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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
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XYLOPHONE
Ace of Base
Non classifié
405
Piano & claviers
Piano seul
255
Piano, Voix
215
Orgue
59
Accompagnement Piano
52
Piano Facile
46
Piano, Voix et Guitare
44
Instruments en Do
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Clavecin
3
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
+ 11 instrumentations
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Guitares
Guitare
22
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
7
Paroles et Accords
6
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Basse electrique
2
Dulcimer
2
Ukulele
2
Banjo
1
+ 6 instrumentations
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Voix
Chorale SATB
235
Chorale 3 parties
53
Chorale 2 parties
39
Voix Alto, Piano
39
Chorale Unison
35
Voix Soprano, Piano
35
Voix Tenor, Piano
33
Chorale TTBB
31
Voix duo, Piano
16
Voix Baryton, Piano
16
Chorale SSAA
14
Voix haute
6
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix seule
1
+ 13 instrumentations
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Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quintette de Saxophone: 5 saxophones
22
Saxophone (partie séparée)
21
Flûte traversière et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette et Piano
13
2 Flûtes traversières (duo)
12
Clarinette
12
Hautbois, Piano (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Flûte et Guitare
11
Flûte traversière
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Ensemble de Clarinettes
9
Quintette de Clarinettes: 5 clarinettes
8
Flute (partie séparée)
7
2 Clarinettes (duo)
7
Ensemble de saxophones
6
Clarinette, Guitare (duo)
6
3 Clarinettes (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Tenor et Piano
6
Quintette de Flûte : 5 flûtes
5
Ensemble de Flûtes
5
Saxophone Soprano et Piano
5
Saxophone Alto
5
Hautbois (partie séparée)
4
2 Hautbois (duo)
3
3 Saxophones (trio)
3
Saxophone Tenor
3
Flûte, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Baryton, Piano
3
Flûte, Violon et Violoncelle
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
1
Flûte, Trombone (duo)
1
Clarinette (partie séparée)
1
Clarinette, Orchestre
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Hautbois, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor Anglais
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone (partie séparée)
22
Trompette (partie séparée)
19
Trombone et Piano
13
Trompette, Piano
11
Ensemble de Trombones
9
Trompette
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
7
Cor
6
Ensemble de Trompettes
5
Trombone
5
Tuba et Piano
4
Tuba (partie séparée)
4
2 Trombones (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
2 Trompettes (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trombones
1
Trombone, Orgue
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Cor anglais, Guitare (duo)
1
Cor anglais, Piano
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
34
Violon, Violoncelle (duo)
21
Violoncelle, Piano
16
Violon
13
Violoncelle
10
Alto, Piano
10
2 Violons (duo)
8
Contrebasse (partie séparée)
5
Harpe
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: violon, alto, violoncelle
5
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Ensemble de Violons
3
Alto (partie séparée)
3
Violon, Guitare (duo)
2
4 Violoncelles
2
Contre Basse
2
Violon (partie séparée)
2
Violoncelle , Guitare (duo)
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
Alto, Guitare (duo)
1
Violon, Alto (duo)
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
195
Ensemble Jazz
73
Orchestre
53
Orchestre à Cordes
44
Orchestre de chambre
27
Ensemble de cuivres
24
Cloches
17
Jazz combo
6
Batterie
6
Vibraphone
5
Batterie (partie séparée)
5
Ensemble de Percussions
5
Marimba
3
Orchestre, Violon
3
Percussion
2
Piano et Orchestre
2
Fanfare
1
Percussion (partie séparée)
1
+ 13 instrumentations
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Instruments
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LUTH, THEOR…
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
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CORNET
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Vous avez sélectionné:
Ace of Base
Alto seul
Partitions à imprimer
4 partitions trouvées
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1
A Lulu of a Lullaby-viola solo
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Alto seul
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FACILE
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Phil Beaman
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A Lulu of a Lullaby-viola solo
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Phil Beaman
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.845222 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #637203...
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Viola Solo - Level 2 - SKU: A0.845222 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6372039. Published by Phil Beaman (A0.845222). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques. Or (even for more advanced players) just for individual fun!
$3.99
Scent Dance II
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Alto seul
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AVANCÉ
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Xuntian He
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Scent Dance II
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Schott Music - Digital
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SheetMusicPlus
Viola - advanced to difficult - SKU: S9.Q47693 For viola solo. Composed by Xuntian He. This edition: single sheet. Viola Library. Downloadable, S...
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Viola - advanced to difficult - SKU: S9.Q47693 For viola solo. Composed by Xuntian He. This edition: single sheet. Viola Library. Downloadable, Separate edition. Duration 5 minutes. Schott Music - Digital #Q47693. Published by Schott Music - Digital (S9.Q47693). Scent Dance II for solo viola is based on the version for cello written in 2010. The virtuoso work was inspired by Xuntian He's poem Passing by the Earth, in which the author asks about the meaning of life in the face of his finiteness. The version for viola solo was written on the occasion of the 20th Viola Space Festival in Tokyo 2011.
$12.99
Viola, the Essential Technique: Three Octave Seventh Chord Arpeggios
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Alto seul
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Viorel Tudor, Daniela Tudor
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Viola, the Essential Technique
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SheetMusicPlus
Composed by Viorel Tudor, Daniela Tudor. Technique Training. 121 pages. Published by Published by Viorel Tudor...
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Composed by Viorel Tudor, Daniela Tudor. Technique Training. 121 pages. Published by Published by Viorel Tudor
Arpeggios have always been a popularresource for composers of all kinds of music, as well as a method for instrumentalmusicians to study and perfect their personal technique, and work with themajority of musical instruments. This volume is aimed at students andprofessional viola players that need to achieve an excellent technical level,or that want to achieve the level of a virtuoso in a short space of time. It ismagnificent opportunity to accomplish two important goals: spectacularlyimprove your technical level and study and master the main types of arpeggiosused in jazz improvisation.
You will come across arpeggioscoming from major chords with major seventh, with minor seventh, majorarpeggios with major seventh and augmented fifth, minor arpeggios with majorseventh and minor seventh: the diminished, semi diminished and augmented arpeggiosare also included.
In a short space of time, thestudy of arpeggios will provide you with a solid technical base that will allowyou to solve the most difficult passages you will find amongst viola scores.The only requirements are a little tenacity and patience.
$19.00
Four Episodes (for viola)
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Alto seul
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AVANCÉ
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Brandon Nelson
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Four Episodes
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Brandon Nelson
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.912917 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998627. Published by ...
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Viola Solo - Level 5 - SKU: A0.912917 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998627. Published by Brandon Nelson (A0.912917). A set of intriguing, contrasting miniatures for unaccompanied viola. Aimed at higher level players, this piece is ideal for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment.
$8.99
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