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Alto seul
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Can Can (Arrangements Level 3+ thru 5+ for VIOLA + Written Accomp)
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Alto seul
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INTERMÉDIAIRE
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Jacques Offenbach
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Dr Jerry Nelson
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Can Can
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Jerry Nelson
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.875356 Composed by Jacques Offenbach. Arranged by Dr Jerry Nelson. Romantic Period,World. Individual part. 7 pages. Jerry...
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Viola Solo - Level 3 - SKU: A0.875356 Composed by Jacques Offenbach. Arranged by Dr Jerry Nelson. Romantic Period,World. Individual part. 7 pages. Jerry Nelson #3878297. Published by Jerry Nelson (A0.875356). A chorus-line dance piece by Offenbach. The most popular Can Can in the books. You are moved methodically from Level 3+ thru 5+ using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the energizing Orchestral Accompaniment Track (#SO.432385). For a slower version at a very reduced price, see #SO.419733.Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name). VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5+. (Time 2:21)
$4.99
Hebraic Praise Medley (Arrangements Level 3-5 for VIOLA + Written Acc)
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Alto seul
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INTERMÉDIAIRE
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Traditional Hebraic Melodies
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Dr Jerry Nelson
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Written
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Hebraic Praise Medley
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Jerry Nelson
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.875162 Composed by Traditional Hebraic Melodies. Arranged by Dr Jerry Nelson. Hanukkah,Jewish,World. Individual part. 14 ...
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Viola Solo - Level 3 - SKU: A0.875162 Composed by Traditional Hebraic Melodies. Arranged by Dr Jerry Nelson. Hanukkah,Jewish,World. Individual part. 14 pages. Jerry Nelson #3873983. Published by Jerry Nelson (A0.875162). This trilogy (When the Rabbi Sings, Hava Nagila and Shalom Alechem) is a Nelson signature arrangement. Very exciting to perform, especially with the accompaniment track. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432407). Wanna slow down rehearsal a bit? Order the slower rehearsal track at a very reduced price (#SO.419751).Congrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5. (Time 3:35) www.JerryNelsonMusic.com.
$4.99
Four Episodes (for viola)
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Alto seul
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AVANCÉ
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Brandon Nelson
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Four Episodes
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Brandon Nelson
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.912917 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998627. Published by ...
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Viola Solo - Level 5 - SKU: A0.912917 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998627. Published by Brandon Nelson (A0.912917). A set of intriguing, contrasting miniatures for unaccompanied viola. Aimed at higher level players, this piece is ideal for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment.
$8.99
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