ISBN 9781609749385. Presents much needed repertoire on the A,E,D, and G strings in the keys of A,D, and G, in addition to providing a wealth of finger strengthening and dexterity-building studies. Ideal Suzuki supplement. This edition in the Building Excellence Series presents a carefully graded progression of 85 short exercises divided into 18 lessons on technique, including duet playing. Includes photos of proper finger positions and artwork which will help keep the interest of the student and helps indicate progress. Each lesson also includes helpful, easy-to-understand explanation of musical principles.

ISBN 9781609743444. An advanced-level violin method supplement for both professional and amateur violinists. The studies in this book are more intensive and powerful than most traditional violin studies. Double-stop trills are introduced here for technical training, and the finger stretching exercises for the left hand are pushed to the limit. The mixed single-stops, double-stops, and chords are also highly effective bowing exercises. All these innovative studies offer a great opportunity for students to build up their technique more efficiently. In some studies, a new synthesis of Eastern and Western music is shown, unveiling a new type of music to Western audience.

ISBN 9781619112025. Aerobics and Warm-Ups for Fiddlers and Violinists is not for the sophisticated violinist with years of classical training. It has been created especially for the more casual player who is sincerely interested in getting maximum benefit from a minimum of effort. Aerobics and Warm-Ups for Fiddlers and Violinists helps to fill this need for technical studies applicable to both the worlds of classical violin and fiddling. I first tested these scales and exercises on myself for six months, faithfully using them for about 20 minutes as warm-ups to my daily practice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking, "I will never be able to play faster than this." But then a couple of weeks later I would indeed climb a notch higher! Through the years I have used these exercises in countless fiddle workshops and with private students. The letters of thanks and positive feedback from students who were thrilled with improved fiddle technique have brought me great satisfaction. I sincerely believe that these exercises, when faithfully practiced, will help violinists improve their playing skills. The exercises will help develop and strengthen muscles used for finger dexterity, clarity of notes, tone, bowing-arm control, intonation, double stops and a flexible bowing arm wrist. Companion free Audio Tracks available online.

The studies by Charles Dancla (1817-1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound.
It is fun for both teacher and pupil to develop the violin playing technique in such a way. Furthermore, the delight in music-making is increased as every piece has its own characteristic, appearing not like a study but rather like a performance capriccio which could be played as an encore, for example.
The present edition is based on the (presumed) first edition of the Parisian publisher S. Richault (plate number 12974.B.) from c. 1856. Added fingerings have been marked accordingly. Information on technical characteristics, playing suggestions, etc. are contained in the notes at the end of the volume.

ISBN 9781610653404. This book offers a comprehensive workshop in blues violin and specifically addresses improvisation techniques through exercises and ear training studies that relate to the various licks and scales. Original tunes by the author address various technical challenges, and old blues standards are included to build an authentic blues repertoire. The book next touches on the influence of the blues on swing, bluegrass, Cajun and Gypsy styles while teaching improvisational techniques in each. We next pay tribute to the great Blues violinists of the past and present with bios and some photos. Finally, ways to develop and vary breaks are explored. The text touches on many aspects of violin techniques as it relates to the blues and has an easygoing and at times, humorous appeal. The book begins at a moderate beginning level but quickly moves to intermediate material; toward the end, we get into fairly advanced territory. Both violinists who have been playing a couple of years and serious classical players can benefit from Getting Into Blues Violin. Audio download available online.