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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Instead
Non classifié
385
Piano & claviers
Piano seul
239
Piano Facile
99
Piano, Voix
76
Piano, Voix et Guitare
56
Accompagnement Piano
26
Instruments en Do
18
Orgue
13
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
3
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
26
Ukulele
22
Basse electrique
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
5
Dulcimer
4
4 Guitares (Quatuor)
3
Paroles et Accords
3
Piano, Guitare (duo)
1
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
113
Chorale 3 parties
31
Chorale 2 parties
21
Chorale Unison
19
Chorale TTBB
14
Chorale SSAA
12
Voix duo, Piano
5
Voix seule
4
Chorale
2
Voix duo
2
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
Voix Tenor
1
Voix haute
1
Chorale SSAATTBB
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Quatuor de Saxophones: 4 saxophones
45
Quatuor de Clarinettes: 4 clarinettes
35
Flûte à bec Soprano
25
Quatuor de Flûtes : 4 flûtes
25
Flûte, Hautbois, Clarinette, Basson
20
Flûte traversière
16
Saxophone (partie séparée)
15
2 Saxophones (duo)
14
2 Clarinettes (duo)
12
Flûte à bec Alto
12
2 Flûtes traversières (duo)
12
Quintette de Saxophone: 5 saxophones
11
Clarinette
10
Flûte traversière et Piano
9
Hautbois, Piano (duo)
8
Saxophone Alto
7
Ensemble de Flûtes
6
Clarinette et Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Trio de Flûtes: 3 flûtes
5
Saxophone Tenor
5
Ensemble de Clarinettes
5
Ensemble de saxophones
4
Flute, harpe et violon
3
Hautbois, Basson (duo)
3
3 Saxophones (trio)
3
Hautbois
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto, Basse continue
2
5 Flûtes à bec
2
Clarinette, Basson (duo)
2
Flûte, Alto (duo)
2
Flûte à Bec
2
Quintette de Flûte : 5 flûtes
2
Saxophone Alto et Piano
2
Saxophone, Clarinette (duo)
2
3 Clarinettes (trio)
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes à bec
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte et Guitare
1
Cor anglais, Guitare (duo)
1
Saxophone
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Flûte, Violon
1
Hautbois, Flûte
1
Hautbois, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
Flute (partie séparée)
1
Flûte, Saxophone (duo)
1
Clarinette, Violon (duo)
1
Flûte, alto et harpe
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Hautbois (partie séparée)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette (duo)
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trombone (partie séparée)
12
Trompette (partie séparée)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de Cuivres
7
Trompette
7
Trompette, Piano
6
Quatuor de cuivres: 4 cors
5
Trombone
4
2 Trompettes (duo)
4
Cor
4
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Trompette, Saxophone (duo)
3
Cor et Piano
3
Cor (partie séparée)
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
2
Trombone et Piano
2
Trompette, Trombone (duo)
2
Tuba (partie séparée)
2
2 Trombones (duo)
2
Tuba
1
3 Euphoniums
1
Trio de Cuivres
1
Cor anglais, Guitare (duo)
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Ensemble de Trombones
1
Ensemble de Cors
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
89
Trio à Cordes: violon, alto, violoncelle
28
Violon
20
Harpe
17
Violon et Piano
16
2 Violons (duo)
13
Trio à cordes: 3 violins
10
Alto seul
10
2 Altos (duo)
7
Violoncelle
7
Violon, Violoncelle (duo)
7
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, alto
5
Alto, Piano
5
2 Violoncelles (duo)
5
Contrebasse (partie séparée)
4
Violoncelle, Piano
4
Trio à Cordes: 2 violons, violoncelle
4
4 Violoncelles
3
Contre Basse
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
3 Harpes
1
Violoncelle, Orgue
1
Ensemble de Violons
1
Ensemble d'Altos
1
Alto et Basson
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
58
Orchestre à Cordes
44
Ensemble Jazz
36
Orchestre
28
Orchestre de chambre
12
Ensemble de cuivres
12
Ensemble de Percussions
9
Cloches
9
Batterie
9
Jazz combo
7
Quatuor à Vent : 4 instruments à vents
4
Batterie (partie séparée)
3
Quintette à Vent
3
Fanfare
1
+ 9 instrumentations
Retracter
Autres
Théorie de la musique
1
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Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Musicnotes
Note4Piano
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Violon
Partitions à imprimer
20 partitions trouvées
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1
Swinstead : Sailor's Song
Violon
Téléchargez la partition Violon Sailor's Song de Swinstead. Partition p…
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Téléchargez la partition Violon Sailor's Song de Swinstead. Partition pour Violon avec piano d‘accompagnement -- Musique du monde
1.99 €
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Violon
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Swinstead
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Sailor's Song
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Tomplay
I'll Cry Instead
Violon
Interactive Download SKU: HX.342665 By The Beatles. This edition: Interactive Downl…
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Interactive Download SKU: HX.342665 By The Beatles. This edition: Interactive Download. Pop,Rock. Violin Solo. 1 pages. Published by Hal Leonard - Digital (HX.342665).
