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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That Time of Year - Bass
Non classifié
841
Piano & claviers
Piano seul
576
Piano, Voix
400
Piano Facile
122
Piano, Voix et Guitare
72
Accompagnement Piano
44
Orgue
39
Instruments en Do
37
1 Piano, 4 mains
13
Piano Quatuor: piano, 2 violons, violoncelle
13
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Accordéon
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
18
Ukulele
10
2 Guitares (duo)
5
Ligne De Mélodie, (Paroles) et Accords
4
Banjo
3
Dulcimer
2
Mandoline
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
466
Chorale 2 parties
422
Voix duo, Piano
233
Chorale 3 parties
215
Chorale Unison
179
Voix duo
42
Chorale SSAA
23
Chorale TTBB
21
Pack Instrumental pour Chorale
10
Voix Alto, Piano
9
Voix Soprano, Piano
8
Voix moyenne, Piano
5
Voix seule
5
Voix Baryton, Piano
3
Voix haute
3
Voix Tenor
2
Voix Tenor, Piano
2
Chorale SSAATTBB
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
128
Quintette de Saxophone: 5 saxophones
103
Ensemble de saxophones
57
Saxophone Soprano et Piano
56
Saxophone, Clarinette (duo)
54
Quatuor de Saxophones: 4 saxophones
54
Flûte traversière et Piano
50
Clarinette et Piano
50
2 Flûtes traversières (duo)
48
Saxophone Tenor et Piano
48
2 Flûte à bec (duo)
42
Saxophone Alto et Piano
42
Clarinette, Violon (duo)
37
Hautbois, Piano (duo)
36
2 Clarinettes (duo)
35
Clarinette, Trompette (duo)
35
Flûte, Clarinette (duo)
35
Clarinette
28
Ensemble de Clarinettes
28
Flûte, Violon
20
Hautbois (partie séparée)
20
Flûte, Saxophone (duo)
20
Flûte, Alto (duo)
19
2 Hautbois (duo)
18
Saxophone Alto
18
Hautbois, Clarinette (duo)
17
Clarinette et Alto
17
Quintette de Flûte : 5 flûtes
17
Hautbois, Flûte
16
Flûte traversière
16
Flûte, Trompette (duo)
15
Saxophone Baryton, Piano
13
Saxophone (partie séparée)
11
Quatuor de Flûtes : 4 flûtes
10
Saxophone Tenor
9
Clarinette, Trombone (duo)
9
Ensemble de Flûtes
9
Cor anglais, Piano
8
Flute (partie séparée)
6
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Clarinette, Violoncelle (duo)
4
Flûte, Violoncelle
4
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes à bec
2
Hautbois
2
Flûte, Violon, Piano
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
Flûte et Guitare
2
Saxophone et Orgue
2
Saxophone et Guitare
1
3 Flûtes à bec (trio)
1
Saxophone
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette (partie séparée)
1
Ensemble De Flûte à bec
1
Hautbois, violon (duo)
1
Flûte, Hautbois (duo)
1
Flûte irlandaise
1
Flûte à bec Alto, Piano
1
Flûte à Bec
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
5 Flûtes à bec
1
+ 67 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres : 2 trompettes, trombone, tuba
74
Ensemble de Trompettes
59
Trombone et Piano
57
Trompette, Piano
45
Trompette, Saxophone (duo)
37
Trompette
35
Quatuor de Cuivres: 2 trompettes, Cor, trombone
34
2 Trompettes (duo)
33
2 Trombones (duo)
32
Trompette, Trombone (duo)
29
Ensemble de Trombones
26
Cor et Piano
21
Quatuor de Cuivres
18
Trombone
16
Trompette, Cor (duo)
14
Cor
12
2 Euphoniums (duo)
10
Trompette (partie séparée)
10
Tuba et Piano
9
Cor anglais, Piano
8
Euphonium, Piano (duo)
6
Ensemble de Cors
5
Tuba
4
Quatuor de cuivres: 4 trompettes
3
Trombone (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor, Violoncelle (duo)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone, Piano
2
Cor (partie séparée)
2
Trio de Cuivres
2
3 Trompettes (trio)
2
2 Tubas (duo)
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
4 Tubas
1
Trompette, Violoncelle (duo)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon et Piano
58
Violon, Violoncelle (duo)
48
Alto, Piano
44
Violoncelle, Piano
42
2 Violons (duo)
36
Violon
31
Violon, Alto (duo)
29
2 Violoncelles (duo)
22
Violoncelle
21
Piano Trio: Violon, Alto, Piano
20
2 Altos (duo)
19
Alto seul
17
Ensemble de Violons
17
Trio à Cordes: violon, alto, violoncelle
16
Ensemble d'Altos
15
Harpe
13
Trio à Cordes: 2 violons, violoncelle
9
4 Violoncelles
6
Alto, Violoncelle (duo)
4
Alto (partie séparée)
4
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
Trio à cordes: 3 violins
1
3 Harpes
1
Harpe et Orgue
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
210
