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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
HOW GREAT THOU ART
Non classifié
488
Piano & claviers
Piano seul
259
Piano Facile
43
Piano, Voix et Guitare
42
Piano, Voix
33
Accompagnement Piano
19
Orgue
16
1 Piano, 4 mains
7
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Guitare
18
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
4
Paroles et Accords
2
Dulcimer
2
2 Guitares (duo)
2
Ukulele Baryton
2
Mandoline
2
Piano, Guitare (duo)
1
Ukulele
1
Basse electrique
1
Mandoline, Guitare (duo)
1
Guitare Pedal Steel
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
66
Chorale 3 parties
31
Chorale 2 parties
25
Chorale TTBB
16
Pack Instrumental pour Chorale
12
Voix duo, Piano
11
Voix Alto, Piano
10
Chorale Unison
6
Chorale SSAA
4
Voix duo
3
Voix moyenne, Piano
2
Chorale SSAB a cappella
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
Voix seule
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Saxophone Alto et Piano
38
Flûte traversière et Piano
37
Clarinette et Piano
35
2 Flûtes traversières (duo)
34
Hautbois, Piano (duo)
28
2 Saxophones (duo)
26
Clarinette
25
2 Clarinettes (duo)
25
Quatuor de Saxophones: 4 saxophones
24
Saxophone Tenor et Piano
18
Hautbois (partie séparée)
15
Flûte traversière
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto
10
Saxophone Soprano et Piano
10
Cor anglais, Piano
9
Saxophone Baryton, Piano
9
Flûte, Clarinette (duo)
9
Saxophone, Clarinette (duo)
8
Saxophone (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette, Violon (duo)
8
Clarinette, Trompette (duo)
7
Saxophone
7
2 Flûte à bec (duo)
7
Saxophone Tenor
7
3 Clarinettes (trio)
6
Flûte, Violon
5
Quintette de Saxophone: 5 saxophones
5
Hautbois, Basson (duo)
5
Hautbois, Clarinette (duo)
5
3 Saxophones (trio)
5
Clarinette Basse, Piano
5
Flûte, Hautbois, Clarinette (trio)
5
2 Clarinettes, Piano
5
2 Hautbois (duo)
4
Flûte à bec Soprano
4
Flûte, Alto (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano, Piano
3
Clarinette et Alto
3
Flûte, Hautbois (duo)
3
Flute (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Saxophone (duo)
3
Ensemble de saxophones
2
Piccolo
2
Flûte, Hautbois, Violon
2
Saxophone et Orgue
2
Ensemble de Flûtes
2
Flûte, Basson et Piano
2
Flûte et Guitare
2
Piccolo, Piano
2
Hautbois, Flûte
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte à Bec
2
Clarinette, Harpe (duo)
2
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
2 Flûtes traversières, Harpe
1
Ensemble de Clarinettes
1
Cor Anglais
1
Flûte, Hautbois, Basson
1
Saxophone Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte irlandaise
1
Clarinette, Basson, Piano (trio)
1
Hautbois, violon (duo)
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette et Basson
1
Ensemble de Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à Bec, Piano
1
Clarinette, Orgue
1
+ 78 instrumentations
Retracter
Cuivres
Trompette
24
Trombone et Piano
21
Trompette, Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Trombone
13
2 Trombones (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trompettes (duo)
11
Cor anglais, Piano
9
Cor
8
Trompette, Saxophone (duo)
6
Euphonium, Piano (duo)
6
Cor et Piano
6
Tuba et Piano
6
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Cors (duo)
3
Trombone (partie séparée)
3
Tuba
3
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
2 Trombones, Piano
2
3 Trombones (trio)
2
Cor Anglais
1
Trombone, Tuba (duo)
1
Quatuor de Cuivres
1
Ensemble de Tubas
1
Trombone, Orgue
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Cor et Orgue
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
43
Harpe
35
Violoncelle, Piano
26
Alto, Piano
25
Violon
24
2 Violons (duo)
19
Violoncelle
17
Violon, Violoncelle (duo)
13
Violon, Alto (duo)
12
Alto seul
9
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
7
Piano Trio: Violon, Alto, Piano
7
Trio à Cordes: violon, alto, violoncelle
5
Violon (partie séparée)
4
Harpe, Voix
3
Trio à Cordes: 2 violons, alto
3
Contrebasse, Piano (duo)
3
Harpe, Flûte (duo)
3
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Harpe, Violon (duo)
2
Contre Basse
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
2
2 Harpes (duo)
2
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
4 Harpes
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
28
Fanfare
26
Orchestre d'harmonie
21
Cloches
16
Ensemble de cuivres
16
Orchestre à Cordes
14
Orchestre de chambre
9
Ensemble Jazz
6
Ensemble de Percussions
4
Marimba
4
Batterie
2
Jazz combo
2
Xylophone
1
Piano et Orchestre
1
Xylophone, Piano
1
+ 10 instrumentations
Retracter
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Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
HOW GREAT THOU ART
Violon
Partitions à imprimer