$2.99
2.76 €
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Violon
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The Beatles
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I'll Cry Instead
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Hal Leonard - Digital
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SheetMusicPlus
I'll Cry Instead by The Beatles - Violin Solo
Violon
Performed by: The Beatles: I'll Cry Instead Digital Sheetmusic - instantly downloadab…
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Performed by: The Beatles: I'll Cry Instead Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Violin; 1 pages -- Country~~Pop~~Rock~~British Invasion~~Folk-Rock~~Pop Rock~~Rock & Roll
$2.99
2.76 €
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Violon
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The Beatles
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Violin Solo
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Musicnotes
Preludio de la Suche Malinche
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1514913 Composed by Ave Asán. 21s…
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Violin Solo - Level 4 - Digital Download SKU: A0.1514913 Composed by Ave Asán. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 30 pages. Editorial Copistas Acuario #1089409. Published by Editorial Copistas Acuario (A0.1514913). Esta pieza está inspirada en la Suche Malinche, uno de los personajes de “El Güegüense o Macho Ratón”, obra de teatro nicaragüense y además Patrimonio Oral e Inmaterial de la Humanidad. En dicha obra, el Güegüense convence al Gobernador Tastuanes (padre de la Suche Malinche) para que case a la muchacha con uno de sus hijos (Don Forcico). El Preludio de la Suche Malinche surge de la necesidad de empoderar a esta mujer, cuya función en El Güegüense es la de ser un instrumento para acceder al poder. Ni su voz ni su voluntad existen. Es por eso que en la pieza, La Suche (representada por la violinista) empieza a cuestionarse por su silencio, y le reza a Guachán (San Sebastián, santo patrono de Carazo); pero en vez del santo, se le aparece Quetzalcóatl, quien le da valor y fuerza. Poco a poco ella siente cómo surge su voz, alternada con vocales y sonidos reiterados, que se mezclan con un violín impetuoso, hasta que en ella se construye el habla y termina diciendo : “Ya neme nequi nitipampa” (Yo estoy aquí, defendiendo mi causa). ----------------------------------------------This piece is inspired by Suche Malinche, one of the characters of “El Güegüense o Macho Ratón”, a Nicaraguan play and also Oral and Intangible Heritage of Humanity. In this play, the Güegüense convinces Governor Tastuanes (Suche Malinche’s father) to marry the girl to one of his sons (Don Forcico). The Suche Malinche Prelude arises from the need to empower this woman, whose function in El Güegüense is to be an instrument to gain access to power. Neither her voice nor her will exist. That is why in the piece, La Suche (represented by the violinist) begins to question her silence, and prays to Guachán (San Sebastián, patron saint of Carazo); but instead of the saint, Quetzalcóatl appears to her, giving her courage and strength. Little by little she feels how her voice emerges, alternating with vowels and reiterated sounds, which are mixed with an impetuous violin, until she builds her speech and ends up saying: “Ya neme nequi nitipampa” (I am here, defending my cause.).