Orchestre
52
Fanfare
44
Ensemble de cuivres
35
Orchestre à Cordes
30
Orchestre de chambre
13
Ensemble Jazz
10
Cloches
10
Jazz combo
6
Ensemble de Percussions
2
Percussion (partie séparée)
2
Marimba
1
Orchestre, Violon
1
Vibraphone
1
Batterie
1
+ 10 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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That Time of Year - Bass
Violon
Partitions à imprimer
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26
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.59 €
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.67 €
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violon
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
(+)
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.67 €
#
Violon
#
Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
24 Favourite Songs of Ireland, for Violin
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.587944 Composed by Traditional. Ar…
(+)
Violin Solo - Level 2 - Digital Download SKU: A0.587944 Composed by Traditional. Arranged by David McKeown. Celtic,Folk,Holiday,Patriotic,World. 25 pages. David McKeown #5191375. Published by David McKeown (A0.587944). 24 Favourite Songs of Ireland for Violin contains the best-loved and most-requested traditional Irish songs. They are arranged in simple keys for the Violin. The music includes chord symbols to provide accompaniment on piano, guitar or accordion. There are also full lyrics for singers who want to join the fun. 24 Favourite Songs of Ireland for Violin are ideal for playing and singing on St Patrick’s Day, or at any time of year, on stage or at home. Here is the full list of songs· Arthur McBride· The Black Velvet Band· A Bucketful of Mountain Dew· A Bunch of Thyme· Cockles and Mussels· Danny Boy, (The Londonderry Air)· Finnigan's Wake· The Harp that Once through Tara's Halls· I'll Tell Me Ma· The Jolly Beggarman· The Minstrel Boy· The Mountains of Mourne· The Nightingale· The Raggle Taggle Gypsy· The Rocky Road to Dublin· The Rose of Tralee· Rosin the Bow· Sally Gardens· The Sash· The Spanish Lady· The Star of County Down· Waxie's Dargle· Whiskey in the Jar· The Wild RoverI hope you enjoy this collection of songs and that it either brings back happy memories or opens a small window for you onto the Soul of Ireland.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
7.33 €
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Violon
#
Traditional
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David McKeown
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24 Favourite Songs of Ireland, for Violin
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David McKeown
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SheetMusicPlus
All Of Me
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1217910 Composed by Gerald Marks a…
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Violin Solo - Level 2 - Digital Download SKU: A0.1217910 Composed by Gerald Marks and Seymour Simons. Arranged by Leo Silva. Jazz. 1 pages. MP Sheet Music #814428. Published by MP Sheet Music (A0.1217910). Composition and characteristics All of Me is a jazz standard whose lyrics and music were written by Gerald Marks and Seymour Simons in 1931. It has an ABAC structure and was originally written in the key of B-flat major.The melody combines the music's contradictory possibilities. The downward thrusts of the opening phrases suggest emotional despair, while the final line, with its repeated high notes, sounds almost jubilant. It usually runs in an average time.All of Me first came to public notice when a performance by Belle Baker was broadcast on the radio in 1931. After that a few others also became successful.Frank Sinatra recorded several versions of All of Me. Its 1948 release peaked at No. 21. He also sang it in the film Meet Danny Wilson, which may have helped Johnnie Ray's performance reach No. 12 in the charts that year. Sinatra's use of All of Me brought a non-jazz audience to the song, as did Willie Nelson, whose version was included on his Stardust album and reached No. 3 on the Hot Country Songs chart in 1978. In 2000, All of Me of Me received the Towering Song Award from the Songwriters Hall of Fame.