24 partitions trouvées
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1
How Great Thou Art
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1452299 By Martina McBride. By Stu…
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Violin Solo - Level 1 - Digital Download SKU: A0.1452299 By Martina McBride. By Stuart K. Hine and Traditional Swedish Folk Tune. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious. 1 pages. M das Melodias #1031622. Published by M das Melodias (A0.1452299). How Great Thou Art. Simple sheet music for this beautiful song that talks about God's love over all things. Sheet music for violin.
$4.99
4.6 €
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Violon
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Martina McBride
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Josiel Oliveira
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How Great Thou Art
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M das Melodias
#
SheetMusicPlus
HOW GREAT THOU ART, VIOLIN SOLO Intermediate Level
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.521929 Composed by Sweish Folk Son…
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Violin Solo - Level 2 - Digital Download SKU: A0.521929 Composed by Sweish Folk Song. Arranged by Sherry Lewis. Praise & Worship,Sacred,Spiritual. 4 pages. Sherry Lewis Publishing #6611927. Published by Sherry Lewis Publishing (A0.521929). HOW GREAT THOU ART, VIOLIN SOLO Intermediate Level Score:0 Parts: 1 pages Time: 1:45 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.95
4.56 €
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Violon
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Sweish Folk Song
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Sherry Lewis
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HOW GREAT THOU ART, VIOLIN SOLO Intermediate Level
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Sherry Lewis Publishing
#
SheetMusicPlus
50 Greatest Hymns for Solo Violin
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1513750 Composed by Various. Arran…
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Violin Solo - Level 2 - Digital Download SKU: A0.1513750 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 54 pages. Ben Dockery #1088443. Published by Ben Dockery (A0.1513750). These fifty classic hymns have been arranged for solo violin. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
13.82 €
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Violon
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Various
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B
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50 Greatest Hymns for Solo Violin
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Ben Dockery
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SheetMusicPlus
20 Greatest Hymns for Solo Violin
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1091007 Composed by Various. Arran…
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Violin Solo - Level 2 - Digital Download SKU: A0.1091007 Composed by Various. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. 22 pages. Ben Dockery #695157. Published by Ben Dockery (A0.1091007). These twenty classic hymns arranged for solo violin are easy enough for early-intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. A Mighty Fortress Is Our God, All Hail The Power Of Jesus’ Name, Amazing Grace, Be Thou My Vision, Blessed Assurance, Come, Thou Fount of Every Blessing, Come, Thou Long-Expected Jesus, He Leadeth Me, Holy, Holy, Holy, How Great Thou Art, It Is Well With My Soul, Jesus Paid It All, Jesus Loves Me, Just As I Am, Love Divine, All Loves Excelling, My Hope Is Built On Nothing Less, O For A Thousand Tongues To Sing, Rock Of Ages, To God Be The Glory, What A Friend We Have In Jesus.
$7.99
7.37 €
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Violon
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Various
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B
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20 Greatest Hymns for Solo Violin
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Ben Dockery
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SheetMusicPlus
How Great Thou Art (Violin Solo)
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1177970 Composed by Stuart K. Hine…
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Violin Solo - Level 1 - Digital Download SKU: A0.1177970 Composed by Stuart K. Hine. Arranged by Tyler Adams. Christian,Praise & Worship,Religious,Traditional. 1 pages. Adams Arrangements #777934. Published by Adams Arrangements (A0.1177970). How Great Thou Art melody transcribed for solo violin.
