Volume 3 in the Pure Viola series has 30 classic Christmas carols that both you and your audience are sure to love. This is over 40 minutes of non-stop Christmas carols, specially arranged for solo viola.

These holiday favorites are a special arrangement for solo viola. This is not just another copy of the same old melody lines. Each carol is expanded with double stops to add a rich harmony for solo performance. Many of the carols are entirely in first position, and nothing goes beyond fourth position. Each carol is in its original key, so it is easy to combine these with your own choir or piano/organ parts.

Volume 3 contains the following:
1. Angels from the Realms of Glory
2. Angels We Have Heard on High
3. Auld Lang Syne
4. Away in a Manger (Cradle Song)
5. Away in a Manger (Mueller)
6. Bring a Torch, Jeanette, Isabella
7. Coventry Carol
8. Deck the Halls
9. God Rest You Merry, Gentlemen
10. Good Christian Men Rejoice (In Dulci Jubilo)
11. Good King Wenceslas
12. Hark! The Herald Angles Sing
13. Here We Come A-Caroling (Wassail Song)
14. I Heard the Bells on Christmas Day
15. I Saw Three Ships
16. It Came Upon the Midnight Clear
17. Joy to the World
18. Lo, How a Rose E'er Blooming
19. O Christmas Tree (O Tannenbaum)
20. O Come All Ye Faithful (Adeste Fideles)
21. O Come, O Come, Emmanuel
22. O Holy Night
23. O Little Town of Bethlehem (Forest Green)
24. O Little Town of Bethlehem (St. Louis)
25. Silent Night
26. The First Noel
27. The Holly and the Ivy
28. We Three Kings
29. What Child is This (Greensleeves)
30. While Shepherds Watched Their Flocks

Would you like toplay the viola well, with a solid technique and impeccable intonation? We allknow that to do this you have to start from the beginning. That is, withscales. In this volume you can find them all, in three octaves and presented inan innovative, interesting and fun way. For the first time you can study themgrouped into parallel (or ?homophone?) keys, which is what scales that begin inthe same tone are called (e.g. C major-C minor, B Major-B minor etc.). In thesame way, you will practice the corresponding arpeggios, also in three octaves,followed by scales on double stops (thirds, sixths and eighths). All of this,with specific fingering for the viola, and with a focus on original technicalsolutions, that make the study considerably easier. The benefits gained fromstudying the scales grouped in this way are enormous, and they ensure that youwill achieve an excellent intonation.Both ways (major and minor), share the same physical space on the Viola?sfingerboard; they also share four of the seven sounds of the scale, which makesvery easy to recognise the different ones. Another innovative technique is the intonationcontrol semibreve, located eitherbelow or above various sounds of the scale. Each semibreve highlights theneed to check the tuning of the sound that accompanies, with the open string thatit indicates, since this is practically the only possible way of verifying thetuning. To sum up, this book proposes an innovative method of studying scales,as a result of the author?s many years of orchestra and teachingexperience.