$4.99
4.58 €
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Violon
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Gerald Marks and Seymour Simons
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Leo Silva
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All Of Me
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MP Sheet Music
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SheetMusicPlus
One Step At A Time, Book II for violin
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.953745 Composed by Jennie Lou Klim…
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Violin Solo - Level 1 - Digital Download SKU: A0.953745 Composed by Jennie Lou Klim. Baroque,Children,Classical,Folk,Instructional. 47 pages. Jennie Lou Klim #2020909. Published by Jennie Lou Klim (A0.953745). One Step At A Time is a five-part method of teaching the fundamentals of music on the violin. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book II is to teach note reading on the D and G strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern.
$10.95
10.05 €
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Violon
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Jennie Lou Klim
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One Step At A Time, Book II for violin
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Jennie Lou Klim
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SheetMusicPlus
One Step At A Time, Book I for violin
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.953744 Composed by Jennie Lou Klim…
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Violin Solo - Level 1 - Digital Download SKU: A0.953744 Composed by Jennie Lou Klim. Baroque,Children,Classical,Folk,Instructional. 47 pages. Jennie Lou Klim #2020903. Published by Jennie Lou Klim (A0.953744). One Step At A Time is a five-part method of teaching the fundamentals of music on the violin. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book I is to teach note reading on the E and A strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern.
$10.95
10.05 €
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Violon
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Jennie Lou Klim
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One Step At A Time, Book I for violin
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Jennie Lou Klim
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SheetMusicPlus
One Step At A Time, Book V for violin
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.953746 Composed by Jennie Lou Klim…
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Violin Solo - Level 3 - Digital Download SKU: A0.953746 Composed by Jennie Lou Klim. Children,Classical,Contemporary,Folk,Instructional. 47 pages. Jennie Lou Klim #2020911. Published by Jennie Lou Klim (A0.953746). One Step At A Time is a five-part method of teaching the fundamentals of music on the violin. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. Book V introduces minor modes and keys; half position; third position; harmonics; and double stops; each with intermediate tunes and exercises. As with the first four books in this series, the fundamental concepts are introduced on uncluttered pages.
$10.95
10.05 €
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Violon
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Jennie Lou Klim
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half position
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One Step At A Time, Book V for violin
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Jennie Lou Klim
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SheetMusicPlus
One Step At A TIme, Book IV for Violin
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.953749 Composed by Jennie Lou Klim…
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Violin Solo - Level 3 - Digital Download SKU: A0.953749 Composed by Jennie Lou Klim. Baroque,Classical,Instructional. 47 pages. Jennie Lou Klim #2856783. Published by Jennie Lou Klim (A0.953749). One Step At A Time is a five-part method of teaching the fundamentals of music on the violin. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles.
$10.95
10.05 €
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Violon
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Jennie Lou Klim
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One Step At A TIme, Book IV for Violin
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Jennie Lou Klim
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SheetMusicPlus
Choros No 1
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lo…
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Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
7.33 €
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Violon
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
California Dreamin'
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1490121 By The Mamas And The Papas…
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Violin Solo - Level 1 - Digital Download SKU: A0.1490121 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. 1 pages. Alex Rodrigues #1066971. Published by Alex Rodrigues (A0.1490121). Released in 1965 by the American group The Mamas & the Papas, California Dreamin' quickly became a cornerstone of 60s folk rock. Emerging during a time of significant cultural and social change, the song conveys a deep sense of longing and the desire to escape, encapsulating the yearning for a warmer, more welcoming climate. The song not only became an anthem for those dreaming of sunny California but also secured its place in history as one of the greatest songs of all time, ranking #89 on Rolling Stone's list of the 500 Greatest Songs of All Time.This sheet music has been adapted to suit musicians at a beginner to intermediate level. The main melody remains faithful to the original composition but has been transposed to a more accessible and comfortable key for the chosen instrument.California Dreamin' is a song that captures the essence of the desire for change and refuge in a more welcoming environment. The lyrics, describing a cold winter day with brown leaves and a gray sky, contrast with the idealization of California as a sunlit paradise.