$1.99
1.83 €
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Violon
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Stuart K
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Tyler Adams
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How Great Thou Art
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Adams Arrangements
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SheetMusicPlus
How Great Thou Art Instrumental Violin Solo
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.770920 Arranged by Joshua Lancaste…
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Violin Solo - Level 3 - Digital Download SKU: A0.770920 Arranged by Joshua Lancaster, Byron Foxx. Christian,Gospel,Sacred. 5 pages. Bible Truth Music #4766525. Published by Bible Truth Music (A0.770920). Arranged by Josh Lancaster and Byron Foxx, this triumphant instrumental song for the intermediate violin player exalts the greatness of our God!
$9.95
9.17 €
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Violon
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Joshua Lancaster, Byron Foxx
#
#
How Great Thou Art Instrumental Violin Solo
#
Bible Truth Music
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SheetMusicPlus
How Great Thou Art - "O store Gud." - Easy Violin
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1155892 Composed by Carl Gustav Bo…
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Violin Solo - Level 1 - Digital Download SKU: A0.1155892 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Daniel H Rosa #756200. Published by Daniel H Rosa (A0.1155892). Easy Begginer solo.
$1.99
1.83 €
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Violon
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Carl Gustav Boberg /Stuart K Hine
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Daniel H Rosa
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How Great Thou Art - "O store Gud." - Easy Violin
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Daniel H Rosa
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SheetMusicPlus
How Great Thou Art (O Store Gud) - Violin and piano- Key of C
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1184280 By Tradicional Swedish Fol…
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Violin Solo - Level 1 - Digital Download SKU: A0.1184280 By Tradicional Swedish Folk Song. By Tradicional Swedish Folk Song. Arranged by LuÃs Gustavo Rossato. Celtic,Christian,Easter,Folk,Irish,Religious. 2 pages. LuÃs Gustavo Rossato #783996. Published by LuÃs Gustavo Rossato (A0.1184280). This is my arrangement of the song how Great Thou Art for Violin, witch chords marking.
$1.99
1.83 €
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Violon
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Tradicional Swedish Folk Song
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LuÃs Gustavo Rossato
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How Great Thou Art
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LuÃs Gustavo Rossato
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SheetMusicPlus
How Great Thou Art for violin solo
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.922694 Composed by Swedish Traditi…
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Violin Solo - Level 2 - Digital Download SKU: A0.922694 Composed by Swedish Traditional Melody. Arranged by Hitoshi Suzuki. Christian,Sacred. 1 pages. Hitoshi suzuki #6502077. Published by hitoshi suzuki (A0.922694). Hymn, How Great Thou Art, arranged into violin solo. .
$3.00
2.77 €
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Violon
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Swedish Traditional Melody
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Hitoshi Suzuki
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How Great Thou Art for violin solo
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hitoshi suzuki
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SheetMusicPlus
How Great Thou Art (O Store Gud) - Violin and piano- Key of C
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1184277 By Tradicional Swedish Fol…
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Violin Solo - Level 1 - Digital Download SKU: A0.1184277 By Tradicional Swedish Folk Song. By Tradicional Swedish Folk Song. Arranged by LuÃs Gustavo Rossato. Celtic,Christian,Early Music,Easter,Irish,Religious. 2 pages. LuÃs Gustavo Rossato #783993. Published by LuÃs Gustavo Rossato (A0.1184277). This is my arrangement of the song how Great Thou Art for Violin.
$1.99
1.83 €
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Violon
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Tradicional Swedish Folk Song
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LuÃs Gustavo Rossato
#
How Great Thou Art
#
LuÃs Gustavo Rossato
#
SheetMusicPlus
How Great Thou Art (Violin Solo)
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1051143 Composed by Traditional. A…
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Violin Solo - Level 2 - Digital Download SKU: A0.1051143 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. 1 pages. Ben Dockery #655429. Published by Ben Dockery (A0.1051143). Arranged for violin solo. Great for offertories, preludes, postludes, and recitals. Early intermediate level.
