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TRI ET FILTRES
Tri et filtres :
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PIANO & CLAVIERS
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272
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169
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47
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Orgue
9
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2
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2
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1
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1
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1
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1
Voix Soprano
1
Chorale
1
Voix Alto, Piano
1
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Flûte traversière et Piano
29
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28
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28
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24
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22
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21
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21
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19
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18
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14
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14
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13
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12
Flûte, Clarinette (duo)
12
Flûte traversière
11
Clarinette
10
Clarinette, Violon (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Alto
9
Clarinette, Trompette (duo)
8
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7
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6
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6
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6
Clarinette et Alto
6
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6
2 Hautbois (duo)
6
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5
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5
Hautbois (partie séparée)
5
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3 Clarinettes (trio)
5
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4
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3
Flûte à bec Soprano
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Trio de Flûtes: 3 flûtes
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3
Flûte à bec Alto
2
Flûte, Trombone (duo)
2
Flûte, Hautbois (duo)
2
Saxophone Baryton, Piano
2
Harmonica
2
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1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois et alto (duo)
1
3 Saxophones (trio)
1
Saxophone Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, violon (duo)
1
Flûte, Violon et Violoncelle
1
Piccolo, Piano
1
Hautbois, Violoncelle
1
Clarinette Basse, Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette (partie séparée)
1
Cor anglais, Piano
1
Flûte, Basson et Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Trombone (partie séparée)
16
Trompette
15
Trombone et Piano
15
Trompette, Piano
12
Trompette (partie séparée)
9
Trombone
9
Trompette, Saxophone (duo)
8
2 Trompettes (duo)
8
Quatuor de Cuivres
7
Trompette, Trombone (duo)
7
Ensemble de Trombones
7
2 Trombones (duo)
7
Cor et Piano
6
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
4
Cor
4
Tuba et Piano
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor (partie séparée)
3
Tuba
2
Quatuor de cuivres: 4 cors
2
2 Cors (duo)
2
Tuba (partie séparée)
2
Clarinette, Cor (duo)
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Trio de Cuivres
1
Trombone basse et Piano
1
Ensemble de Trompettes
1
Cor anglais, Piano
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
51
Violon et Piano
29
Violoncelle, Piano
23
Alto, Piano
16
Violon
16
2 Violoncelles (duo)
14
2 Violons (duo)
13
Violoncelle
12
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
8
Violon, Alto (duo)
8
Harpe
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon (partie séparée)
6
2 Altos (duo)
6
Contrebasse (partie séparée)
5
Alto seul
4
2 Contrebasses (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
2 Harpes (duo)
1
Alto et Basson
1
Ensemble de Violons
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
95
Orchestre à Cordes
50
Orchestre
40
Ensemble Jazz
19
Ensemble de cuivres
14
Jazz combo
12
Cloches
11
Orchestre de chambre
5
Batterie (partie séparée)
3
Fanfare
2
Orchestre, Violon
1
Vibraphone
1
Piano et Orchestre
1
Batterie
1
2 Xylophones
1
Ensemble de Percussions
1
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AUTRES
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The Great American.
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Partitions à imprimer
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1
Kommos (Lamentation) / "When the World Moved On" - Violin II
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Violon
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin I
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo.…
(+)
Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Violon
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Benjamin Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Let Us Break Bread Together (Arrangements Level 1-3 for VIOLIN + Written acc) Hymns
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.875233 Composed by American Spirit…
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Violin Solo - Level 2 - Digital Download SKU: A0.875233 Composed by American Spiritual. Arranged by Dr Jerry Nelson. Christian,Concert,Folk,Jazz,Spiritual. 8 pages. Jerry Nelson #3874669. Published by Jerry Nelson (A0.875233). This very enchanting prayer is set in a gentle Jazz style. You gotta love these great chord progressions. Stairstep from Level 1 to 3 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this lush Orchestral Accompaniment Track (#SO.434055). Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track. Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (i.e., Style, specific Holiday, Musical Period).
$4.99
4.54 €
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Violon
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American Spiritual
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Dr Jerry Nelson
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Let Us Break Bread Together
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Jerry Nelson
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SheetMusicPlus
Great Fiddling Tunes - Beautiful American Airs & Ballads
Violon
Fiddle - Intermediate - Digital Download Composed by Craig Duncan. Solos. Great Fiddl…
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Fiddle - Intermediate - Digital Download Composed by Craig Duncan. Solos. Great Fiddling Tunes. American Music. E-book and online audio. 48 pages. Mel Bay Publications - Digital Sheet Music #30813MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119871.<br> <br> Beautiful American Airs & Ballads is a collection of 23 traditional American melodies that are particularly suited to being played on the fiddle. These are heartfelt tunes from the Revolutionary War and the Civil War eras along with Appalachian love songs and gems from the 19th and early 20th centuries. The arrangements include stylistic fiddle phrasing and variations. Each of the tunes includes the fiddle melody with guitar accompaniment. Includes access to online audio.
