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Vous avez sélectionné:
Reminiscences
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Violon
Partitions à imprimer
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Jumping In The Bay for Violin alone
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Violon
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Contemporain
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Brian S
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Jumping In The Bay for Violin
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G. Meredith Publications
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SheetMusicPlus
Violin Solo - SKU: A0.843809 Composed by Brian S. Wilson. Contemporary. 3 pages. G. Meredith Publications #6441637. Published by G. Meredith Publication...
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Violin Solo - SKU: A0.843809 Composed by Brian S. Wilson. Contemporary. 3 pages. G. Meredith Publications #6441637. Published by G. Meredith Publications (A0.843809). Jumping In The Bay for Violin alone; reminiscences of Lake Winnepesaukee with tempo and expression makings such as splash, dive, tan, and 85 degrees and humid! .
$4.99
Cattle Ranch Moon
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Violon
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AVANCÉ
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Contemporain
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Ted Allen
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Cattle Ranch Moon
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Western Meadowlark Song
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.947786 Composed by Ted Allen. 20th Century,Contemporary. 7 pages. Western Meadowlark Song #2151043. Published by Western...
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Violin Solo - Level 5 - SKU: A0.947786 Composed by Ted Allen. 20th Century,Contemporary. 7 pages. Western Meadowlark Song #2151043. Published by Western Meadowlark Song (A0.947786). Cattle Ranch Moon was originally written for baroque violin. Set in four short movements, the piece combines a nostalgic look at the mythical American West with a violin idiom reminiscent of 17th century Italian composers such as G. B. Fontana. The piece covers a wide expressive range, from slow wistful melodies to flashy baroque passage work. The mp3 file contains the 3rd and 4th movements. www.wmlsong.com
$10.00
Three Movements for Solo Violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Watson
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Three Movements for Solo Violi
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James Watson
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945).
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Violin Solo - Level 4 - SKU: A0.923945 Composed by James Watson. 20th Century. 6 pages. James Watson #3046553. Published by James Watson (A0.923945). This is a three movement pantonal work for unaccompanied solo violin. Each movement has it's own personality and character. The first begins freely and expressively in the beginning and builds momentum to a somewhat sporadic series of various motivic manipulations, ending in an aggressive, accelerating repetition of the motif, which can be heard in various places of the following two movements. The second movement, somewhat more quirky, is meant to provoke a sense of temporary confusion and disorientation. The pizzicato open G in the first few measures is the disorienting element, interrupting the melody every few beats. The rest of the piece gradually becomes more and more playful before slowing down as if unsure what lies ahead.The third movement is the shortest of the three. It begins very eerily and slightly chilling with a downward glissando on artificial and natural harmonics. It almost seems as if a character in a story is lost in an unfamiliar place, trying to find the way home. As the movement progresses, it builds in expression and intensity the way a light in the distance becomes closer as one walks closer to it. From this climax, to the end, it becomes gradually softer and slower, mimicking the burning embers of a dying fire, reminiscing of warmth and comfort.
$10.00
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