$5.99
5.5 €
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Violon
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The Mamas And The Papas
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Alex Nunes Rodrigues
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California Dreamin'
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Alex Rodrigues
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SheetMusicPlus
California Dreamin'
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1490126 By The Mamas And The Papas…
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Violin Solo - Level 1 - Digital Download SKU: A0.1490126 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Alex Nunes Rodrigues. Rock. 1 pages. Alex Rodrigues #1066976. Published by Alex Rodrigues (A0.1490126). Released in 1965 by the American group The Mamas & the Papas, California Dreamin' quickly became a cornerstone of 60s folk rock. Emerging during a time of significant cultural and social change, the song conveys a deep sense of longing and the desire to escape, encapsulating the yearning for a warmer, more welcoming climate. The song not only became an anthem for those dreaming of sunny California but also secured its place in history as one of the greatest songs of all time, ranking #89 on Rolling Stone's list of the 500 Greatest Songs of All Time.This sheet music has been adapted to suit musicians at a beginner to intermediate level. The main melody remains faithful to the original composition but has been transposed to a more accessible and comfortable key for the chosen instrument.California Dreamin' is a song that captures the essence of the desire for change and refuge in a more welcoming environment. The lyrics, describing a cold winter day with brown leaves and a gray sky, contrast with the idealization of California as a sunlit paradise.
$5.99
5.5 €
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Violon
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The Mamas And The Papas
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Alex Nunes Rodrigues
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California Dreamin'
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Alex Rodrigues
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SheetMusicPlus
My Immortal
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1014837 By Evanescence. By Amy Lee…
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Violin Solo - Level 1 - Digital Download SKU: A0.1014837 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #619476. Published by M das Melodias (A0.1014837). Sheet music for violin My Immortal by Evanescence. Easy sheet music. * myimmortal * evanescence * sheetmusic * hit song * I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
4.58 €
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Violon
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
My Immortal
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1014859 By Evanescence. By Amy Lee…
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Violin Solo - Level 1 - Digital Download SKU: A0.1014859 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Josiel Oliveira. Multicultural,Pop,Rock,World. 1 pages. M das Melodias #619486. Published by M das Melodias (A0.1014859). Sheet music for violin facilitated octave My Immortal by Evanescence. Easy sheet music. #myimmortal #evanescence #sheetmusic hit song #violin I'm so tired of being here Suppressed by all my childish fears And if you have to leave, I wish that you would just leave 'Cause your presence still lingers here And it won't leave me alone These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me You used to captivate me by your resonating light Now I'm bound by the life you've left behind Your face it haunts my once pleasant dreams Your voice it chased away all the sanity in me These wounds won't seem to heal This pain is just too real There's just too much that time cannot erase When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me I've tried so hard to tell myself that you're gone But though you're still with me I've been alone all along When you cried I'd wipe away all of your tears When you'd scream I'd fight away all of your fears And I held your hand through all of these years But you still have all of me.
