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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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EUPHONIUM
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HARMONICA
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54
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69
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23
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10
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8
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3
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3
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1
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1
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1
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Guitare
16
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2
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2
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2
Ukulele
1
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1
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3
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3
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1
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1
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1
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14
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10
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7
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6
Hautbois, Piano (duo)
6
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5
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5
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4
2 Clarinettes (duo)
3
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3
Saxophone Soprano et Piano
3
Hautbois (partie séparée)
3
Clarinette
3
Trio de Flûtes: 3 flûtes
2
2 Hautbois (duo)
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
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2
Saxophone Alto et Piano
1
Flûte, Clarinette et Basson
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Ensemble de Clarinettes
1
Flûte, Violoncelle
1
Flûte, Alto et Piano
1
Clarinette et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Alto
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
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10
Trombone
7
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6
Cor
6
Trompette
5
Trombone (partie séparée)
5
Tuba
5
Euphonium
4
Trompette, Piano
3
Trombone basse
3
Euphonium, Piano (duo)
2
Trombone et Piano
2
Cor (partie séparée)
2
2 Trombones (duo)
2
Tuba (partie séparée)
2
Cor, Violoncelle (duo)
2
2 Trompettes (duo)
1
2 Euphoniums (duo)
1
Cor et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
2 Cors (duo)
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
12
Harpe
10
Violoncelle, Piano
10
Violon
7
Violoncelle
6
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Violon (partie séparée)
3
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
Contrebasse (partie séparée)
2
2 Contrebasses (duo)
2
Alto (partie séparée)
1
Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Basson (duo)
1
3 Harpes
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
+ 23 instrumentations
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Orchestre à Cordes
18
Orchestre
11
Orchestre d'harmonie
6
Ensemble Jazz
3
Percussion (partie séparée)
1
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1
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1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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Caprices No.'s 1 - 6 (for unaccompanied violin)
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Violon
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AVANCÉ
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Classique
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Mark O'Connor
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Caprices No.'s 1 - 6
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Mark O'Connor Musik International
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SheetMusicPlus
Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Solo Part. ...
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Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Solo Part. 41 pages. Published by Mark O'Connor Musik International
Caprices No.?s 1 - 6 (for unaccompanied violin) MO112
Violin Solo
Music by Mark O?Connor
36 pages - 20:00 minutes in length
Caprice No. 1 In A Major - p. 1
Caprice No. 2 In G Minor - p. 7
Caprice No. 3 In A Major - p. 13
Caprice No. 4 In D Major - p. 19
Caprice No. 5 In F Major - p. 25
Caprice No. 6 In G Major - p. 31
Caprices No.?s 1 - 6 for unaccompanied violin are among Mark O?Connor?s most critically acclaimed works. Receiving great interest from performers, teachers and students of the violin, O?Connor has contributed music here which will challenge even the most gifted virtuoso. O?Connor?s caprices, like Nicolo Paganini?s and Pietre Locatelli?s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. ?Caprice?s No.?s 1 - 6? feature demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, broken chord arpeggios, two-handed pizzicato, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works? driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate.
Original music printed from the composer?s manuscripts.
Music editing, copying and engraving by Mark O?Connor
using ?Finale? on Apple Macintosh 1986 - 1994
Composed By Mark O?Connor
Caprices No.?s 1 - 6 can be heard on ?Midnight On The Water? Warner Bros. Records
Mark O?Connor - violin
Catalogue Number MO112
Copyright 1986 by Mark O?Connor Music International
$18.00
Caprice No. 7 in C Major
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Violon
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AVANCÉ
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Mark O'Connor
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Mark O'Connor
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Caprice No. 7 in C Major
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Mark O'Connor Musik International
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1040132 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Folk. 10 pages. Mark O...
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Violin Solo - Level 5 - SKU: A0.1040132 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Folk. 10 pages. Mark O'Connor Musik International #644940. Published by Mark O'Connor Musik International (A0.1040132). Caprice No. 7 in C Major (unaccompanied violin) MO176 Unaccompanied Violin Music by Mark O’Connor 6 pages - 3:15 minutes in length Caprice No. 7 in C Major for unaccompanied violin is a composition by Mark O’Connor derived from his own “Caprice For Three†he recorded with Yo-Yo Ma and Edgar Meyer. Receiving great interest from performers, teachers and students of the violin, O’Connor has contributed music here which will challenge even the most gifted virtuoso. O’Connor’s caprices, like Nicolo Paganini’s and Pietre Locatelli’s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. “Caprice No. 7†features demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works’ driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate. Original music printed from the composer’s manuscripts. Music editing, copying and engraving by Mark O’Connor using Finale on Apple Macintosh 1997 Composed by Mark O’Connor Mark O’Connor - Violin Catalogue Number MO176 Copyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit www.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs: www.oconnormethod.com.
