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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
They are at rest
Non classifié
315
Piano & claviers
Piano seul
57
Piano, Voix et Guitare
11
Piano Facile
9
2 Pianos, 4 mains
8
Piano, Voix
6
Orgue
2
Instruments en Do
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 3 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
5
Ukulele
3
Basse electrique
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
22
Chorale 3 parties
3
Chorale TTBB
3
Chorale SSAA
2
Chorale Unison
2
Voix Tenor
1
Voix haute
1
Voix Tenor, Piano
1
+ 3 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Ensemble de saxophones
16
2 Saxophones (duo)
16
Flûte, Hautbois, Clarinette, Basson
13
Clarinette et Piano
13
2 Flûtes traversières (duo)
10
Ensemble de Clarinettes
9
Flûte traversière et Piano
9
Hautbois, Piano (duo)
9
2 Clarinettes (duo)
7
Saxophone Alto et Piano
7
Cor anglais, Piano
6
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois (partie séparée)
4
Clarinette
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Soprano et Piano
4
Clarinette, Violon (duo)
3
Saxophone Alto
3
Clarinette, Trompette (duo)
3
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
Clarinette et Alto
2
2 Hautbois (duo)
2
Flûte, Alto (duo)
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Hautbois, Flûte
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Flûtes
2
Flûte à bec Soprano, Piano
2
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
Flûte à bec Tenor
1
Hautbois, Violoncelle
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone (partie séparée)
1
Cor Anglais
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Saxophone (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Ensemble de Trompettes
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
8
Trombone et Piano
7
Trompette, Piano
7
Ensemble de Trombones
6
Cor anglais, Piano
6
2 Trompettes (duo)
5
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
Tuba et Piano
2
Euphonium, Piano (duo)
2
Cor
2
2 Trombones (duo)
2
3 Trompettes (trio)
2
Cor et Piano
2
Tuba
1
Euphonium, Tuba (duo)
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Trombone
1
2 Cors, Piano
1
Bass Clef Instruments
1
2 Cors (duo)
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Harpe
13
Violon, Violoncelle (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Violoncelle, Piano
8
2 Violons (duo)
8
Violon et Piano
7
Violon
6
Alto, Piano
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
2 Harpes (duo)
4
Violon, Alto (duo)
4
Violoncelle
4
2 Violoncelles (duo)
4
Alto seul
3
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Alto et Harpe
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
2 Altos (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
26
Orchestre
15
Jazz combo
6
Cloches
5
Ensemble de cuivres
5
Ensemble de Percussions
4
Orchestre de chambre
2
Xylophone, Piano
1
Batterie
1
Piano et Orchestre
1
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
They are at rest
Violon
Partitions à imprimer
6 partitions trouvées
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1
50 Greatest Hymns for Solo Violin
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Violon
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FACILE
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Various
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B
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50 Greatest Hymns for Solo Vio
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Ben Dockery
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1513750 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 54 pages. Ben Dockery #1...
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Violin Solo - Level 2 - SKU: A0.1513750 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 54 pages. Ben Dockery #1088443. Published by Ben Dockery (A0.1513750). These fifty classic hymns have been arranged for solo violin. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.
$14.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Violon
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). ...
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Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
A Tunes - Capricious Pieces for Beginner Violinists
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Violon
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DÉBUTANT
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Methodes Etudes
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A Tunes - Capricious Pieces fo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Violin - Beginning - Digital Download Classic. E-book. 28 pages. Mel Bay Publications - Digital Sheet Music #30956EB. Published by Mel Bay Publicatio...
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Violin - Beginning - Digital Download Classic. E-book. 28 pages. Mel Bay Publications - Digital Sheet Music #30956EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459929. 8.75 x 11.75 inches.
Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied
$9.99
6 Christmas Violin Solos for Fun - with FREE BACKING TRACKS and piano accompaniment to play along with (various levels)
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Violon
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INTERMÉDIAIRE
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Noël
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J
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Austin Ralphson
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6 Christmas Violin Solos for F
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SheetMusicPlus
Composed by J. Pierpont, French trad., L. Mason, F. Gruber, J. Mohr. Arranged by Austin Ralphson. Repertoire, Christmas, Recital. Score, Solo Part. 34 page...
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Composed by J. Pierpont, French trad., L. Mason, F. Gruber, J. Mohr. Arranged by Austin Ralphson. Repertoire, Christmas, Recital. Score, Solo Part. 34 pages. Published by Austin Ralphson
This is a book of 6 Christmas solo arrangements with piano accompaniment (or backing tracks). It contains popular Christmas classics, each of which has at least 2 verses which are arranged in different ways. You can try them all and see which you like best! They range from Easy-Intermediate to Advanced-Intermediate in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list: 1. Jingle Bells 2. Ding Dong Merrily On High 3. Joy To The World 4. God Rest Ye Merry, Gentlemen 5. O Little Town of Bethlehem 6. Silent Night Free backing tracks are provided for each piece; these can be heard in the video above and the link is also printed in the front of the book for future use.
$9.99
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