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AUTRES
Vous avez sélectionné:
Wind Quintet - Flutterby
Violon
Partitions à imprimer
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Chorale Prelude Op.79b2 N.1 for Clarinet and String Quartet MP3
Violon
Cello,Clarinet,Viola,Violin - Digital Download SKU: A0.1066326 Composed by Max Rege…
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Cello,Clarinet,Viola,Violin - Digital Download SKU: A0.1066326 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Easter,Instructional,Sacred,Standards. Full Performance. Duration 58. Cristiano Vecchi #5008617. Published by Cristiano Vecchi (A0.1066326). Auferstehn, ja Auferstehn (Rise again, yes, rise again):a powerful and joyous chorale prelude composed by Max Reger in five real parts.Duration: 50.Version for: Clarinet in Bb - Violins 1&2 - Viola - Cello Also available for Woodwind Quintet.Score and parts also available on this website.
$1.99
1.84 €
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Violon
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Max Reger
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Cristiano Vecchi
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Chorale Prelude Op.79b2 N.1 for Clarinet and String Quartet MP3
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Cristiano Vecchi
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SheetMusicPlus
BEING3 (2021) for solo violin
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1290937 Composed by Rocco Di Pietr…
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Violin Solo - Level 4 - Digital Download SKU: A0.1290937 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. 5 pages. Rocco Di Pietro #881623. Published by Rocco Di Pietro (A0.1290937). The Genealogy of the “Being†PiecesBeingOn a poem by Georges Bataille called “God†in which Bataille states that “if God knewhe was God he would cease to be God. Therefore God is a-theist, profoundly so.†ForSATB mixed chorus, a capella. (Los Angeles, CA. 2004).Being MirrorThe Bataille text is hidden with only a few fragments left due to the generalimpossibleness of choral ensembles worldwide. For men’s chorus and chamberensemble. (Palo Alto, CA. 2014).PrayerAs the third movement of the cello symphony The Art of Imaginal Listening. Bataille’stext is renounced, the chorus reduced to syllables. For women’s chorus and orchestra.(Clarence Center, N.Y. 2014).Lost PrayerSince the text cannot be revealed, the Prayer is lost. The choral element is renouncedcompletely. For string orchestra or string quintet. (Clarence Center, N.Y. 2016).Lost Prayer2Expanding on all the possible choral and instrumental timbres, the cycle continues forwind instruments. For concert wind band. (Columbus, OH. 2019).Being3The last work in the cycle for a solo player, completes the project ending in agnosis. Forsolo violin. (Columbus, OH. 2021).
$12.00
11.08 €
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Violon
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Rocco Di Pietro
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BEING3
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Rocco Di Pietro
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SheetMusicPlus
Choros No 1
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lo…
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Violin Solo - Level 5 - Digital Download SKU: A0.798120 Composed by Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. 3 pages. Inacio Saldanha #6318935. Published by Inacio Saldanha (A0.798120). Villa-Lobos composed Chôros No. 1 in Rio de Janeiro in 1920, originally publishing it under the title Chôro tÃpico, then Chôro tÃpico brasileiro. The title is taken from an improvisational genre of Brazilian instrumental popular music that originated in Rio de Janeiro in the nineteenth century. The Portuguese word choro, means cry or lament, though most music of this type is far from being sorrowful. Four years after composing this work, at the time of his first visit to Paris, he decided to make it part of an extended cycle of works collectively titled Chôros, which eventually included fourteen numbered compositions, plus an Introduction aux chôros (Introdução aos chôros): Ouverture, for guitar and orchestra, designed to be played before a complete performance of the cycle, and Chôros bis, a two-movement duo for violin and cello, considered as a sort of encore piece. A Quintet (em forma de chôros), for five woodwind instruments (1928) is sometimes considered as related.In the context of the larger cycle, Chôros No. 1 is like the essence, the embryo, the psychological model that will be developed technically in the conception of all the Chôros (Villa-Lobos 1972, 210).The score of Chôros No. 1 is dedicated to Ernesto Nazareth, and a recording of it made by the composer lasts just under four minutes. Unlike the successor works, there is no attempt here to synthesize different aspects of Brazilian music into a stylistic montage. Instead, it employs the patterns, figurations, and simple structure characteristic of the improvised music of such celebrated chorões of the late-nineteenth and early twentieth centuries as Zequinha de Abreu, Quincas Laranjeiras [pt], Chiquinha Gonzaga, and Catulo da Paixão Cearense [pt] (Wright 1992, 62) This simplicity and the beauty of its composition have made it a favourite with professional guitarists (Appleby 2002, 80).Originally for Guitar, adapted for Solo Violin by Inacio Saldanha. Key of E minor. Advanced.
$7.99
7.37 €
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Violon
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Heitor Villa Lobos
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Inacio Saldanha
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Choros No 1
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Inacio Saldanha
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SheetMusicPlus
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