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--INSTRUMENTS--
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Confusion
Non classifié
58
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27
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Vous avez sélectionné:
Confusion
Violon
Partitions à imprimer
2 partitions trouvées
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Chill - Violin
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Violon
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Contemporain
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Dane Anthony Madrigal
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Chill - Violin
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Dane Anthony Madrigal
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SheetMusicPlus
Violin Solo - SKU: A0.1015098 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. 5 pages. Dane Anthony Madrigal #6208289. Published by Dane A...
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Violin Solo - SKU: A0.1015098 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. 5 pages. Dane Anthony Madrigal #6208289. Published by Dane Anthony Madrigal (A0.1015098). COMPOSER'S NOTESChill is composed in the context of the subtly disturbed. The piece makes no utterances of joy as it slowly and drudgingly makes its way through time. ​Chill should alert some of humanity’s dullest primitive senses as the piece progresses to a melodic light that is only fragile and frail. Two codes can be heard coming from the piano in this light, if one is to listen carefully enough. This is then transformed into an unrequited confusion that only leads to where most confusion does, back from whence it began.
$2.00
Three Movements for Solo Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Watson
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Three Movements for Solo Violi
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James Watson
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945).
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Violin Solo - Level 4 - SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945). This is a three movement pantonal work for unaccompanied solo violin. Each movement has it's own personality and character. The first begins freely and expressively in the beginning and builds momentum to a somewhat sporadic series of various motivic manipulations, ending in an aggressive, accelerating repetition of the motif, which can be heard in various places of the following two movements. The second movement, somewhat more quirky, is meant to provoke a sense of temporary confusion and disorientation. The pizzicato open G in the first few measures is the disorienting element, interrupting the melody every few beats. The rest of the piece gradually becomes more and more playful before slowing down as if unsure what lies ahead.The third movement is the shortest of the three. It begins very eerily and slightly chilling with a downward glissando on artificial and natural harmonics. It almost seems as if a character in a story is lost in an unfamiliar place, trying to find the way home. As the movement progresses, it builds in expression and intensity the way a light in the distance becomes closer as one walks closer to it. From this climax, to the end, it becomes gradually softer and slower, mimicking the burning embers of a dying fire, reminiscing of warmth and comfort.
$10.00
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Confusion
