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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Over the Course of Time
Non classifié
61
Piano & claviers
Piano seul
35
Piano, Voix
20
Piano, Voix et Guitare
3
Piano Facile
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Ensemble d'Accordéons
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 3 instrumentations
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Guitares
Mandoline
3
Ukulele
2
Guitare notes et tablatures
1
Basse electrique
1
Guitare
1
Voix
Chorale SATB
9
Chorale 2 parties
1
Chorale SSAA
1
Voix duo, Piano
1
Chorale 3 parties
1
Chorale TTBB
1
+ 1 instrumentations
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Vents
2 Saxophones (duo)
5
Saxophone Alto et Piano
5
Saxophone Soprano et Piano
5
Flûte traversière et Piano
5
Saxophone Tenor et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette
4
Saxophone Baryton, Piano
4
Clarinette et Piano
4
Hautbois, Piano (duo)
3
Saxophone, Clarinette (duo)
3
Cor anglais, Piano
3
2 Clarinettes (duo)
2
Clarinette, Trompette (duo)
2
2 Flûtes traversières (duo)
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette Basse, Piano
2
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Flûte
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette (duo)
1
Clarinette et Alto
1
+ 27 instrumentations
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Cuivres
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor anglais, Piano
3
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor et Piano
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
Trompette, Piano
1
Trombone
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
2 Trompettes (duo)
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Alto, Piano
7
Violon, Violoncelle (duo)
5
Violon
3
Violon et Piano
3
2 Violons (duo)
2
Harpe, Flûte (duo)
2
Violon, Alto (duo)
2
2 Altos (duo)
2
Violoncelle, Piano
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
Harpe
1
Alto (partie séparée)
1
Alto seul
1
Trio à Cordes: 2 violons, violoncelle
1
+ 11 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
6
Ensemble Jazz
5
Orchestre
3
Cloches
2
Orchestre à Cordes
1
Orchestre de chambre
1
+ 1 instrumentations
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Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
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Over the Course of Time
Violon
Partitions à imprimer
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The Westwood Harmonic Summer Dance
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Violon
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INTERMÉDIAIRE
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Jacob Litoff
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The Westwood Harmonic Summer D
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). ...
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Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
Violin Concerto, opus 129 (2009) for violin solo and orchestra
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe ...
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Violin Solo - Level 4 - SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99
Pachelbel: Canon for Solo Violin
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Violon
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Solo Viol
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jmsgu3
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.552084 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 2 pages. Jms...
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Violin Solo - Level 3 - SKU: A0.552084 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 2 pages. Jmsgu3 #6116383. Published by jmsgu3 (A0.552084). The famous wedding classic arranged for Solo Violin.Duration 2:12Score: 2 pages. The famous Pachelbel Canon arranged for Solo Violin. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$44.95
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