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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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SYNTHETISEUR
TROMBONE
TROMPETTE
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Try, Try Again
Non classifié
144
Piano & claviers
Piano, Voix et Guitare
209
Piano seul
122
Piano, Voix
50
Piano Facile
25
Piano grosses notes
16
Instruments en Do
14
Orgue
8
2 Pianos, 4 mains
8
1 Piano, 4 mains
3
Ligne De Mélodie, Piano
2
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Ligne De Mélodie, (Paroles) et Accords
55
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50
Ukulele
31
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29
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24
Dulcimer
3
Guitare Pedal Steel
2
Banjo
1
Mandoline
1
+ 4 instrumentations
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Voix
Chorale SATB
34
Chorale TTBB
14
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12
Chorale 2 parties
5
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5
Chorale Unison
3
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1
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1
Voix duo, Piano
1
Voix Tenor, Piano
1
Chorale SSAATTBB
1
+ 6 instrumentations
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Vents
Flûte, Hautbois, Clarinette, Basson
18
Quatuor de Saxophones: 4 saxophones
14
3 Clarinettes (trio)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette
6
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette et Piano
3
Flûte traversière
3
Hautbois (partie séparée)
3
3 Saxophones (trio)
2
2 Flûtes traversières (duo)
2
Flute (partie séparée)
2
Instruments en Mib
2
Saxophone Tenor
2
Quintette de Saxophone: 5 saxophones
2
Saxophone (partie séparée)
2
Flûte traversière et Piano
2
Quatuor de Flûtes : 4 flûtes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Flûtes
1
3 Hautbois
1
Ensemble de Clarinettes
1
Saxophone Alto
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano
1
Cor Anglais
1
Hautbois, Piano (duo)
1
Flûte à bec Alto, Piano
1
Saxophone
1
Quatuor de Flûtes à bec
1
2 Saxophones (duo)
1
Ocarina
1
Quintette de Flûte : 5 flûtes
1
2 Clarinettes (duo)
1
+ 30 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor
3
Tuba
3
Trombone et Piano
2
Euphonium, Piano (duo)
2
Trompette
2
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
Cor Anglais
1
Instruments en Sib
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
7
Violon et Piano
5
Alto seul
3
Alto (partie séparée)
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe
2
Harpe, Voix
2
2 Violons (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
Alto, Piano
1
Trio à cordes: 3 altos
1
Contre Basse
1
2 Violoncelles (duo)
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
21
Orchestre
12
Orchestre à Cordes
10
Ensemble de cuivres
7
Ensemble Jazz
4
Cloches
3
Orchestre de chambre
3
Fanfare
2
Jazz combo
2
Ensemble de Percussions
2
Batterie
2
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FLUTE A DIX…
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GUITARE PED…
HARMONICA
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LUTH, THEOR…
MANDOLINE
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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MANDOLINE
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Vous avez sélectionné:
Try, Try Again
Violon
Partitions à imprimer
7 partitions trouvées
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1
See You Again
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Country
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Carrie Underwood
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David Lartey
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See You Again
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David Lartey
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1170807 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by David Lartey. Country,P...
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Violin Solo - Level 4 - SKU: A0.1170807 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by David Lartey. Country,Pop. 2 pages. David Lartey #771146. Published by David Lartey (A0.1170807).
$6.25
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Violon
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). ...
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Violin Solo - Level 3 - SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
The Westwood Harmonic Summer Dance
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Violon
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INTERMÉDIAIRE
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Jacob Litoff
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The Westwood Harmonic Summer D
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). ...
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Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
Tim Rice-Oxley: Try Again - violin solo
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Violon
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INTERMÉDIAIRE
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Rock
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Tim Rice-Oxley
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Virtualsheetmusic
Instantly printable sheet music by Tim Rice-Oxley for violin solo of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Tim Rice-Oxley for violin solo of MEDIUM skill level. / pop,rock
$4.97
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
52 Easter Hymns for the Solo Performer - violin
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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52 Easter Hymns for the Solo P
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KFS Publishing
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SheetMusicPlus
Violin - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Solo Part. 54 pages. Published by KF...
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Violin - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth D. Friedrich. Easter. Solo Part. 54 pages. Published by KFS Publishing
From Palm Sunday to the Resurrection, this collection of hymns are specially arranged for unaccompanied solo instruments.
Song list:
Behold, the Lord to Zion Rides 27. Low in the Grave He Lay
Hosanna, Loud Hosanna 28. God So Loved the World
Palm Sunday 29. Crown Him With Many Crowns
Triumphal Entry 30. Alive Again
Lift Up Your Heads 31. Alle Meschen Mussen Sterben
All Glory, Laud, and Honor 32. Thine Is the Glory
How Great Thou Art 33. At Eastertime
Come, Faithful People 34. The Day of Resurrection
So Lowly Doth the Savior Ride 35. Beautiful Easter
There Was a Time When Children Sang 36. Easter People, Raise Your Voices
Go To Dark Gethsemane 37. Ascension Hymn
Let Us Break Bread Together 38. Brighter Are the Sunbeams
Jesus Paid It All 39. Resurrexit
When I Survey the Wondrous Cross 40. He Is Risen
Down at the Cross 41. The Bell of Easter
There is a Fountain 42. Easter Carol
Near the Cross 43. Cristo Vive
What Wondrous Love Is This 44. The Easter Dawn
Alas and Did My Savior Bleed 45. Easter, Joyous Easter
And Can It Be 46. We Welcome Glad Easter
Blessed Redeemer 47. Easter Visits Earth Again
The Way of the Cross Leads Home 48. Glad Easter Morn
They Led My Lord Away 49. Hark, the Springtide Breezes
Crucifixion Spiritual 50. Sweet Easter-Time
Christ the Lord Is Risen Today 51. Look, Ye Saints!
Rock of Ages 52. The Song of the Morning
$25.00
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Try, Try Again