$7.50
Menuhin Caprice
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Violon
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AVANCÉ
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Mark O’Connor Menuhin C
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Mark O'Connor
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Mark O'Connor
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Menuhin Caprice
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Mark O'Connor Musik International
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1040061 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Contest,Festival,Folk....
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Violin Solo - Level 5 - SKU: A0.1040061 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Contest,Festival,Folk. 13 pages. Mark O'Connor Musik International #644891. Published by Mark O'Connor Musik International (A0.1040061). Menuhin Caprice (for unaccompanied violin) MO177 Violin Solo Music by Mark O’Connor 9 pages - 7:00 minutes in length Menuhin Caprice for unaccompanied violin by Mark O’Connor was commissioned by the 2020 International Menuhin Violin Competition. It was a compulsory piece for the semi-final round. Receiving great interest to all of his caprices from performers, teachers and students of the violin, O’Connor has contributed music here which will challenge even the most gifted virtuoso. O’Connor’s caprices, like Nicolo Paganini’s and Pietre Locatelli’s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. “Menuhin Caprice†features demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, broken chord arpeggios, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works’ driving and aggressive rhythms in order to perfect the performance of them. Appropriate for the advanced student but isolated selections could be valuable for the intermediate. Original music printed from the composer’s manuscripts. Music editing, copying and engraving by Mark O’Connor using Finale on Apple Macintosh 2019 Composed By Mark O’Connor Menuhin Caprice can be heard at the International Menuhin Violin Competition (semi-final round) 2020 Catalogue Number MO177 Copyright © 2019 by Mark O’Connor Musik International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit www.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs: www.oconnormethod.com.
$10.00
2, 4, 6, 8: Positions We Don't Appreciate for Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Steven Kruse & Penny Thompson
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2, 4, 6, 8: Positions We Don't
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String Play for All
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1512713 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. ...
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Violin Solo - Level 4 - SKU: A0.1512713 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. 47 pages. String Play for All #1087663. Published by String Play for All (A0.1512713). It has long been accepted practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is a good reason for studying the odd-numbered positions first. The body of the instrument and the crook of the neck provide solid reference points for finding these positions. Hamonically, first, third, and fifth position outline the triad, the foundation of Western tonal music. The fingering of fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With the new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire fingerboard has become essential.LIke the relationship in fingering between first and third position, the same relationship can be found between second and sixth and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Shifting exercises between the even positions are also provided. We hope teachers and students will find this material useful.
$14.95
PUPIL BOOK Vol 7 Folk Collection for Violin
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Violon
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FACILE
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Julian Carlick
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PUPIL BOOK Vol 7 Folk Collecti
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Oval Music Edition
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1160848 Composed by Julian Carlick. Children,Classical,Folk,Instructional. 10 pages. Oval Music Edition #761159. Publish...
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Violin Solo - Level 2 - SKU: A0.1160848 Composed by Julian Carlick. Children,Classical,Folk,Instructional. 10 pages. Oval Music Edition #761159. Published by Oval Music Edition (A0.1160848). The seventh of eight volumes in the Violin Collections series pupils' books. Seven pieces each a bit more demanding than in the previous volumes. The idea is to give students plenty of learning material so that they have something new to tackle without the teacher necessarily telling them what to do. Being folk tunes, some of the students will already known the tunes, though they have been slightly adapted so that they can be played with the other stringed instruments without causing many technical challenges. If the students don't know the tunes, now is the chance to catch up on some traditions! The accompaniment book is available separately and includes parts for a violinist, the teacher or mature player and keyboard. Collections will be available for Violin, Viola, Cello and Double Bass. All can play and learn together and the books can be used for ensembles and for sight reading.Learning topics are included at the beginning of each Collection. It is possible to buy the collections in eight volumes, one whole volume, 76 pieces or split into two parts.On January 14th 2023 just the Violin Collections are available to download. To follow the progress of the creation of on-line availability please go to www.juliancarlick.org
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Violin I
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018914 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064785. Published by Benjam...
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Violin Solo - Level 4 - SKU: A0.1018914 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064785. Published by Benjamin Sajo (A0.1018914). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Violin II
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018916 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064791. Published by Benjam...
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Violin Solo - Level 4 - SKU: A0.1018916 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064791. Published by Benjamin Sajo (A0.1018916). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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