$12.99
11.82 €
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Violon
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Craig Duncan
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Great Fiddling Tunes - Beautiful American Airs & Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry…
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Violon
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry…
(+)
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Violon
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Wabash Cannonball
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.697648 Composed by American Folk S…
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Violin Solo - Level 3 - Digital Download SKU: A0.697648 Composed by American Folk Song. Arranged by Sandy McIntire. 20th Century,Country,Folk,Instructional,Traditional. 5 pages. Sandy McIntire #6236177. Published by Sandy McIntire (A0.697648). Wabash Cannonball is an American folk song that celebrates the scenic beauty and predicaments of the Great Rock Island train route. Roy Acuff of the Grand Ole Opry and Pete Seeger, among others, popularized the tune in the 20th Century. The Indiana University Marching Sycamores and Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band use it as a theme song.This old-time arrangement for Intermediate fiddle and violin features a train whistle (with instructions for how to play it) and chords. It is included in McIntire's series, Mountain Mommas Fiddle Tunes. Other tunes in the series include Whiskey Before Breakfast, West Fork Gals, Kitchen Girl, and The Big Rock Candy Mountain.
$5.50
5 €
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Violon
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American Folk Song
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Sandy McIntire
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Wabash Cannonball
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Sandy McIntire
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SheetMusicPlus
Caprices No.'s 1 - 6 (for unaccompanied violin)
Violon
Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Cla…
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Violin - Advanced - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Solo Part. 41 pages. Published by Mark O'Connor Musik International
Caprices No.’s 1 - 6 (for unaccompanied violin) MO112<br> <br> Violin Solo<br> <br> Music by Mark O’Connor<br> <br> 36 pages - 20:00 minutes in length<br> <br> <br> <br> Caprice No. 1 In A Major - p. 1<br> <br> Caprice No. 2 In G Minor - p. 7<br> <br> Caprice No. 3 In A Major - p. 13<br> <br> Caprice No. 4 In D Major - p. 19<br> <br> Caprice No. 5 In F Major - p. 25<br> <br> Caprice No. 6 In G Major - p. 31<br> <br> <br> <br> Caprices No.’s 1 - 6 for unaccompanied violin are among Mark O’Connor’s most critically acclaimed works. Receiving great interest from performers, teachers and students of the violin, O’Connor has contributed music here which will challenge even the most gifted virtuoso. O’Connor’s caprices, like Nicolo Paganini’s and Pietre Locatelli’s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. “Caprice’s No.’s 1 - 6” feature demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, broken chord arpeggios, two-handed pizzicato, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works’ driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate.<br> <br> <br> <br> Original music printed from the composer’s manuscripts.<br> <br> Music editing, copying and engraving by Mark O’Connor<br> <br> using “Finale” on Apple Macintosh 1986 - 1994<br> <br> <br> <br> Composed By Mark O’Connor<br> <br> Caprices No.’s 1 - 6 can be heard on “Midnight On The Water” Warner Bros. Records<br> <br> Mark O’Connor - violin<br> <br> <br> <br> Catalogue Number MO112<br> <br> Copyright © 1986 by Mark O’Connor Music International
$18.00
16.37 €
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Violon
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Mark O'Connor
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Caprices No.'s 1 - 6
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Mark O'Connor Musik International
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SheetMusicPlus
Se Todos Fossem Iguais A Voce
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1167305 Composed by Antonio Carlos…
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Violin Solo - Level 1 - Digital Download SKU: A0.1167305 Composed by Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. 2 pages. Fabio Eduardo #767682. Published by Fabio Eduardo (A0.1167305). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadAntônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the father of bossa nova.
$4.99
4.54 €
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Violon
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Antonio Carlos Jobim and Vinicius De Moraes
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Fabio Eduardo de Oliveira
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Se Todos Fossem Iguais A Voce
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Fabio Eduardo
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SheetMusicPlus
Joseph White: Six Etudes for Violin
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.939440 Composed by Joseph White. A…
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Violin Solo - Level 5 - Digital Download SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT DEBBAUT #6371729. Published by ROBERT DEBBAUT (A0.939440). The talents of Cuban-born violinist Joseph White (born José Silvestre de los Dolores White y Lafitte) were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had accompanied him on an early recital. Gottschalk raised the money so the young Afro-Cuban virtuoso could go to Paris and study with Jean-Delphin Alard, one of the great violinists and teachers of his day. White won the Premier Prix at the conservatory in 1855 and received high accolades from such musical giants as Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. Following his 1855 prize (one of several more to come) Joseph White became a major force in the cultural life of Paris for the next twenty years. His Six Studies, Op. 13, demonstrate to those were never privileged to hear him his absolute command of his instrument. The overall set is dedicated to Alard with individual studies dedicated to Alard and to four of Europe’s premiere violinists, Camillo Sivori, Henri Vieuxtemps, Henryk Wienawski, Hubert Léonard, as well as to his fellow Cuban, Secondino Arango. These are studies for the serious violinist, or for the advanced student aspiring to achieve the same technical prowess of this incredible virtuoso performer and composer. Contained within this volume are the original exercises, biographies of the six dedicatees, as well as extra information about the life and career of this criminally forgotten violin virtuoso. These works should be considered for the studios of master teachers and for live performance as virtuoso showpieces, or recital encores, especially number six, which is dedicated to one of White's first teachers, Afro-Cuban violin virtuoso Secundino Arango (179?-1876).
$9.95
9.05 €
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Violon
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Joseph White
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Robert Debbaut
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Joseph White: Six Etudes for Violin
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ROBERT DEBBAUT
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SheetMusicPlus
Hurt
Violon
Violin Solo - Digital Download SKU: A0.503315 By Johnny Cash and Nine Inch Nails. B…
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Violin Solo - Digital Download SKU: A0.503315 By Johnny Cash and Nine Inch Nails. By Trent Reznor. Arranged by Antônio S. Fernandes. Country,Multicultural,Traditional,World. 2 pages. Published by Antônio S. Fernandes (A0.503315). Hurt is a song by American industrial rock band Nine Inch Nails from their second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995 as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2002, Johnny Cash covered Hurt to commercial and critical acclaim. The related music video is considered one of the greatest of all time by publications such as NME. Reznor praised Cash's interpretation of the song for its sincerity and meaning, going so far as to say that song isn't mine anymore. Johnny Cash - Hurt (sheet music) Flauta #JohnnyCash #Hurt #Flauta.
$5.00
4.55 €
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Violon
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Johnny Cash and Nine Inch Nails
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Antônio S
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Hurt
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Antônio S. Fernandes
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SheetMusicPlus
Gimme! Gimme! Gimme! (A Man After Midnight)
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1388206 By ABBA. By Benny Andersso…
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Violin Solo - Level 2 - Digital Download SKU: A0.1388206 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop,Rock. 2 pages. MP Sheet Music #971805. Published by MP Sheet Music (A0.1388206). Gimme! Gimme! Gimme! (A Man After Midnight) is a song by Swedish band ABBA. It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBA's Greatest Hits Vol. 2 album as the brand new track.
$4.99
4.54 €
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Violon
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ABBA
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Leo Silva
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Gimme! Gimme! Gimme!
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MP Sheet Music
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SheetMusicPlus
Gimme! Gimme! Gimme! (a Man After Midnight)
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1285468 By ABBA. By Benny Andersso…
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Violin Solo - Level 2 - Digital Download SKU: A0.1285468 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Leo Silva. Pop. 2 pages. MP Sheet Music #876571. Published by MP Sheet Music (A0.1285468). Gimme! Gimme! Gimme! (A Man After Midnight) is a song by Swedish band ABBA. It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBA's Greatest Hits Vol. 2 album as the brand new track.
$4.99
4.54 €
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Violon
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ABBA
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Leo Silva
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Gimme! Gimme! Gimme!
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MP Sheet Music
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SheetMusicPlus
Goin' Home - Largo from New World Symphony (Violin Solo)
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1256496 Composed by Antonin Dvorak…
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Violin Solo - Level 2 - Digital Download SKU: A0.1256496 Composed by Antonin Dvorak. Arranged by B. C. Dockery. 19th Century,Classical,Folk,Romantic Period,Spiritual. 1 pages. Ben Dockery #849922. Published by Ben Dockery (A0.1256496). First known as the African American spiritual Goin' Home, this is Largo from Antonin Dvorak's New World Symphony No. 9 in E Minor, Op. 95, Mvmt. II. Arranged for solo violin. Great for lessons, recitals, and performances of all kinds. Easy intermediate level.
$2.99
2.72 €
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Violon
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Antonin Dvorak
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B
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Goin' Home - Largo from New World Symphony
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Ben Dockery
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SheetMusicPlus
In Dee - Violin and Piano
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.916932 Composed by Alexandria Muel…
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Violin Solo - Level 3 - Digital Download SKU: A0.916932 Composed by Alexandria Mueller. 20th Century,Classical,Concert,Contemporary,Standards. 14 pages. Alexandria Mueller #4762831. Published by Alexandria Mueller (A0.916932). This playful piece is designed to offer a variety of performance options. It comes with two versions of the solo part. Violin A is intended for a late intermediate/advanced student, while Violin B is intended for an intermediate student. Either part can be performed as a violin solo with piano accompaniment or combined with any other version of In Dee, making it a great choice for group classes and studio recitals. Comes with Violin A, Violin B parts and piano accompaniment.Duration: 3 Minutes 5 SecondsThis piece was commissioned by the American Suzuki Institute in memory of Dee Martz who served as Director until 2009. A portion of the proceeds from this piece go to support the scholarship fund at ASI in honor of Professor Martz.
$14.99
13.63 €
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Violon
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Alexandria Mueller
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In Dee - Violin and Piano
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Alexandria Mueller
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SheetMusicPlus
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