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Vous avez sélectionné:
What I See
Alto seul
Partitions à imprimer
4 partitions trouvées
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What Was I Made For?
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Alto seul
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Pop musique
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Billie Eilish
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Valdir Maia
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What Was I Made For?
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Valdir Maia
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SheetMusicPlus
Viola Solo - SKU: A0.1270115 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Valdir Maia. Children,Film/TV,Pop,Singer/So...
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Viola Solo - SKU: A0.1270115 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Valdir Maia. Children,Film/TV,Pop,Singer/Songwriter. Individual part. 2 pages. Valdir Maia #862560. Published by Valdir Maia (A0.1270115). What was I made for? A great song from Billie Eilish in the Barbie movie.You can find the arrangements for this instrument in the following versions:SoloSolo + CHORDSwith Pianowith Piano + CHORDSFor more sheet music, check out my catalogue and see several scores' videos at www.youtube.com/@easysheetmusic.
$4.99
What Was I Made For?
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Alto seul
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Pop musique
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Billie Eilish
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Valdir Maia
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What Was I Made For?
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Valdir Maia
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SheetMusicPlus
Viola Solo - SKU: A0.1270114 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Valdir Maia. Children,Film/TV,Pop,Singer/So...
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Viola Solo - SKU: A0.1270114 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Valdir Maia. Children,Film/TV,Pop,Singer/Songwriter. Individual part. 2 pages. Valdir Maia #862559. Published by Valdir Maia (A0.1270114). What was I made for? A great song from Billie Eilish in the Barbie movie.You can find the arrangements for this instrument in the following versions:SoloSolo + CHORDSwith Pianowith Piano + CHORDSFor more sheet music, check out my catalogue and see several scores' videos at www.youtube.com/@easysheetmusic.
$4.99
Bourrée from Bach Cello Suite 3 for Unaccompanied Viola
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Alto seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Shawn Boucké
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Bourrée from Bach Cello
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Shawn Boucke
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.1135925 Composed by Johann Sebastian Bach. Arranged by Shawn Boucké. Baroque,Classical,Instructional. Individual part....
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Viola Solo - Level 3 - SKU: A0.1135925 Composed by Johann Sebastian Bach. Arranged by Shawn Boucké. Baroque,Classical,Instructional. Individual part. 2 pages. Shawn Boucke #735947. Published by Shawn Boucke (A0.1135925). This viola version of Bourrée from Bach Cello Suite 3 has many of the original bowings written from the oldest available version of the suite written down by Anna Magdalena Bach. I have added a few alterations to make the bowing clear as well as closer to what a performer might have done at the time. I have left out dynamic and tempo marking to be more accurate of an arrangement. The performer should take it upon themselves to add whatever phrasing or dynamic changes seem fit. This arrangement was also made for my own students who would like to perform the suites unaccompanied (like the original work) for festivals such as Solo & Ensemble.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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