$4.99
4.58 €
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Violon
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Evanescence
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Josiel Oliveira
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My Immortal
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M das Melodias
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SheetMusicPlus
Violin Concerto, opus 129 (2009) for violin solo and orchestra
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99
9.17 €
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Violon
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Violin I
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018914 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018914 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064785. Published by Benjamin Sajo (A0.1018914). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Violon
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Violin I
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Violin II
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018916 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018916 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 4 pages. Benjamin Sajo #6064791. Published by Benjamin Sajo (A0.1018916). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Violon
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Violin II
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Benjamin Sajo
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SheetMusicPlus
The Violin Teacher's Toolkit
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.885661 Composed by Heather Figi. A…
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Violin Solo - Level 2 - Digital Download SKU: A0.885661 Composed by Heather Figi. Arranged by Heather Figi. Instructional. 70 pages. Music for Young Violinists #3139387. Published by Music for Young Violinists (A0.885661). How many times have you explicitly given an assignment to a student and they come back the next week unable to replicate the teaching goals?Having taught the violin for 20 years, this was a familiar scenario for me, and it led to the creation of the materials in the Teacher’s Toolkit collection from Music for Young Violinists. This resource will help students practice the correct way independently so they achieve optimal results with their hard work and home practice time.You can download a sample from this collection of the Bach Double Concerto subdivided into sixteenth notes by filling out the contact form on the HOME page or FREEBIES page: https://www.musicforyoungviolinists.com/This 70 page *eBook contains the following materials:1- Nine Progressive Sight Reading Exercises + Five Step Approach to Teaching Sight Reading Chart2- Eight Scales & Twinkles in the Keys of C & G, D & A, Bb & F, A & E Major (organized in pairs to teach correlating finger patterns)​3- Subdivision Worksheets & Practice Guides:May SongDona Nobis Pacem (with fingerings & without fingerings)Concerto No. 2 in D Major, 3rd Mvmt., F. Seitz, (Measures 68-83)Concerto in D Minor, Mvmt. I, J.S. Bach4- Composition, Third Position, Ring Tones, Visual Formatting, Solfège, High/Low 2nd Fingers, Rondo Form Puzzle & Staff Paper:Twinkle, Twinkle Little Star & May Song Comparison WorksheetThird Position Study SheetRing, Ring, Ring (Ringtone Study for Violinists)La Folia ThemeDo-Re-Mi SongStudy for High & Low 2nd FingersMartini Gavotte PuzzleStaff Paper (5 Sizes)5- Notes6. Free Charts & Materials - The materials in this portion of The Violin Teacher's Toolkit are not under copyright protection as the rest of this collection. Violin teachers can print as many copies as they need of the resources included here in the Free Charts & Materials section for use in educational settings. All of these materials are also available on the M4YV FREEBIES page (https://www.musicforyoungviolinists.com/)Staff Paper (various sizes)FlashcardsAdd-a-note scales: A Major & G Major Chart: How to Sight Read*Chart: 15 Tips to Optimize Violin Practice *Chart: How to Teach Violin: Solve Problems Strategically with Senses and Brain Hemispheres *Charts: How to Buy a Used Violin & Quality Inspection Checklist*Charts: Finger Patterns*Chart: Quick Tip for Relieving Performance Nerves​* Correlating tutorial videos are available on the Music for Young Violinists website and YouTube channel. Use the search bar to locate specific videos.​* Please note this eBook is a digital download and no physical item will be sent. Once you order this collection, you will be re-directed to a link that allows you to download the Teacher's Toolkit and print it out from the convenience of home.A friendly reminder that integrity starts with you.I offer a very generous bulk discount if you need more than a single copy of this product.
