Partitions Numériques de I Remember pour Violon

I Remember

What I Remember Most

What I Remember Most
Violon

Violin Solo - Level 3 - Digital Download SKU: A0.940993 Composed by Amelia James. C…(+)

Violin Solo - Level 3 - Digital Download SKU: A0.940993 Composed by Amelia James. Contemporary. 2 pages. Amelia Marie James #4319149. Published by Amelia Marie James (A0.940993). Composed for my grandmother only a month before she passed away, What I Remember Most is a musical story of childhood memories. Written for solo violin, the music conveys harmony and melody simultaneously through a variety of contemporary styles. Must be able to play in fourth position.
$10.00 9.2 € #Violon #Amelia James #What I Remember Most #Amelia Marie James #SheetMusicPlus

#What I Remember Most

Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again â€¦ When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composersâ€™ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-SaÃ«ns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.

Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy
Violon

By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publi…(+)

By Carol Ann Ledbetter-White. For Violin. All Styles. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112025. Aerobics and Warm-Ups for Fiddlers and Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximum benefit from a minimum of effort. Aerobics and Warm-Ups for Fiddlers and Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales and exercises on myself for six months, faithfully using them for about 20 minutes as warm-ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking, "I will never be able to play faster than this." But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used these exercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believe that these exercises, when faithfully practiced, will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity, clarity of notes, tone, bowing-arm control, intonation, double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.
$17.99 16.56 € #Violon #Carol Ann Ledbetter-White #Aerobics and Warm-Ups for Fiddlers and Violinists Made Easy #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus