pieces. The music is suited for advanced and intermediate levels.



Original music printed from the composer?s manuscripts.

Music editing, copying and engraving by Mark O?Connor

using ?Finale? on Apple Macintosh 1993



Composed By Mark O?Connor

Originally released on ?Appalachia Waltz? featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical

Can be heard on ?Thirty Year Retrospective? OMAC Records Recordshttps://omacrecords.com/omac-5-6-thirty-year-retrospective

Other versions can be heard on Mark O'Connor's "Crossing Bridges", ?Duo? by Mark and Maggie O?Connor OMAC Records and ?The Essential Mark O?Connor? Sony Classical



Catalogue Number MO106

Copyright © 1993 by Mark O?Connor Music International

Poem For Carlita (for unaccompanied violin) MO149

Violin Solo

Music by Mark O?Connor

5 pages - 7:30 minutes in length



Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no ?return.? The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it?s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again.

After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of the Bridal Chorus takes the full sound of a quartet and puts it into one instrument. There are many chords in this version which is perfect for a solo violinist at a wedding.

For those who are still progressing, the chords can be omitted where needed to make the piece more approachable.

After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of the Wedding March takes the full sound of a quartet and puts it into one instrument. There are many chords in this version which is perfect for a solo violinist at a wedding.

For those who are still progressing, the chords can be omitted where needed to make the piece more approachable.

After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of the Star-Spangled Banner is both fun to play and enjoyable to listen to. There is a balance of jazzy chords without losing the character of the piece. This is both a challenging work to practice a multitude of finger patterns and a great performance piece.

For those who are still working on chords and double-stops, the three-note chords can be altered to just playing the top two bringing the difficulty down.

After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of Ave Maria takes the original theme and turns it into a concert piece. After the first verse with a multitude of chords is performed, a second version comes with string crossings reminiscent of the Bach Chaconne. Rubato is definitely acceptable and at times necessary to bring out the feeling of this piece.

For those who are still progressing, the chords can be omitted where needed to make the piece more approachable.

After playing hundreds of events throughout the years I have finally put some of my personal arrangements down on paper. This version of Air eliminates the sul G and replaces it with more lush chords. It is a solo violin version that works great for weddings and other events. This is both a challenging work to practice a multitude of chords and a great performance piece.

For those who are still progressing, the chords can be omitted where needed to make the piece more approachable.

Amazing Grace (unaccompanied violin) MO174

Unaccompanied Violin

Music by Mark O?Connor

2 pages - 3:00 minutes in length



Amazing Grace is a centuries-old hymn whose melody comes from a 500 year-old pipe tune before coming to South Carolina. In the early 1800s, South Carolina choral master William Walker paired it with the lyrics of slave ship captain John Newton?s lyric ?Amazing Grace?. O?Connor?s unaccompanied arrangement in the key of F major with double stops and grace notes has become a violin favorite for decades and appears on his Sony Classical release?Midnight On The Water?. The music is suitable for the advanced level.

German - English - French.

Irish Fiddle Solos presents sixty-four superb Irish traditional fiddle tunes, including jigs, reels, polkas, hornpipes and slow airs, arranged in sets for concert performance or for informal sessions. Pete Cooper's excellent introduction explains traditional bowing techniques, style and ornamentation.

Die sechsbandige ,,Systematische Violintechnik" behandelt alle Aspekte des Violinspiels und ermoglicht damit eine umfassende Grundlage fur lernende, lehrende und ausubende Musiker. .Die Bande enthalten reichhaltige Anregungen fur die vernunftige und einwandfreie Aufbereitung von technisch anspruchsvollen Passagen in Meisterwerken der Musik. Die einfache Idee, die Violintechnik auf der Kombination von Bogenwechseln, Saitenwechseln, Fingerwechseln und Lagenwechseln aufzubauen, wird systematisch entwickelt und stellt - vergleichbar einer ,,Hausapotheke fur Geiger" - ein Konzentrat zielgerichtet anwendbarer Ubungen zur Verfugung. Gleichzeitig verschafft diese Systematische Violintechnik einen vollstandigen und unverzichtbaren Uberblick uber alle Bestandteile der Technik und ihrer Zusammenhange. Wohldurchdachtes und praxiserprobtes Ubungsmaterial aus der Feder von Prof. Helmut Zehetmair (Mozarteum Salzburg) und Prof. Benjamin Bergmann (Johannes Gutenberg Universitat Mainz).

Violinists, we?re here for you: play your favorite game arrangements on the violin with the newest series from Materia Editions. This sheet music series features five songs from UNDERTALE and five songs from DELTARUNE, arranged for solo violin. The songs stay faithful to the versions in game, providing a range of difficulties.

Each piece comes with sheet music for solo violin with piano accompaniment, solo violin part only, piano backing track, and full violin and piano demo.


MEGALOVANIA Difficulty: ♥♥♥♥♥

MCOL-0302
MPS-0028.