ISBN 9781610658041. This book is a follow-up to 'Irish Fiddle Playing: A Guide for the Serious Player' (MB99402BCD). The student will gain a deeper knowledge of fiddle playing and improve their overall playing and musical understanding. Subjects include: improvisationfingering and bowing techniques playing with other musicians modes converting from classical to traditional improvising in songs The player will become more aware of the mechanics of playing the fiddle, putting them in a position to:improve their sound develop their own style play more effectively and confidently with othersAs with the first book in the series, it contains pieces of advice from the author's 25 years of playing music. The format of the book is similar to this first book. Section 1 deals with various aspects of fiddle playing. Section 2 contains a selection of mostly well-known tunes, fully transcribed with variations,embellishments/ornaments. These tunes are all include on the accompanying online audio.

ISBN 9781610658614. Learn to Play Irish Fiddle is a book and audio set that introduces the absolute beginner to the great traditional fiddle music of Ireland, going right from the basics of how to hold and make the first sounds on the instrument - through specially composed, manageable tunes in the Irish style - right up to playing traditional reels, jigs and other dance tunes from the traditional repertoire (the specially composed tunes bridge the gap between the basics and the traditional music). Embellishments and techniques that make good Irish fiddle playing so infectious, such as rolls, cuts, triplets and slides are gradually introduced. The student will also become familiar with some of the more advanced ideas concerning playing Irish traditional music such as variations and dynamics - subjects which are covered in greater detail in 'Irish Fiddle Playing: A Guide for the Serious Player' book/audio sets by the same author. Useful appendices and a cross-referenced glossary are also included. The accompanying audio contain all the tunes in the book (played at a slow tempo) plus many exercises. There is NO NEED FOR ANY PRIOR MUSICAL KNOWLEDGE in order to use this book. Each aspect of playing and theory is covered in an accessible and manageable way.

ISBN 9781619118867.

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stephane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives; first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, youall find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Wirtten for intermediate to advanced violinists.