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Melodic Variations
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7 partitions trouvées
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Halloween Theme
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Violon
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INTERMÉDIAIRE
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Halloween
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John Carpenter
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Tales Souza
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Halloween Theme
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Othello Music Publishing
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1507413 By John Carpenter. By John Carpenter. Arranged by Tales Souza. Halloween. 2 pages. Othello Music Publishing #108...
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Violin Solo - Level 3 - SKU: A0.1507413 By John Carpenter. By John Carpenter. Arranged by Tales Souza. Halloween. 2 pages. Othello Music Publishing #1082818. Published by Othello Music Publishing (A0.1507413). This piano and violin arrangement for the Halloween theme captures the essence of the dark and mysterious atmosphere of the season, creating an engaging and dramatic mood. The piano's sharp and tense chords provide a solid rhythmic foundation, while the violin adds expressive melodic layers, with subtle variations between rising tension and hauntingly lyrical passages.The piece is built on minor harmonies and carefully crafted dissonances, evoking a sense of suspense, as if something lurks in the shadows. The dialogue between the piano and violin is balanced, contributing to a compelling musical narrative.This arrangement is ideal for themed concerts, Halloween events, and performances that call for an ambiance filled with mystery and intense emotion.
$4.99
HYMNSONG
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Violon
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INTERMÉDIAIRE
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Contemporain
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James F
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piano accompaniment
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HYMNSONG
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James Babcock
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1017133 Composed by James F. Babcock. Contemporary. 22 pages. James Babcock #6065385. Published by James Babcock (A0.101...
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Violin Solo - Level 3 - SKU: A0.1017133 Composed by James F. Babcock. Contemporary. 22 pages. James Babcock #6065385. Published by James Babcock (A0.1017133). For violin with piano accompaniment. 22 pgs. In the form of an etude, this piece consists of a simple theme with numerous variations, somewhat like Paganini’s famous Caprice 24. Of intermediate technical difficulty, it offers double stops, tremolo, and various bowings. For performance it can be played as is or it can easily be shortened by omission of one or more passages. It is included in the From Childhood collection, which is also available on SMP (SO.876527) Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$7.70
TRAVELS ABROAD
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James F
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TRAVELS ABROAD
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James Babcock
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1017142 Composed by James F. Babcock. Contemporary. 53 pages. James Babcock #6065421. Published by James Babcock (A0.101...
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Violin Solo - Level 4 - SKU: A0.1017142 Composed by James F. Babcock. Contemporary. 53 pages. James Babcock #6065421. Published by James Babcock (A0.1017142). TRAVELS ABROAD – Piano accompaniment only. 35 pgs. (Violin part. 15 pgs. Sold separately SO.876523) Four intermediate to advanced violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) AMBIENTE DE TABERNA. (SO.876359) A difficult recital showpiece with dramatic Spanish themes evoking the ambience of a tavern and its flamenco dancers. (2) ORENSKI IN BUCHAREST. (SO.876509) Of intermediate difficulty, the piece honors a Rumanian refugee who created a leading novelties business in the U.S. and introduced the composer to vexillology-flag study-as a hobby. (3) TO VODKA. (SO.876513) Of intermediate difficulty, this set of variations becomes progressively more hectic and ends with a burp. In an otherwise serious recital, it can serve as an entertaining interlude. But not for playing while inebriated. (4) O AMIGO DA ONÇA. (SO.876507) A difficult concert showpiece. Modernistic, it evokes the Brazilian jungle and its tiger, the onça. The title refers to a classic Brazilian anecdote: A man is explaining how to escape from a tiger and his friend keeps presenting obstacles to be overcome, to which the man in frustration finally exclaims, Hey! Are you my friend or the friend of the tiger?! The piece has a few obstacles of its own. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$18.55
FROM CHILDHOOD four pieces for violin
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Violon
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FACILE
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Contemporain
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James F
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FROM CHILDHOOD four pieces for
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James Babcock
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1017149 Composed by James F. Babcock. Contemporary. 15 pages. James Babcock #6350285. Published by James Babcock (A0.101...
