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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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JEUX VIDEOS
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Non classifié
528
PIANO & CLAVIERS
Piano, Voix et Guitare
394
Piano seul
230
Piano, Voix
65
Piano Facile
36
Instruments en Do
24
Orgue
16
2 Pianos, 4 mains
7
1 Piano, 4 mains
6
Accompagnement Piano
3
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare notes et tablatures
12
Guitare
11
4 Guitares (Quatuor)
5
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
3
Basse electrique
2
Ensemble de guitares
1
Mandoline
1
Banjo
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Ukulele
1
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VOIX
Chorale SATB
74
Chorale 3 parties
19
Chorale 2 parties
14
Chorale TTBB
11
Chorale Unison
6
Chorale SSAA
5
Voix duo, Piano
5
Voix duo
4
Voix seule
2
Voix Alto, Piano
2
Voix Tenor
2
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Chorale
1
Voix haute
1
Chorale SSAATTBB
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
74
Quintette de Saxophone: 5 saxophones
67
2 Saxophones (duo)
60
Ensemble de saxophones
40
Saxophone, Clarinette (duo)
32
2 Flûtes traversières (duo)
31
Quatuor de Saxophones: 4 saxophones
23
Clarinette, Violon (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Ensemble de Clarinettes
18
2 Clarinettes (duo)
17
Clarinette
16
Clarinette, Trompette (duo)
16
Hautbois (partie séparée)
15
Flûte traversière et Piano
13
Flûte, Clarinette (duo)
13
Saxophone
12
2 Hautbois (duo)
12
Flûte, Violon
11
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette (duo)
11
Flûte, Trompette (duo)
10
Clarinette et Alto
10
Hautbois, Basson (duo)
10
Hautbois, Flûte
10
Clarinette et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Flûte, Saxophone (duo)
9
Ensemble de Flûtes
8
Flûte, Alto (duo)
8
Flûte traversière
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
6
Saxophone Alto
5
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
3
Saxophone Soprano et Piano
3
Saxophone Tenor
3
Hautbois, violon (duo)
2
Saxophone (partie séparée)
2
Flûte à bec Soprano
2
Clarinette, Basson (duo)
2
Ensemble De Flûte à bec
2
Cor anglais, Piano
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Trombone (duo)
1
Saxophone Baryton, Piano
1
Hautbois et alto (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Flûte à Bec
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
Clarinette, Guitare (duo)
1
Flûte et Guitare
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
3 Saxophones (trio)
1
Flute (partie séparée)
1
Hautbois, Violoncelle
1
Clarinette, Tuba
1
Cor Anglais
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trompette, Saxophone (duo)
22
Ensemble de Trombones
14
Trompette, Trombone (duo)
14
Trompette
12
2 Trombones (duo)
12
Ensemble de Trompettes
12
Quatuor de Cuivres
11
2 Trompettes (duo)
10
Trombone
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone et Piano
6
Trompette, Piano
6
Cor
6
Tuba et Piano
4
Cor et Piano
4
Ensemble de Cors
3
Quatuor de cuivres: 4 trombones
3
Tuba
2
2 Tubas (duo)
2
Cor anglais, Piano
2
Trio de Cuivres
2
Trompette, Violoncelle (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
2 Cors (duo)
1
Trompette, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Cor (duo)
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Cor Anglais
1
Trompette, violon (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
20
2 Violons (duo)
18
Violon, Violoncelle (duo)
16
Violon et Piano
15
2 Altos (duo)
14
2 Violoncelles (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
Violon, Alto (duo)
11
Violoncelle
11
Ensemble de Violons
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto seul
7
Ensemble d'Altos
7
Harpe
5
Violoncelle, Piano
5
Alto, Piano
5
2 Harpes (duo)
3
Contre Basse
3
4 Violoncelles
3
Ensemble de Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Violon, Basson (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
107
Orchestre à Cordes
37
Ensemble Jazz
27
Orchestre
25
Orchestre de chambre
19
Ensemble de cuivres
16
Jazz combo
14
Cloches
4
Ensemble de Percussions
4
Vibraphone
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Batterie
1
Instrumentations suivantes
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AUTRES
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Violon
Partitions à imprimer
20 partitions trouvées
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Ellie Goulding : Cinquante Nuances de Grey - Love Me Like You Do (niveau intermédiaire)
Violon
Téléchargez la partition Violon Cinquante Nuances de Grey - Love Me Like You…
