Arpeggios have always been a popularresource for composers of all kinds of music, as well as a method for instrumentalmusicians to study and perfect their personal technique, and work with themajority of musical instruments. This volume is aimed at students andprofessional viola players that need to achieve an excellent technical level,or that want to achieve the level of a virtuoso in a short space of time. It ismagnificent opportunity to accomplish two important goals: spectacularlyimprove your technical level and study and master the main types of arpeggiosused in jazz improvisation.

You will come across arpeggioscoming from major chords with major seventh, with minor seventh, majorarpeggios with major seventh and augmented fifth, minor arpeggios with majorseventh and minor seventh: the diminished, semi diminished and augmented arpeggiosare also included.

In a short space of time, thestudy of arpeggios will provide you with a solid technical base that will allowyou to solve the most difficult passages you will find amongst viola scores.The only requirements are a little tenacity and patience.

Would you like toplay the viola well, with a solid technique and impeccable intonation? We allknow that to do this you have to start from the beginning. That is, withscales. In this volume you can find them all, in three octaves and presented inan innovative, interesting and fun way. For the first time you can study themgrouped into parallel (or ?homophone?) keys, which is what scales that begin inthe same tone are called (e.g. C major-C minor, B Major-B minor etc.). In thesame way, you will practice the corresponding arpeggios, also in three octaves,followed by scales on double stops (thirds, sixths and eighths). All of this,with specific fingering for the viola, and with a focus on original technicalsolutions, that make the study considerably easier. The benefits gained fromstudying the scales grouped in this way are enormous, and they ensure that youwill achieve an excellent intonation.Both ways (major and minor), share the same physical space on the Viola?sfingerboard; they also share four of the seven sounds of the scale, which makesvery easy to recognise the different ones. Another innovative technique is the intonationcontrol semibreve, located eitherbelow or above various sounds of the scale. Each semibreve highlights theneed to check the tuning of the sound that accompanies, with the open string thatit indicates, since this is practically the only possible way of verifying thetuning. To sum up, this book proposes an innovative method of studying scales,as a result of the author?s many years of orchestra and teachingexperience.