$9.99
9.21 €
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Violon
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Ave Asán
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Preludio de la Suche Malinche
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Editorial Copistas Acuario
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SheetMusicPlus
Giant Steps
Violon
Violin Solo - Digital Download SKU: A0.1381851 By John Coltrane. By John Coltrane. …
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Violin Solo - Digital Download SKU: A0.1381851 By John Coltrane. By John Coltrane. Arranged by Katsumi WF. Instructional,Jazz. 5 pages. Katsumi WF #966502. Published by Katsumi WF (A0.1381851). Giant Steps - Transcribed solo ( starts to 2:54 ) by Katsumi WF violinist. Used the same note range as the Coltrane's Saxophone Solo sound and adjusted to violin note range that is possible to play by violin half position to 1st position only. ( But it's not for beginner! ) Some of the notations are written by #s with #chourds instead of the flat chords to make phrasing more comfortable for the violinists. Those are not the best way to write if I needed to follow the western classical musical theory. Although, I wrote that way for tons of reasons. Just discuss with your musicians or mentors and then find a better way for you.This music sheet might be used for understanding / learning the ideas of phrasing he improvised, not just for performing the same solo to show off! Thank you for reaching out to this music sheet. ( I published the Viola version & the higher note range violin version that can be played by half to 4th positionsas as well.  Please check it too. )YouTube Link : https://youtu.be/30FTr6G53VU
$4.99
4.6 €
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Violon
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John Coltrane
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Katsumi WF
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Giant Steps
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Katsumi WF
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SheetMusicPlus
Giant Steps
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1277605 By John Coltrane. By John …
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Violin Solo - Level 3 - Digital Download SKU: A0.1277605 By John Coltrane. By John Coltrane. Arranged by Katsumi WF. Jazz. 5 pages. Katsumi WF #869283. Published by Katsumi WF (A0.1277605). Giant Steps - Transcribed solo ( starts to 2:54 ) by Katsumi WF violinist.  Some of the notations are written by #s with #chourds instead of the flat chords to make phrasing more confortable for the violinists. Those are not the best way to write if I needed to follow the westen classical musical theory. Although, I wrote that way for tons of reasons. Just discuss with your musicians or mentors and then take better way for you.  This musicsheet might be used for understanding / learning the ideas of phrasing he improvised, not just for performing the same solo to show off! Thank you for reaching out to this musicsheet.Â
$4.99
4.6 €
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Violon
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John Coltrane
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Katsumi WF
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Giant Steps
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Katsumi WF
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SheetMusicPlus
Choros No 1
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lo…
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Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
7.37 €
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Violon
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
Sleepwalker
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1306871 By Ava Max. By Alexander I…
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Violin Solo - Level 5 - Digital Download SKU: A0.1306871 By Ava Max. By Alexander Izquierdo, Amanda Koci, Ava Max, Henry Walter, Jonas Jeberg, Marcus Lomax, Mats Fredrik Berntoft, Ritwik Vyas, Sean Douglas, Sean Douglass, and Silje Nymoen. Arranged by Dan Edwards. 21st Century,Contemporary,Pop,Singer/Songwriter. 2 pages. Arr. Dan Edwards #896207. Published by arr. Dan Edwards (A0.1306871). Sleepwalker by Ava Max, arranged for violin solo by Dan Edwards. Don't freak out about the glissandos in the guitar solo: just do what you can to make it work. I've notated them as they are (more or less) in the original song, but you could just do little slides instead, or omit them completely if you're not convinced!Duration: 3 minutes 11 seconds (including repeat).Dan Edwards is a prize-winning composer, arranger, producer and multi-instrumentalist, and for years was the Staff Arranger for the orchestra at Buckingham Palace. He studied the cello with Richard Markson at Trinity College of Music, London.Please contact me through my website or social media if you would like any changes made to any of my arrangements. For example: mistakes, keys, clefs, difficulty, instrumentation, etc.