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Téléchargez la partition Violon Cinquante Nuances de Grey - Love Me Like You Do (niveau intermédiaire) de Ellie Goulding. Partition pour Violon avec accomp. orchestre -- Musique de film
5.99 €
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Violon
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Ellie Goulding
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Cinquante Nuances de Grey
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Tomplay
Ellie Goulding : Cinquante Nuances de Grey - Love Me Like You Do (niveau facile)
Violon
Téléchargez la partition Violon Cinquante Nuances de Grey - Love Me Like You…
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Téléchargez la partition Violon Cinquante Nuances de Grey - Love Me Like You Do (niveau facile) de Ellie Goulding. Partition pour Violon avec accomp. orchestre -- Musique de film
5.99 €
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Violon
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Ellie Goulding
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Cinquante Nuances de Grey
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Tomplay
Ellie Goulding : Cinquante Nuances de Grey - Love Me Like You Do (niveau très facile)
Violon
Téléchargez la partition Violon Cinquante Nuances de Grey - Love Me Like You…
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Téléchargez la partition Violon Cinquante Nuances de Grey - Love Me Like You Do (niveau très facile) de Ellie Goulding. Partition pour Violon avec accomp. orchestre -- Musique de film
5.99 €
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Violon
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Ellie Goulding
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Cinquante Nuances de Grey
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Tomplay
Drowning Shadows
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1218989 By Sam Smith. By Fraser T.…
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Violin Solo - Level 3 - Digital Download SKU: A0.1218989 By Sam Smith. By Fraser T. Smith and Sam Smith. Arranged by Sherry Lewis. Contemporary,Wedding. 5 pages. Sherry Lewis Publishing #815405. Published by Sherry Lewis Publishing (A0.1218989). DROWNING SHADOWS from LatchVIOLIN SOLO Intermediate LevelScore: 0Parts: 2 pagesTime: 4:10If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$4.99
4.54 €
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Violon
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Sam Smith
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Sherry Lewis
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Drowning Shadows
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Sherry Lewis Publishing
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SheetMusicPlus
Have I Told You Lately
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.799131 By Emilio. By Van Morrison.…
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Violin Solo - Level 3 - Digital Download SKU: A0.799131 By Emilio. By Van Morrison. Arranged by Dan Sanchez. Contemporary,Rock. 5 pages. Dan Sanchez #5020105. Published by Dan Sanchez (A0.799131). Thank you for checking out my Solo Violin arrangement of Have I Told You Lately That I Love You by Van Morrison. Rod Stewart also had a popular rendition of this tune in the 90’s. This arrangement includes the melody, along with fills to link each phrase. This creates a very full sound, providing a cohesive interpretation of a larger-ensemble orchestration. This is just one of my many special arrangements. Check out my full listing on Sheet Music Plus! I am always adding new items for String Duo, Trio, and Quartet. One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$4.99
4.54 €
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Violon
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Emilio
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Dan Sanchez
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Have I Told You Lately
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Dan Sanchez
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SheetMusicPlus
Walk Classically
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1025441 Composed by Moment Seyama.…
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Violin Solo - Level 2 - Digital Download SKU: A0.1025441 Composed by Moment Seyama. Classical,Concert,Film/TV,Instructional. 1 pages. Moment Seyama #4792599. Published by Moment Seyama (A0.1025441). In the hard times and harsh trials, in the good times and smooth strides; the spirit is like a heartbeat, the inspiration is to maintain one rhythm, one flow of locomotion and that is to walk classically. Like you had done it all before.