$2.99
2.76 €
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Violon
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Traditional
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B
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How Great Thou Art
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Ben Dockery
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SheetMusicPlus
How Great Thou Art - FOR EASY VIOLIN
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1420000 By Carl Boberg and Grace U…
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Violin Solo - Level 1 - Digital Download SKU: A0.1420000 By Carl Boberg and Grace UnHae Kwon. By Carl Boberg and Swedish Hymn. Arranged by Grace UnHae Kwon. Children,Christian,Praise & Worship,Religious,Sacred. 4 pages. GraceUnHaeKwon.com #1001428. Published by GraceUnHaeKwon.com (A0.1420000). How Great Thou Art - FOR EASY VIOLIN SOLO Written in G Major Difficulty: EASY Written for my students to practice skill sets: 16th notes, ties, and extended 4th finger (C natural on E string). This is the equivalent of Suzuki Book 2, Song 10, Gavotte Level. My sheet music has big print 2-page version for young students and a regular print 1-page version for older students. Arrangement: Grace UnHae Kwon.
$4.99
4.6 €
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Violon
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Carl Boberg and Grace UnHae Kwon
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Grace UnHae Kwon
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How Great Thou Art - FOR EASY VIOLIN
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GraceUnHaeKwon.com
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SheetMusicPlus
How Great Thou Art - Violin Solo (Unaccompanied)
Violon
Composed by Carl Boberg (text) and Swedish Folk Tune. Arranged by K.L. Phillips. Chr…
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Composed by Carl Boberg (text) and Swedish Folk Tune. Arranged by K.L. Phillips. Christian, Easter, Holiday, Praise & Worship, Sacred. 4 pages. K L Phillips #5789517. Published by K L Phillips
$3.99
3.68 €
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Violon
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Carl Boberg
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K
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Worship, Sacred
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How Great Thou Art - Violin Solo
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K L Phillips
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SheetMusicPlus
52 Easter Hymns for the Solo Performer - violin
Violon
Violin - Advanced Intermediate - Digital Download Composed by Various. Arranged by …
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Violin - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Solo Part. 54 pages. Published by KFS Publishing
From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.<br> <br> Song list:<br> <br> <br> Behold, the Lord to Zion Rides 27. Low in the Grave He Lay<br> <br> Hosanna, Loud Hosanna 28. God So Loved the World<br> <br> Palm Sunday 29. Crown Him With Many Crowns<br> <br> Triumphal Entry 30. Alive Again<br> <br> Lift Up Your Heads 31. Alle Meschen Mussen Sterben<br> <br> All Glory, Laud, and Honor 32. Thine Is the Glory<br> <br> How Great Thou Art 33. At Eastertime<br> <br> Come, Faithful People 34. The Day of Resurrection<br> <br> So Lowly Doth the Savior Ride 35. Beautiful Easter<br> <br> There Was a Time When Children Sang 36. Easter People, Raise Your Voices<br> <br> Go To Dark Gethsemane 37. Ascension Hymn<br> <br> Let Us Break Bread Together 38. Brighter Are the Sunbeams<br> <br> Jesus Paid It All 39. Resurrexit<br> <br> When I Survey the Wondrous Cross 40. He Is Risen<br> <br> Down at the Cross 41. The Bell of Easter<br> <br> There is a Fountain 42. Easter Carol<br> <br> Near the Cross 43. Cristo Vive<br> <br> What Wondrous Love Is This 44. The Easter Dawn<br> <br> Alas and Did My Savior Bleed 45. Easter, Joyous Easter<br> <br> And Can It Be 46. We Welcome Glad Easter<br> <br> Blessed Redeemer 47. Easter Visits Earth Again<br> <br> The Way of the Cross Leads Home 48. Glad Easter Morn<br> <br> They Led My Lord Away 49. Hark, the Springtide Breezes<br> <br> Crucifixion Spiritual 50. Sweet Easter-Time<br> <br> Christ the Lord Is Risen Today 51. Look, Ye Saints!<br> <br> Rock of Ages 52. The Song of the MorningFrom Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.<br> <br> Song list:<br> <br> <br> Behold, the Lord to Zion Rides 27. Low in the Grave He Lay<br> <br> Hosanna, Loud Hosanna 28. God So Loved the World<br> <br> Palm Sunday 29. Crown Him With Many Crowns<br> <br> Triumphal Entry 30. Alive Again<br> <br> Lift Up Your Heads 31. Alle Meschen Mussen Sterben<br> <br> All Glory, Laud, and Honor 32. Thine Is the Glory<br> <br> How Great Thou Art 33. At Eastertime<br> <br> Come, Faithful People 34. The Day of Resurrection<br> <br> So Lowly Doth the Savior Ride 35. Beautiful Easter<br> <br> There Was a Time When Children Sang 36. Easter People, Raise Your Voices<br> <br> Go To Dark Gethsemane 37. Ascension Hymn<br> <br> Let Us Break Bread Together 38. Brighter Are the Sunbeams<br> <br> Jesus Paid It All 39. Resurrexit<br> <br> When I Survey the Wondrous Cross 40. He Is Risen<br> <br> Down at the Cross 41. The Bell of Easter<br> <br> There is a Fountain 42. Easter Carol<br> <br> Near the Cross 43. Cristo Vive<br> <br> What Wondrous Love Is This 44. The Easter Dawn<br> <br> Alas and Did My Savior Bleed 45. Easter, Joyous Easter<br> <br> And Can It Be 46. We Welcome Glad Easter<br> <br> Blessed Redeemer 47. Easter Visits Earth Again<br> <br> The Way of the Cross Leads Home 48. Glad Easter Morn<br> <br> They Led My Lord Away 49. Hark, the Springtide Breezes<br> <br> Crucifixion Spiritual 50. Sweet Easter-Time<br> <br> Christ the Lord Is Risen Today 51. Look, Ye Saints!<br> <br> Rock of Ages 52. The Song of the Morning