$30.00
27.53 €
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Violon
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Heather Figi
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Heather Figi
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The Violin Teacher's Toolkit
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Music for Young Violinists
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Violon
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Violon
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
How Deep Is Your Love
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1156149 By Bee Gees. By Barry Gibb…
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Violin Solo - Level 1 - Digital Download SKU: A0.1156149 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop. 2 pages. Fabio Eduardo #756465. Published by Fabio Eduardo (A0.1156149). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadHow Deep Is Your Love is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 24 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside Stayin' Alive and Night Fever, it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
$4.99
4.58 €
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Violon
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Bee Gees
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Fabio Eduardo de Oliveira
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How Deep Is Your Love
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Fabio Eduardo
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SheetMusicPlus
How Deep Is Your Love
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1156144 By Bee Gees. By Barry Gibb…
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Violin Solo - Level 1 - Digital Download SKU: A0.1156144 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop. 2 pages. Fabio Eduardo #756460. Published by Fabio Eduardo (A0.1156144). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadHow Deep Is Your Love is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 24 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside Stayin' Alive and Night Fever, it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
$4.99
4.58 €
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Violon
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Bee Gees
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Fabio Eduardo de Oliveira
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How Deep Is Your Love
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Fabio Eduardo
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SheetMusicPlus
Waltz in A Minor | B. 150, Op. Posth. | Chopin | Violin
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1297583 Composed by Frederic Chopi…
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Violin Solo - Level 2 - Digital Download SKU: A0.1297583 Composed by Frederic Chopin. Arranged by Milanov. Classical,Romantic Period,Wedding. 1 pages. Milanov #887606. Published by Milanov (A0.1297583). Waltz in A Minor B. 150, Op. Posth. by Chopin for violin. Easy Intermediate. Chopin's Waltz in A minor, B.150, is a brief yet evocative composition that captures the essence of a wistful dance. Written in 3/4 time, this waltz reveals Chopin's trademark melodic charm and emotional depth in a concise format. The piece opens with a delicate and yearning melody, immediately tugging at the listener's heartstrings. Its brevity doesn't diminish its impact, as Chopin weaves fleeting moments of elegance and melancholy into every note, concluding with a poignant simplicity that leaves an indelible impression of tender nostalgia.
$3.99
3.66 €
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Violon
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Frederic Chopin
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Milanov
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Waltz in A Minor | B. 150, Op. Posth. | Chopin | Violin
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Milanov
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SheetMusicPlus
Waltz in A Minor | B. 150, Op. Posth. | Chopin | Violin | Chords
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1298178 Composed by Frederic Chopi…
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Violin Solo - Level 2 - Digital Download SKU: A0.1298178 Composed by Frederic Chopin. Arranged by Milanov. Classical,Romantic Period,Wedding. 2 pages. Milanov #888154. Published by Milanov (A0.1298178). Waltz in A Minor B. 150, Op. Posth. by Chopin for violin. Chords. Easy Intermediate. Chopin's Waltz in A minor, B.150, is a brief yet evocative composition that captures the essence of a wistful dance. Written in 3/4 time, this waltz reveals Chopin's trademark melodic charm and emotional depth in a concise format. The piece opens with a delicate and yearning melody, immediately tugging at the listener's heartstrings. Its brevity doesn't diminish its impact, as Chopin weaves fleeting moments of elegance and melancholy into every note, concluding with a poignant simplicity that leaves an indelible impression of tender nostalgia.
$3.99
3.66 €
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Violon
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Frederic Chopin
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Milanov
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Waltz in A Minor | B. 150, Op. Posth. | Chopin | Violin | Chords
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Milanov
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1305658 By Tony Bennett. By Bart H…
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Violin Solo - Level 2 - Digital Download SKU: A0.1305658 By Tony Bennett. By Bart Howard. Arranged by FERNANDO LUIZ NEVES. 20th Century,Contemporary,Film/TV,Jazz,Pop. 6 pages. Fernando Neves #895108. Published by Fernando Neves (A0.1305658). “Fly Me to the Moonâ€, originally titled “In Other Wordsâ€, is a timeless classic that has captured the hearts of many music lovers. The song was written in 1954 by the talented American composer Bart Howard. The first recording of the song was made in the same year by Kaye Ballard. However, it was Frank Sinatra’s 1964 version that became closely associated with the Apollo missions to the Moon. Sinatra’s rendition elevated the song to new heights and it has since been covered by numerous artists including Tony Bennett, Ella Fitzgerald, Diana Krall, and Astrud Gilberto.Now, imagine this beautiful melody being played on a violin and guitar. The soulful resonance of the violin paired with the deep strumming of the guitar could truly capture the essence of this timeless tune.Whether you’re a seasoned musician or a beginner, playing “Fly Me to the Moon†on these instruments would be a delightful experience. Enjoy your musical journey! PDF file contains full score and parts for guitar and violin. Tablature for guitar, chords and guitar fingering inlcuded. 6 pages.
$18.97
17.41 €
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Violon
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Tony Bennett
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FERNANDO LUIZ NEVES
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Fly Me To The Moon
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Fernando Neves
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SheetMusicPlus
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