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He Was There All The Time
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424
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81
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51
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38
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5
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3
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1
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1
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15
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6
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30
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28
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28
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27
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24
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21
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20
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19
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11
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7
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49
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35
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29
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25
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22
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19
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7
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13
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Vous avez sélectionné:
He Was There All The Time
Alto seul
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
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Alto seul
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Pub...
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Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Michelle
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Alto seul
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FACILE
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Rock
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The Beatles
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David McKeown
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Michelle
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David McKeown
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.588370 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. Davi...
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Viola Solo - Level 2 - SKU: A0.588370 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319327. Published by David McKeown (A0.588370). Michelle by the Beatles, was released on the 1965 album, Rubber Soul. The story goes that when John Lennon was at art school he used to invite Paul McCartney to college parties. At the time, French art culture was fashionable, and Paul McCartney used to pretend he was French despite no knowledge of the language. Later John Lennon suggested Paul should write a song recalling those times. Paul asked a friend’s wife, who happened to be a French teacher, for help with the French lyrics.This version of Michelle is arranged in the most suitable key and range for solo Viola. Piano/Guitar chords are included above the stave.Musicians at an early intermediate level will find version of Michelle ideal for formal and informal concert performance. The overall performance time is a little over two minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
Londonderry air for viola and piano
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Alto seul
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional
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Klas Krantz
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Londonderry air for viola and
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Amadeus Music
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.531059 Composed by Traditional. Arranged by Klas Krantz. Folk. Individual part. 5 pages. Amadeus Music #22705. Published ...
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Viola Solo - Level 3 - SKU: A0.531059 Composed by Traditional. Arranged by Klas Krantz. Folk. Individual part. 5 pages. Amadeus Music #22705. Published by Amadeus Music (A0.531059). The origin of the tune was for a long time somewhat mysterious, as no other collector of folk tunes encountered it, and all known examples are descended from Ms. Ross’ submission to Petrie’s collection (1855). The title of the air comes from the name of the county located in Northern Ireland. The air was collected by Jane Ross of Limavady, County Londonderry, who heard it played by an itinerant piper or fiddler. The descendants of blind fiddler Jimmy McCurry assert that he is the musician from whom she transcribed the tune but there is no historical evidence to support this speculation. The tune was listed as an anonymous air, with a note attributing its collection to Jane Ross of Londonderry. This led to the descriptive title Londonderry Air being used for the piece.
$5.95
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He Was There All The Time
