Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.
Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form.
Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.
A little dictionary of the musical and technical terms in this volume shall make their meaning accessible to young players in particular.

Arpeggios have always been a popularresource for composers of all kinds of music, as well as a method for instrumentalmusicians to study and perfect their personal technique, and work with themajority of musical instruments. This volume is aimed at students andprofessional viola players that need to achieve an excellent technical level,or that want to achieve the level of a virtuoso in a short space of time. It ismagnificent opportunity to accomplish two important goals: spectacularlyimprove your technical level and study and master the main types of arpeggiosused in jazz improvisation.

You will come across arpeggioscoming from major chords with major seventh, with minor seventh, majorarpeggios with major seventh and augmented fifth, minor arpeggios with majorseventh and minor seventh: the diminished, semi diminished and augmented arpeggiosare also included.

In a short space of time, thestudy of arpeggios will provide you with a solid technical base that will allowyou to solve the most difficult passages you will find amongst viola scores.The only requirements are a little tenacity and patience.