This collection features a selection of classical pieces by the world's most renowned composers: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner and Johannes Brahms.

All the pieces are presented in simplified version for the beginner.

Includes:

1812 Overture, Op. 49
An der sch�nen blauen Donau, Op. 314
Bourr�e, BWV 996
Dance of the Flowers, Op. 71a
Eine kleine Nachtmusik, K.525
F�r Elise, WoO 59
Greensleeves
Guten Abend, gut? Nacht
I Dovregubbens hall
Jesus bleibet meine Freude, BWV 147
Kanon in D-Dur
La Donna � Mobile
la Primavera, RV. 269
Menuett, BWV Anh 114
Ode an die Freude, Op. 125
Pomp and Circumstance March N�1, Op. 39
Treulich gef�hrt
Water Music, HWV 349

ISBN 9781609741426. Known as aThe Bible of Irish Music,a Mel Bayas facsimile edition contains the original 1903 collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, long songs, and marches for fiddle or practically any other melody instrument. Each of the bookas 360 pages presents 2 a 4 tunes in standard notation, together with stylistically appropriate ornamentation. Tune titles are given in Gaelic and in English with a few tunes appearing in two or three variations or asettings.a Intricate Celtic fonts similar to the cover illustration grace the main sections of this authoritative book. Famed Celtic harper, Turlough OaCarolan, is given his own segment entitled aOaCarolanas Compositions,a which includes many of his planxties or tribute songs. The book concludes with a comprehensive alphabetic listing of song titles.Piper, fiddler, flautist and twice selected Chief of the Chicago Police Department by two different mayors, Francis OaNeill (1848 a 1905), was born in Tralibane, near Bantry, County Cork Ireland and immigrated to the United States after being shipwrecked while serving as a cabin boy on an English merchant ship. Although he himself could not read or write music, he collected tunes from the burgeoning Irish community in Chicago as well as from many of the major performers of his era. He also recruited many Irish musicians to serve on the Chicago police force. OaNeill would learn tunes by ear on a tin whistle and later play them for his nephew, James, or one of his sergeants who were capable of writing them down. In this fashion, he saved some 3,500 Irish melodies for posterity.