$3.00
2.73 €
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Violon
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Moment Seyama
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Walk Classically
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Moment Seyama
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. …
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Violin Solo - Level 3 - Digital Download SKU: A0.784340 Composed by Joshua Hauser. Instructional. 38 pages. Slide Ride #5288679. Published by Slide Ride (A0.784340). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.55 €
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Violon
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Violin Quartet
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Slide Ride
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SheetMusicPlus
Bloody Mary
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1281785 By Lady Gaga. By Clinton S…
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Violin Solo - Level 2 - Digital Download SKU: A0.1281785 By Lady Gaga. By Clinton Sparks, Fernando Garibay, Paul Blair, Stefani Germanotta, and William Grigahcine. Arranged by Jacob Sallette. 21st Century,Pop. 1 pages. Matthew Sallette #873133. Published by Matthew Sallette (A0.1281785). This piece is based on Lady Gaga's 2011 song, Bloody Mary. This solo violin sheet music combines many violin techniques, such as:-staccato-double stops-repeats, with first and second endings-minor shifting -pizzicato-dotted rhythms-6/4 time signatureThis piece is reccommended for musicians who have had 1-3 years of previous playing experience. The song incorporates dynamics, as well as cresc. and dim. to strengthen the musicality. I hope you enjoy playing this composition!https://youtu.be/-52ys8Kvg5g
$4.99
4.54 €
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Violon
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Lady Gaga
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Jacob Sallette
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Bloody Mary
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Matthew Sallette
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SheetMusicPlus
Octet for Strings (2020) violin II part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869665 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869665 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888351. Published by Thomas Oboe Lee (A0.869665). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.81 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Octet for Strings (2020) violin III part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869664 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869664 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888355. Published by Thomas Oboe Lee (A0.869664). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.81 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Octet for Strings (2020) violin I part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869662 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869662 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888349. Published by Thomas Oboe Lee (A0.869662). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.81 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
Octet for Strings (2020) violin IV part
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869661 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869661 Composed by Thomas Oboe Lee. Contemporary. 12 pages. Thomas Oboe Lee #5888357. Published by Thomas Oboe Lee (A0.869661). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
$1.99
1.81 €
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Violon
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Thomas Oboe Lee
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Octet for Strings
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Thomas Oboe Lee
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SheetMusicPlus
This is My Fathers World (Arrangements Level 3-5 for VIOLIN + Written Acc) Hymns
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.875328 Composed by English Melody.…
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Violin Solo - Level 3 - Digital Download SKU: A0.875328 Composed by English Melody. Arranged by Dr Jerry Nelson. Christian,Holiday,Jazz. 7 pages. Jerry Nelson #3877859. Published by Jerry Nelson (A0.875328). A very familiar hymn presented in a JAZZ style, with moments of 5/4 meter - shades of Dave Brubeck. Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434371). Time 3:02. For a SLOWER, rehearsal version at reduced price, Order #SO.419767. Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track. Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements. Share them with your friends. SEARCH Jerry Nelson (plus your instrument's name). You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).