$4.99
4.6 €
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Violon
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Ava Max
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Dan Edwards
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Sleepwalker
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arr. Dan Edwards
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SheetMusicPlus
Missa Pro Defunctis (2018) violin 2 part
Violon
Violin Solo - Digital Download SKU: A0.869587 Composed by Thomas Oboe Lee. Contempo…
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Violin Solo - Digital Download SKU: A0.869587 Composed by Thomas Oboe Lee. Contemporary. 15 pages. Thomas Oboe Lee #3583415. Published by Thomas Oboe Lee (A0.869587). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99
1.83 €
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Violon
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Missa Pro Defunctis (2018) violin 1 part
Violon
Violin Solo - Digital Download SKU: A0.869585 Composed by Thomas Oboe Lee. Contempo…
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Violin Solo - Digital Download SKU: A0.869585 Composed by Thomas Oboe Lee. Contemporary. 15 pages. Thomas Oboe Lee #3583413. Published by Thomas Oboe Lee (A0.869585). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 27 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99
1.83 €
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Violon
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Octet for Strings (2020) violin II part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869665 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869665 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888351. Published by Thomas Oboe Lee (A0.869665). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.83 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Octet for Strings (2020) violin III part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869664 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869664 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888355. Published by Thomas Oboe Lee (A0.869664). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.83 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Octet for Strings (2020) violin I part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869662 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869662 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888349. Published by Thomas Oboe Lee (A0.869662). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.83 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Co-Incidence
Violon
Violin - Digital Download SKU: S9.Q7009 Fügung. Composed by Jean Guillou.…
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Violin - Digital Download SKU: S9.Q7009 Fügung. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 63. Duration 9 minutes. Schott Music - Digital #Q7009. Published by Schott Music - Digital (S9.Q7009). Co-incidence is a work that opens onto an anacrusi made of two notes, the main element of everything that will happen. These first two notes falling like two short blasts thrown into space will evolve in a more and more resolute manner. The bass string of the violin is tuned to the notes E instead of G, giving the instrument a close to the Viola range, and allowing the creation of an atmosphere of a dark and dramatic lyricism, interrupted by a new theme Presto and light, that we will find again at the lightning conclusion. (Jean Guillou).
$13.99
12.9 €
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Violon
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Jean Guillou
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Co-Incidence
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Schott Music - Digital
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SheetMusicPlus
Octet for Strings (2020) violin IV part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869661 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869661 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888357. Published by Thomas Oboe Lee (A0.869661). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.83 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Irish Fiddle Solos
Violon
(64 Pieces for Violin). Composed by Peter Cooper. For Fiddle. Celtic/Irish. Intermediate. …
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(64 Pieces for Violin). Composed by Peter Cooper. For Fiddle. Celtic/Irish. Intermediate. E-book. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652742. This collection includes many favourite Irish fiddle tunes. Some are easy to play, others more challenging. The bowing techniques, ornamentation and other aspects of playing style summarized in the introduction will be familiar to readers of Pete's earlier book, the Complete Irish Fiddle Player, as will source musicians like Julia Clifford, Tommy Peoples, Lucy Farr, John Doherty and Padraig O'Keeffe. Here though, instead of proceeding in fiddle method style from simpler to more complex tunes, regional repertoire and styles are explored. Grouped in sets for performance, the tunes from any one tradition can be of varying levels of difficulty. Less experienced players may find sets 5, 6 and 29, for example, quite approachable, as well as the first reel in set 14 and the second single jig in set 15. All tunes included on companion audio. Includes access to online audio.ISBN 9781610652742. This collection includes many favourite Irish fiddle tunes. Some are easy to play, others more challenging. The bowing techniques, ornamentation and other aspects of playing style summarized in the introduction will be familiar to readers of Pete's earlier book, the Complete Irish Fiddle Player, as will source musicians like Julia Clifford, Tommy Peoples, Lucy Farr, John Doherty and Padraig O'Keeffe. Here though, instead of proceeding in fiddle method style from simpler to more complex tunes, regional repertoire and styles are explored. Grouped in sets for performance, the tunes from any one tradition can be of varying levels of difficulty. Less experienced players may find sets 5, 6 and 29, for example, quite approachable, as well as the first reel in set 14 and the second single jig in set 15. All tunes included on companion audio. Includes access to online audio.
$14.99
13.82 €
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Violon
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Peter Cooper
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Irish Fiddle Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Beatles: I'll Cry Instead - violin solo
Violon
Instantly printable sheet music by The Beatles for violin solo of MEDIUM skill level. / po…
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Instantly printable sheet music by The Beatles for violin solo of MEDIUM skill level. / pop,rock
$2.97
2.74 €
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Violon
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The Beatles
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Virtualsheetmusic
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.66 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.74 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
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The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.74 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
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