$25.00
23.05 €
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Violon
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Various
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52 Easter Hymns for the Solo Performer - violin
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KFS Publishing
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SheetMusicPlus
How Great Thou Art - Violin by Stuart K. Hine - Violin Solo
Violon
How Great Thou Art - Violin Digital Sheetmusic - instantly downloadable sheet music plus a…
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How Great Thou Art - Violin Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo, instruments: Violin; 1 pages -- Christian~~Hymn~~Traditional
$2.99
2.76 €
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Violon
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Violin by Stuart K. Hine
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Musicnotes
How Great Thou Art by ViolinAround - Violin Solo
Violon
Sheet Music for How Great Thou Art by ViolinAround arranged for Instrumental Solo in C Maj…
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Sheet Music for How Great Thou Art by ViolinAround arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes. --
$3.99
3.68 €
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Violon
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Violin Solo
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Musicnotes
How Great Thou Art (In the Style of Vivaldi's Four Seasons) by Hello Violin - Violin Solo
Violon
Performed by: Hello Violin: How Great Thou Art (In the Style of Vivaldi's Four Season…
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Performed by: Hello Violin: How Great Thou Art (In the Style of Vivaldi's Four Seasons) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Violin; 4 pages -- Classical~~Church~~Praise & Worship~~Solo Instrumental~~Christian~~Baroque
$4.99
4.6 €
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Violon
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Hello Violin
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Violin Solo
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Musicnotes
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violin I
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018895 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018895 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6056123. Published by Benjamin Sajo (A0.1018895). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Violon
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violin I
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violin II
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018896 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018896 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6056127. Published by Benjamin Sajo (A0.1018896). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Violon
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violin II
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Benjamin Sajo
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.66 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.74 €
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Violon
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Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violon
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
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The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.74 €
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Violon
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Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
36 Melodious and Easy Studies
Violon
Violin - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This…
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Violin - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This edition: Sheet music. Essential Exercises. Downloadable. Op. 84. Schott Music - Digital #Q11448. Published by Schott Music - Digital
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.<br> Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form. Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.<br> Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form. Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.
$16.99
15.66 €
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Violon
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Charles Dancla (1817-1907)
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36 Melodious and Easy Studies
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Schott Music - Digital
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SheetMusicPlus
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HOW GREAT THOU ART