$4.99
4.54 €
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Violon
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English Melody
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Dr Jerry Nelson
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This is My Fathers World
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Jerry Nelson
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SheetMusicPlus
Partita for Solo Violin (2011)
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.869155 Composed by Thomas Oboe Lee…
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Violin Solo - Level 5 - Digital Download SKU: A0.869155 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. With Allemande 3. 15 pages. Thomas Oboe Lee #431593. Published by Thomas Oboe Lee (A0.869155). Program note: In the spring of 2011 I had nothing to do after I finished composing an all-male a cappella sextet on the Latin textO Magnum Mysterium. And I wasn’t quite ready to begin work on my next project, Symphony No. 8 … City of Light. A year ago Irina Muresanu premiered my Violin Concerto (2009) in Jordan Hall with Maestro Max Hobart and the Boston Civic Symphony. I was thrilled with her performance of the work. So I thought, how about a set of solo pieces for the violin for her as a token of my appreciation for her artistry? Anytime one thinks of writing for solo violin, one has to face up to the monumental Partitas and Sonatas for unaccompanied violin by Johann Sebastian Bach. My Partita, similar to Bach’s in the use of the baroque suite as narrative and structure, is in seven movements. 1. Fantasia 2. Allemande 3. Courante 4. Sarabande 5. Gavotte/Minuet 6. Air 7. Gigue Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/partita-for-solo-violin-2011Video link: https://youtu.be/9NE8jM6tVyQ
$9.99
9.1 €
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Violon
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Thomas Oboe Lee
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Partita for Solo Violin
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Thomas Oboe Lee
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SheetMusicPlus
Partita for Solo Violin (2011)
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.869216 Composed by Thomas Oboe Lee…
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Violin Solo - Level 4 - Digital Download SKU: A0.869216 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. With Allemande 3. 15 pages. Thomas Oboe Lee #3917. Published by Thomas Oboe Lee (A0.869216). Program note: In the spring of 2011 I had nothing to do after I finished composing an all-male a cappella sextet on the Latin textO Magnum Mysterium. And I wasn’t quite ready to begin work on my next project, Symphony No. 8 … City of Light. A year ago Irina Muresanu premiered my Violin Concerto (2009) in Jordan Hall with Maestro Max Hobart and the Boston Civic Symphony. I was thrilled with her performance of the work. So I thought, how about a set of solo pieces for the violin for her as a token of my appreciation for her artistry? Anytime one thinks of writing for solo violin, one has to face up to the monumental Partitas and Sonatas for unaccompanied violin by Johann Sebastian Bach. My Partita, similar to Bach’s in the use of the baroque suite as narrative and structure, is in seven movements. 1. Fantasia 2. Allemande 3. Courante 4. Sarabande 5. Gavotte/Minuet 6. Air 7. Gigue Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/partita-for-solo-violin-2011Video link: https://youtu.be/9NE8jM6tVyQ
$9.99
9.1 €
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Violon
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Thomas Oboe Lee
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Partita for Solo Violin
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Thomas Oboe Lee
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SheetMusicPlus
Let It Be
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.588348 By The Beatles. By John Len…
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Violin Solo - Level 2 - Digital Download SKU: A0.588348 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. 3 pages. David McKeown #5318579. Published by David McKeown (A0.588348). Let It Be was one of the Beatles last recordings, released in 1970 when Paul McCartney had already announced his departure from the band. This full version of Let it Be is arranged in a suitable key and range for solo Violin, and includes chord accompaniment above the stave.This arrangement of Let It Be is suitable for musicians at an early intermediate level, though the short transcribed guitar solo presents a little more difficulty. The overall performance time is around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.54 €
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Violon
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The Beatles
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David McKeown
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Let It Be
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David McKeown
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SheetMusicPlus
Can't Stop
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1424085 By The Red Hot Chili Peppe…
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Violin Solo - Level 3 - Digital Download SKU: A0.1424085 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by SAMUEL DE SOUZA MALAQUIAS. Blues,Pop,R & B,Rock. 31 pages. SAMUEL DE SOUZA MALAQUIAS #1005264. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1424085). Elevate your repertoire with this faithful yet creative arrangement of Red Hot Chili Peppers' iconic Can't Stop. Perfect for intermediate players, this arrangement captures the energy and essence of the original while adding a fresh twist. The arrangement features a melody with piano accompaniment.Key Features:True to the original songIntermediate difficulty levelEngaging and enjoyable to playAdd this captivating arrangement to your collection today and experience the thrill of playing a timeless classic in a whole new way!
$7.99
7.28 €
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Violon
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The Red Hot Chili Peppers
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SAMUEL DE SOUZA MALAQUIAS
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Can't Stop
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.47 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.56 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
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The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.56 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
#
SheetMusicPlus
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