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Violin Solo - Level 2 - SKU: A0.1017149 Composed by James F. Babcock. Contemporary. 15 pages. James Babcock #6350285. Published by James Babcock (A0.1017149). FROM CHILDHOOD – Violin part only. 15 pgs. (Piano accomp. 35 pgs. Sold separately. ) Four easy to Intermediate violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) MARGARET DANCING. (SO. ) Like a Beethoven song and country dance, this piece offers pleasing melodies for the beginner who is well along, both to study and to perform in recital. (2) MUSICBOX. (SO. ) This short easy piece imitates the sound of a music box, including its running down at the end. For instruction it can serve to introduce the student to light staccato bowing or up and down slurred staccato bowing. For performance it can serve as an amusing interlude. (3) HYMNSONG. (SO. ) In the form of an etude, this piece consists of a simple theme with numerous variations, somewhat like Paganini’s famous Caprice 24. Of intermediate difficulty, it offers double stops, tremolo, and various bowings. For performance it can be played as is or it can easily be shortened by omission of one or more passages. (4) MOTHER’S STORIES. (SO. ) Varying from sweet to dramatic, this simple composition offers an opportunity for emotional interpretation. Intermediate from that standpoint, It is otherwise basically easy. A nice recital piece. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$5.25
TO VODKA
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Violon
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INTERMÉDIAIRE
#
Contemporain
#
James F
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TO VODKA
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James Babcock
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1017139 Composed by James F. Babcock. Contemporary. 15 pages. James Babcock #6065415. Published by James Babcock (A0.101...
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Violin Solo - Level 3 - SKU: A0.1017139 Composed by James F. Babcock. Contemporary. 15 pages. James Babcock #6065415. Published by James Babcock (A0.1017139). For violin with piano accompaniment. 15 pgs. Of intermediate difficulty, this set of variations becomes progressively more hectic and ends with a burp. In an otherwise serious recital, it can serve as an entertaining interlude. But not for playing while inebriated. The piece is included among the four pieces in the Travels Abroad collection, which is also available on SMP (SO.876523). Your compositions are charming and melodic, useful both for training and performance. -Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$5.25
TRAVELS ABROAD
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Violon
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
James F
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TRAVELS ABROAD
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James Babcock
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1017143 Composed by James F. Babcock. Contemporary. 23 pages. James Babcock #6065425. Published by James Babcock (A0.101...
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Violin Solo - Level 4 - SKU: A0.1017143 Composed by James F. Babcock. Contemporary. 23 pages. James Babcock #6065425. Published by James Babcock (A0.1017143). – Violin part only. 15 pgs.(Piano accomp. 35 pgs. Sold separately SO.876519) Four intermediate to advanced violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) AMBIENTE DE TABERNA. (SO.876359) A difficult recital showpiece with dramatic Spanish themes evoking the ambience of a tavern and its flamenco dancers. (2) ORENSKI IN BUCHAREST. (SO.876509) Of intermediate difficulty, the piece honors a Rumanian refugee who created a leading novelties business in the U.S. and introduced the composer to vexillology-flag study-as a hobby. (3) TO VODKA. (SO.876513) Of intermediate difficulty, this set of variations becomes progressively more hectic and ends with a burp. In an otherwise serious recital, it can serve as an entertaining interlude. But not for playing while inebriated. (4) O AMIGO DA ONÇA. (SO.876507) A difficult concert showpiece. Modernistic, it evokes the Brazilian jungle and its tiger, the onça. The title refers to a classic Brazilian anecdote: A man is explaining how to escape from a tiger and his friend keeps presenting obstacles to be overcome, to which the man in frustration finally exclaims, Hey! Are you my friend or the friend of the tiger?! The piece has a few obstacles of its own. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$8.05
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Violon
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). ...
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Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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